| Wallace Shawn | ... | Sy | |
| Neil Pepe | ... | Al | |
| Stephanie Roth Haberle | ... | Louise | |
| Larry Pine | ... | Max | |
| Radha Mitchell | ... | Melinda Robicheaux | |
| Michael J. Farina | ... | Man with Dog | |
| Jonny Lee Miller | ... | Lee | |
| Chloë Sevigny | ... | Laurel | |
| Matt Servitto | ... | Jack Oliver | |
| Arija Bareikis | ... | Sally Oliver | |
| Brooke Smith | ... | Cassie | |
| Zak Orth | ... | Peter | |
| Will Ferrell | ... | Hobie | |
| Andy Borowitz | ... | Doug | |
| Amanda Peet | ... | Susan | |
| Shalom Harlow | ... | Joan | |
| David Aaron Baker | ... | Steve Walsh | |
| Christina Kirk | ... | Jennifer | |
| Alyssa Pridham | ... | Acting Student | |
| Katie Kreisler | ... | Director | |
| Quincy Rose | ... | 2nd A.D. | |
| Steve Carell | ... | Walt | |
| Chiwetel Ejiofor | ... | Ellis Moonsong | |
| Richard Holmes | ... | Party Guest (as Rick Vincent Holmes) | |
| Michelle Durning | ... | Party Guest (as Michele Durning) | |
| Geoffrey Nauffts | ... | Bud Silverglide | |
| Josh Brolin | ... | Greg Earlinger | |
| Yi-wen Jiang | ... | Shanghai Quartet (as Yi-Wen Jiang) | |
| Honggang Li | ... | Shanghai Quartet | |
| Weigang Li | ... | Shanghai Quartet | |
| Nick Tzavaras | ... | Shanghai Quartet (as Nicholas Tzavaras) | |
| Rob Buntzen | ... | Antique Shop Owner | |
| Daniel Sunjata | ... | Billy Wheeler | |
| Vinessa Shaw | ... | Stacey | |
| rest of cast listed alphabetically: | |||
| Lauren Adler | ... | Waitress (uncredited) | |
| David Boston | ... | Racetrack Bettor (uncredited) | |
| James Ecklund | ... | Kissing Guy (uncredited) | |
| Kenneth Edelson | ... | Disco Guest (uncredited) | |
| Alex Harder | ... | Waiter (uncredited) | |
| Sabrina Lloyd | ... | (uncredited) | |
| Jacqueline Lovell | ... | Halloween Partygoer (unconfirmed) (uncredited) | |
| Michalina Scorzelli | ... | Susan's Neighbor (uncredited) | |
| Natalie Silverlieb | ... | Mandy (uncredited) | |
Directed by | |||
| Woody Allen | |||
Writing credits(WGA) | ||
| Woody Allen | (written by) | |
Produced by | |||
| Letty Aronson | .... | producer | |
| Charles H. Joffe | .... | co-executive producer | |
| Helen Robin | .... | co-producer | |
| Jack Rollins | .... | co-executive producer | |
| Stephen Tenenbaum | .... | executive producer | |
Cinematography by | |||
| Vilmos Zsigmond | |||
Film Editing by | |||
| Alisa Lepselter | |||
Casting by | |||
| Juliet Taylor | |||
Production Design by | |||
| Santo Loquasto | |||
Art Direction by | |||
| Tom Warren | |||
Set Decoration by | |||
| Regina Graves | |||
Costume Design by | |||
| Judy L. Ruskin | (as Judy Ruskin Howell) | ||
Makeup Department | |||
| Robert Fama | .... | hair stylist | |
| Wayne Herndon | .... | key hair stylist | |
| Lori Hicks | .... | key makeup artist | |
| Nuria Sitja | .... | makeup artist | |
| Fern Feller | .... | additional makeup artist (uncredited) | |
| Lorraine Godfrey | .... | additional hair stylist (uncredited) | |
Production Management | |||
| Helen Robin | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Dean Garvin | .... | second assistant director | |
| Richard Patrick | .... | first assistant director | |
| Kevin Shaw | .... | dga trainee | |
| Kathleen E. Kearney | .... | second assistant director (uncredited) | |
| Danielle Rigby | .... | first assistant director: reshoots (uncredited) | |
Art Department | |||
| Julia Barraclough | .... | scenic artist | |
| Michael J. Cerullo | .... | chief construction grip (as Michael Cerullo) | |
| Ed Ferraro | .... | stand-by carpenter | |
| Danielle Giovanniello | .... | assistant property master | |
| Rafael Gonell | .... | art department/shop assistant | |
| Daniel K. Grosso | .... | leadman | |
| John Kouromihelakis | .... | art department/shop assistant | |
| Glenn Lloyd | .... | art department coordinator | |
| Wayne Moss | .... | construction coordinator | |
| Ron Petagna | .... | head carpenter (as Ronald Petagna) | |
| Chinyere Ryan | .... | scenic artist | |
| Cliff Schorr | .... | stand-by scenic artist | |
| R. Vincent Smith | .... | assistant property master | |
| James Sorice | .... | master scenic artist | |
| Paul Weathered | .... | property master | |
| Frank Weysos | .... | art department/shop assistant (as Frank Leal) | |
| Vincent Guarriello | .... | key construction grip (uncredited) | |
| Sarah Maine | .... | set dresser (uncredited) | |
Sound Department | |||
| Gary Alper | .... | production sound mixer | |
| Coll Anderson | .... | foley editor | |
| Michael Barry | .... | re-recording mixer | |
| Nancy Cabrera | .... | foley artist | |
| Ryan Collison | .... | foley recording engineer | |
| Frank Graziadei | .... | boom operator | |
| Robert Hein | .... | supervising sound editor | |
| Thomas Kodros | .... | consultant: Dolby Sound | |
| Michelle Mader | .... | cable person | |
| Sylvia Menno | .... | dialogue editor | |
| Dave Paterson | .... | sound effects editor | |
| Glenfield Payne | .... | sound effects editor | |
| Marilyn Teorey | .... | apprentice sound editor | |
| David Wahnon | .... | first assistant sound editor | |
| Akil Wilson | .... | assistant sound editor | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| John Ottesen | .... | special effects coordinator | |
Camera and Electrical Department | |||
| Matt Balzarini | .... | second assistant camera | |
| David E. Baron | .... | first assistant camera | |
