Directed by
Martha Fiennes |
Writing Credits
Martha Fiennes | ... | (written by) |
George Tiffin | ... | (additional screenplay) (uncredited) |
Cast (in credits order)
Produced by
Marina Fuentes Arredonda | ... | executive producer (as Marina Fuentes) |
Tarak Ben Ammar | ... | producer |
Robert Bevan | ... | executive producer |
Steve Christian | ... | executive producer |
Jo Cuppage | ... | associate producer |
Ron Rotholz | ... | executive producer / producer |
Leontine Ruette | ... | line producer |
Marc Samuelson | ... | executive producer |
Peter Samuelson | ... | executive producer |
Charlie Savill | ... | executive producer |
Music by
Magnus Fiennes |
Cinematography by
George Tiffin |
Editing by
Tracy Granger |
Casting By
Lucy Bevan |
Production Design by
Tony Burrough |
Set Decoration by
Judy Farr |
Costume Design by
Michele Clapton |
Makeup Department
Darren Evans | ... | hair designer / makeup designer |
Whitney James | ... | makeup artist: Penelope Cruz |
Sara Raeburn | ... | hair stylist supervisor / makeup supervisor |
Martin Samuel | ... | hair stylist: Penelope Cruz |
Laura Schiavo | ... | makeup artist |
Production Management
Meg Clark | ... | post-production supervisor |
Trevor Ingman | ... | production manager |
Second Unit Director or Assistant Director
James Chasey | ... | third assistant director |
Ben Howarth | ... | first assistant director |
Samantha McGrady | ... | second assistant director (as Samantha Smith) |
Art Department
Yasmin Al-Naib | ... | art department assistant |
Matthew Broderick | ... | props |
Corina Burrough | ... | production buyer |
Graham Caulfield | ... | drapes |
Jonathan Downing | ... | dressing prop |
Shane Harford | ... | dressing props |
Katrina Mackay | ... | art department assistant (as Katrina Dunn) |
Brian Neighbour | ... | construction manager |
Mitch Niclas | ... | stand-by prop |
David Weller | ... | on-set rigger |
Eddie Wolstencroft | ... | stand by painter |
Sound Department
James Bennett | ... | adr recordist |
Paula Boram | ... | foley artist |
Mike Dowson | ... | re-recording mixer |
Dario Garbo | ... | sound recordist |
Paul Govey | ... | re-recording mixer |
Robin Green | ... | boom operator |
Mark Holding | ... | sound mixer |
Marc Mnémosyne | ... | sound mix technician |
Sarah Morton | ... | adr & dialogue editor |
Paul Paragon | ... | sound mixer: pick ups |
James Seddon | ... | dolby consultant |
Esther Smith | ... | assistant sound re-recording mixer |
Ruth Sullivan | ... | foley artist |
Special Effects by
Chris Watson | ... | special effects supervisor |
Visual Effects by
Matthew Bristowe | ... | digital lab producer: MPC |
Lyndy Brown | ... | studio manager: Baseblack |
Stephen Elson | ... | visual effects producer: Baseblack |
Max Horton | ... | digital colourist |
Zoe Izzard | ... | digital film recordist |
Per Karefelt | ... | digital compositor: Baseblack |
Ryan Knowles | ... | film recorder operator |
John Kozak | ... | researh & development: Baseblack |
Begoña Lopez | ... | digital lab producer: MPC |
Donal Nolan | ... | digital compositor |
Chris Panton | ... | digital compositor: Baseblack |
Val Wardlaw | ... | visual effects supervisor: Baseblack |
Pat Wintersgill | ... | online editor |
Stunts
Lee Sheward | ... | stunt coordinator |
Camera and Electrical Department
Liam Daniel | ... | still photographer |
Rawdon Hayne | ... | first assistant camera |
Gwilym Hoosen-Owen | ... | electrician |
Roger Lowe | ... | chief lighting technician |
Iain Mackay | ... | second assistant camera |
Nick Ray | ... | grip |
Peter Robertson | ... | camera operator: "a" camera |
Casting Department
Abigail Barbier | ... | adr voice casting |
Louis Elman | ... | adr voice casting |
Bev Lawley | ... | extras casting |
Costume and Wardrobe Department
Rebecca Duncan | ... | wardrobe mistress |
Suzie Harman | ... | assistant costume designer |
Editorial Department
Ben Clayton | ... | first assistant editor |
Richard Elson | ... | associate editor |
Dan Farrell | ... | additional editor (as Daniel Farrell) |
Thomas Urbye | ... | on-line film editor |
Jason Wheeler | ... | negative cutter |
Robert A. Willis | ... | digital film recordist |
Location Management
Tom Crooke | ... | assistant location manager |
Marcelo de Oliveira | ... | location scout |
Holly Pullinger | ... | location assistant |
Charlie Simpson | ... | location unit manager |
Jane Soans | ... | location manager |
Jason Wheeler | ... | location scout |
Music Department
Andy Brown | ... | music contractor |
Magnus Fiennes | ... | music supervisor |
The London Metropolitan Orchestra | ... | music performed by / performer: London Metropolitan Orchestra |
Kle Savidge | ... | music supervisor |
Scott Shields | ... | composer: additional music |
Paul Edmund-Davies | ... | musician: flute (uncredited) |
Steve Mair | ... | musician: double bass (uncredited) |
Transportation Department
Guy Bostock | ... | vehicle coordinator |
Ian Clarke | ... | vehicle technician |
Additional Crew
Lucy Anthony | ... | unit nurse |
Donna Casey | ... | assistant accountant |
Warren Clark | ... | security: iom |
Veronica Coppola | ... | travel coordinator |
Rob Craine | ... | production assistant (as Robin Craine) |
Matt Curtis | ... | title designer |
Hollie Foster | ... | assistant coordinator: preparation |
Chris Ingram | ... | production runner |
Laura Macdonald | ... | creative executive |
Kelly Messias | ... | assistant: Ralph Fiennes |
Alex Moreno | ... | production coordinator |
Ali Moshref | ... | post-production accountant |
Richard Neale | ... | on-set computer technician: CompuHire |
Jessica Parker | ... | production executive |
Paul Mitchell Rosenblum | ... | production executive (as Paul Rosenblum) |
Nick Savva | ... | post-production coordination |
Joss Skottowe | ... | supervising armorer |
John Busow | ... | stand-in (uncredited) |
Thanks
Eddie Dias | ... | thanks |