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Directed by | |||
| Kevin Willmott | |||
Writing credits(in alphabetical order) | ||
| Kevin Willmott | ||
Produced by | |||
| Sean Blake | .... | co-producer | |
| Rick Cowan | .... | producer | |
| Victoria Goetz | .... | co-producer | |
| Ollie Hall | .... | associate producer | |
| Andrew Herwitz | .... | executive producer | |
| Matt Jacobson | .... | co-producer (as Matthew Jacobson) | |
| Kerwin Looney | .... | associate producer | |
| Benjamin Meade | .... | co-producer | |
| Marvin Voth | .... | executive producer | |
Original Music by | |||
| Erich L. Timkar | |||
| Kelly Werts | |||
Cinematography by | |||
| Matt Jacobson | (director of photography) (as Matthew Jacobson) | ||
Film Editing by | |||
| Sean Blake | |||
| David Gramly | |||
Casting by | |||
| Heather Laird | |||
| Jack Wright | |||
Production Design by | |||
| Scott Murray | |||
| William Willmott | (as Will Willmott) | ||
Art Direction by | |||
| Bryan Mangan | |||
Set Decoration by | |||
| Ken Smith | |||
Makeup Department | |||
| Ashley Kelly | .... | key hair stylist | |
| Ashley Kelly | .... | key makeup artist | |
Production Management | |||
| Liz Manne | .... | post-production consigliere | |
| Stephanie Smith | .... | production manager | |
| Mark von Schlemmer | .... | post-production supervisor | |
Art Department | |||
| Dan Laurine | .... | set dresser | |
| Jennifer Melching | .... | set dresser | |
| Steve Peltzman | .... | set dresser | |
| Patrick Rea | .... | storyboard artist | |
| Jerry Vest | .... | property master | |
Sound Department | |||
| Kriss Avery | .... | dialogue editor | |
| Mark Bovos | .... | sound recordist | |
| Adam Jamal Craig | .... | sound engineer | |
| David Gramly | .... | dialogue editor | |
| Colin Mahoney | .... | supervising sound editor | |
| Jeffrey D. Miller | .... | boom operator (as Jeff Miller) | |
| Chris Ordal | .... | sound recordist | |
| Matthew Osburn | .... | boom operator (as Matt Osburn) | |
| Nathan Richardson | .... | boom operator | |
| Robert Sokol | .... | sound effects designer | |
| Robert Sokol | .... | sound recordist | |
| Rich Stobaugh | .... | sound editor | |
| Rich Stobaugh | .... | sound recordist | |
Special Effects by | |||
| Donna Walters | .... | special effects makeup | |
Stunts | |||
| Richard A. Buswell | .... | fight choreography (as Richard Buswell) | |
| Garl Clark | .... | horse wrangler | |
Animation Department | |||
| Ryan S. Jones | .... | computer animator (as Ryan Jones) | |
| Shawn Martin | .... | computer animator | |
| Marshall Miller | .... | computer animator | |
| Patrick Rea | .... | computer animator | |
Costume and Wardrobe Department | |||
| Rebecca Dempsey | .... | wardrobe assistant | |
| Debbie Lake | .... | wardrobe supervisor: period wardrobe | |
| Jim Lake | .... | wardrobe supervisor: period wardrobe | |
| Nancy J. Robinson | .... | wardrobe designer (as Nancy Robinson) | |
| Donna Walters | .... | wardrobe supervisor | |
Editorial Department | |||
| Victoria Goetz | .... | assistant editor | |
| Ryan Nelson | .... | assistant editor | |
| Nathan Richardson | .... | assistant editor | |
| Tom Rovak | .... | film transfer supervisor | |
| John Vapensky | .... | assistant colorist | |
| Nick Vella | .... | post-production coordinator | |
| Mark von Schlemmer | .... | assistant editor | |
Music Department | |||
| Dylan Bassett | .... | composer: additional original score | |
| Dylan Bassett | .... | musician | |
| Rebecca Bell | .... | composer: additional original score | |
| Rebecca Bell | .... | musician | |
| Mike Boring | .... | composer: additional original score | |
| Albert Brune | .... | composer: additional original score | |
| Albert Brune | .... | musician | |
| Brett Cooper | .... | composer: additional original score | |
| Brett Cooper | .... | musician | |
| Betse Ellis | .... | musician | |
| Lynn Piller | .... | composer: additional original score | |
| Lynn Piller | .... | musician | |
| Scott Richardson | .... | composer: additional music | |
| Rich Stobaugh | .... | music recording engineer | |
| J. Richard Walker | .... | music recording engineer | |
Thanks | |||
| Michael Broadfoot | .... | dedicatee | |
| Garl Clark | .... | dedicatee | |
| Stan Herd | .... | thanks | |
| Scott Richardson | .... | thanks | |
| Kathleen Sebelius | .... | special thanks | |
| Bob G. Surber | .... | dedicatee | |
| Melvin Van Peebles | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
This movie danced along the edge of impropriety, but brilliantly. The premise is good and the execution is genius. Depicting this as a standard 'Ken Burns style' documentary is the perfect way to convey the sweep of history in a short time. The interviews, voice overs, and lingering camera shots of a still photograph were all spot-on.
My favorite part was the multiple level satire of films from the early 20th century showing events from the 19th: a silent movie about Lincoln's capture, a 50s school educational film about the superiority of whites, and a Hollywood war epic about the CSA's wars in South America. Depicting the fictional events through a lens of contemporary attitudes of what would have been the 20s, 30s, 40s, and 50s... it made my head swim.
The commercials that another reviewer mentioned were humorous breaks in the action, but they didn't go much further than any normal commercial parody. The note at the end from the movie creators about the sources for some of these (I won't give it away) made me twinge with guilt for laughing, which I think is the response they wanted.
Overall, if you are a student of history, a lover of satire, a thinking person, or (god forbid) all 3 - you should see this move.