Chromophobia (2005)

 |  Drama  |  10 May 2006 (France)
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Ratings: 6.1/10 from 1,644 users  
Reviews: 12 user | 12 critic

A bourgeois family slowly comes apart at the seams.



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Cast overview, first billed only:
Stephen Tulloch
Edward Aylesbury
Marcus Aylesbury
Iona Aylesbury
Penelope Aylesbury
Geoffrey Wharton
Bushey (as Michele Gormez)
Clem Tibber ...
Orlando Aylesbury
Sasha Hailey ...


Every family has its secrets and tries to hold them hidden within domestic walls. However, those of the family of Marcus Aylesbury are in order to become public because of the family's long date friend Trent, a journalist faithful to his ideals who, put under pressure by his editor, is looking for a "sexy-scoop"... Written by johnnyber

Plot Summary | Plot Synopsis


Don't live your life in black and white.




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Release Date:

10 May 2006 (France)  »

Also Known As:

Alta sociedad  »

Box Office


$10,000,000 (estimated)

Company Credits

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Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
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Did You Know?


Stephen Tulloch: So, how are you Gorgeous?
Iona Aylesbury: Well, I'm seeing a woman with a mustache about my parenting flaws and my residual bulimia. And I'm doing autogenic self-hypnosis to try to keep the low self esteem at bay. I'm getting back to work and - But anyway, it's just really exciting for me at the moment because I am beginning to find the real me.
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Written by David Bowie
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User Reviews

Chilling and warming.
26 May 2005 | by (Netherlands) – See all my reviews

I had the unique chance of watching this movie at it's midnight premiere at Cannes, and this engaging story made the evening even more complete. Chromophobia is a depiction of how several upper-class Brits have become so obsessed with material things and their careers that they have become completely detached from the bare necessities: love, professional integrity, friendship and even their own children. Each of the characters will betray one of those ideals, and they will see their lives and relationships come crashing down. But while most of the movie is alienating, depressing and leaves you almost begging for some relief (it is there, you will laugh occasionally), in the end there is redemption: not in a glorious comeback or victory, but in the simple dignity of picking up the pieces and carrying on with a brave face. The train station scene is especially impressive, showing the sudden determination and loyalty in the main characters when faced with the ruin of their lives. Both chilling and warming: this is one solid piece of British drama.

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