| Michael Green | .... | camera operator | |
| Scott Gregoire | .... | best boy electric | |
| Brian Hamill | .... | still photographer | |
| Elizabeth Hedges | .... | camera loader | |
| Petr Hlinomaz | .... | gaffer | |
| Gary Martone | .... | key grip | |
| Jessica Miglio | .... | still photographer assistant | |
| Tally Morse | .... | dolly grip | |
| Charles Quinlivan | .... | best boy grip | |
| Kyle Rudolph | .... | steadicam | |
| David J. Thompson | .... | steadicam (as David Thompson) | |
| Tim Davies | .... | grip (uncredited) | |
| Glenn Fishel | .... | grip (uncredited) | |
| Anna Novick | .... | grip (uncredited) | |
| Jon W. Rosenbloom | .... | grip (uncredited) | |
Casting Department | |||
| Karen E. Etcoff | .... | extras casting: Kee Casting | |
| Patricia Kerrigan DiCerto | .... | casting associate | |
| Julie Schubert | .... | casting assistant | |
| Bill Tripician | .... | extras casting associate | |
Costume and Wardrobe Department | |||
| Michael Adkins | .... | wardrobe supervisor | |
| Stephanie Biear | .... | shop wardrobe supervisor | |
| Mark Cronogue | .... | costume assistant | |
| Winsome G. McKoy | .... | wardrobe supervisor (as Winsome McKoy) | |
| Yleana Nunez | .... | costume assistant (as Yleana Nuñez) | |
| Frankie Ritacco | .... | assistant costume designer (as Frankie Ritacco Sirianni) | |
Editorial Department | |||
| Sara Corrigan | .... | first assistant editor | |
| Elise DuRant | .... | apprentice editor (as Elise Du Rant) | |
| Morgan Neville | .... | assistant editor (as Neville A. Morgan) | |
| Joe Violante | .... | dailies advisor | |
Music Department | |||
| Jill Meyers | .... | music clearances | |
| Roy B. Yokelson | .... | music recording engineer | |
| Dick Hyman | .... | musician: piano (uncredited) | |
Transportation Department | |||
| Peter Tavis | .... | transportation captain | |
| Timothy J. Wood | .... | transportation co-captain | |
Thanks | |||
| Greg Johnson | .... | the producers gratefully acknowledge and wish to thank | |
| Jessica Rose | .... | thanks | |
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| Closer | Playing by Heart | Paris, je t'aime | The Nanny Diaries | Elegy |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
A bunch of guys are discussing philosophy in a bar. Two writers with opposed views on life argue about it: is life tragic or comic? To illustrate their theories, they imagine a story of a woman. The comic writer presents the optimistic, bright tale of Melinda (Radha Mitchell), who just accepts life as it goes by. The tragic writer gives us a destructive, lonesome and troubled Melinda, who deals with depression and suicide. Around the two Melindas we can find a variety of interesting characters: a sincere and kind of shy actor (Will Ferrell) and his ambitious wife (Amanda Peet) in the comic tale; an intellectual woman (Chloe Sevigny) and the gentle pianist (Chiwetel Ejiofor)she falls in love with.
Woody's recent efforts weren't much impressive (yet me and most of critics here liked them), so everyone was a bit skeptical about his next film. Skeptical because it wasn't a proper comedy and because Woody didn't appear in it. Well, after having seen it, I must say this is the best film the man has directed in the last ten years or so (no, I haven't seen Deconstructing Harry). Not only it is wittier, but more transcendental as well. It feels more personal, and its message is clearer and warmer. Woody teaches us a lesson. Let's not get too excited, though. The film itself is not breathtakingly impressive, but it truly delivers, and is overall rewarding. It features plenty of allenisms and classic Woody situations. Precisely one of the correct complaints about the movie is the feeling of déja vu. The film's premise is original (it might even remind of Crimes and Misdemeanors, but believe me: it's pretty different) and very well executed, but the setting and characters all seem a bit familiar.
Nothing wrong with that, though. There's plenty of characters and they're all very well crafted by the director: the protagonist, Melinda, is both believable in its two sides (tragic and comic). Radha Mitchell is excellent in both parts, switching from comedy to drama smoothly. Will Ferrell is great, and I mean great, portraying the allenistic neurotic - he doesn't merely imitate Woody. Ejiofor and Sevigny are also very adequate in their roles. Overall, none of the characters seems forced; they're all believable and honest. I'd like to comment on the cinematography by veteran Vilmos Zsigmond (The Deer Hunter) in his first collaboration with Allen: the photography is by no means revolutionary, but the way the shots were composed was always interesting (a rewatch will help to reinforce this observation).
Woody's direction is masterful as always. I'm fascinated at how he alternates and mixes both stories. The pace and editing are mostly effective, as is the usual jazzy score. The dialogues presented are human and dynamic. This is a throughoutly enjoyable, pleasant exercise on love, infidelity, marriage, life, and so on, which while not being specially mesmerizing nor powerful, is sure enlightening: life is short. We shouldn't see it in a pessimistic way, because that doesn't lead anywhere, nor in an exaggeratedly optimistic way. We just got to accept it and enjoy it, because it can end... like that.