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Melinda and Melinda (2004)

6.5
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Ratings: 6.5/10 from 23,979 users   Metascore: 54/100
Reviews: 174 user | 176 critic | 40 from Metacritic.com

Two alternating stories about Melinda's (Mitchell) attempts to straighten out her life.

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Cast

Cast overview, first billed only:
...
Sy
Neil Pepe ...
Al
Stephanie Roth Haberle ...
Louise
...
Max
...
...
Man with Dog
...
Lee
...
Laurel
...
Jack Oliver
...
Sally Oliver
...
Cassie
...
Peter
...
...
Doug
...
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Storyline

Over a meal in a French restaurant, Sy poses a conundrum to his fellow diners: Is the essence of life comic or tragic? For the sake of argument, he tells a story, which the others then embellish to illustrate their takes on life. The story starts as follows: A young Manhattan couple, Park Avenue princess Laurel and tippling actor Lee, throw a dinner party to impress Lee's would-be producer when their long-lost friend Melinda appears at their front door, bedraggled and woebegone. In the tragic version of what happens next, the beautiful intruder is a disturbed woman who got bored with her Midwestern doctor-husband and dumped him for a photographer. Her husband took the children away and she spiraled into a suicidal depression that landed her straight-jacketed in a mental ward. In the comic version, Melinda is childless and a downstairs neighbor to the dinner hosts, who are ambitious Indy filmmaker Susan and under-employed actor Hobie. Back and forth the stories go, contrasting the ... Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

One love story. Two versions. Seriously funny. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for adult situations involving sexuality, and some substance material | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 October 2004 (Spain)  »

Also Known As:

Melinda & Melinda  »

Box Office

Opening Weekend:

$206,233 (Brazil) (27 May 2005)

Gross:

$606,549 (Brazil) (1 July 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Mono)

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

During filming, Radha Mitchell was the only actor who had the entire script. The other actors just had their storyline. See more »

Goofs

When Melinda, Walt and Hobie are watching the first race at the race track, Walt says, "No! You did not bet on Bedazzler! That's a nine-to-one horse!" There then follows a scene of Melinda and Hobie talking, following by another scene of them watching a horse race with Walt, in which the dialogue track has been removed from underneath the musical score. However, if you look at Walt's lips during this second scene, he is clearly saying, once again, "No! You did not bet on Bedazzler! That's a nine-to-one horse!" See more »

Quotes

Melinda: [Melinda wants to fix Hobie up with someone] What does she do?
Billy Wheeler: Investment counseling.
Hobie: One of those business suits who makes love to you on a conference call.
See more »

Connections

References The Broadway Melody (1929) See more »

Soundtracks

I Let a Song Go Out of My Heart
(1938)
Music by Duke Ellington
Lyrics by Irving Mills, Henry Nemo & John Redmond
Performed by Duke Ellington, Dick Hyman
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
See more »

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User Reviews

 
I predict you won't be miserable.
21 March 2005 | by (Columbus, Ohio) – See all my reviews

Manhattan still drives Woody Allen crazy: Urbanites are prey to ambition and lust, pride and diffidence and even sound like Woody with their halting sentences, paranoid affectations, and occasionally witty lines tossed off like the dregs of their grande lattes. It's a petting zoo of needy moderns who most of all want to find love, which eludes them right up to the last cliffhanging moment.

Alvy Singer and Annie Hall are the best known of Allen's angst-ridden city dwellers, but the new Woodies are every bit as screwed up if not more knowing about the quagmires their marriages and professions have become. The setup is twin parallel stories starting from the same incident reflecting separately the tragic and the comic possibilities.

It all begins with a discussion at a restaurant table among four sophisticates about life being either tragic or comic. Sy (Wallace Shawn), a comedy writer, argues that people need laughter to overcome life's essential pain (difficult to separate Shawn from the memory of his discussion in "My Dinner with Andre"). Max (Larry Pine) says that life is absurd and therefore tragic. So each tells the same story differently about an uninvited guest, one story a romantic comedy, the other a tragic tale of a desperate loner.

Will Farrell as a neurotic husband does the best fax Allen yet in his films. His lines are vintage Woody, tossed-off self-deprecation with a worldly wise guy subtext. One of the best lines comes from Susan (Amanda Peet), a director, who discloses the title of her newest film, "The Castration Sonata," putting "male sexuality in perspective." The Woodman returns in fine form to take on Aristotle and try to fulfill his own hope over a quarter century ago when he said, "If my film makes one more person miserable, I'll feel I've done my job." His tragedy has such ample comedy, I predict you won't be miserable.


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