| Photos (See all 83 | slideshow) | Videos (see all 3) |
| Mark Ruffalo | ... | Jack Linden | |
| Laura Dern | ... | Terry Linden | |
| Peter Krause | ... | Hank Evans | |
| Naomi Watts | ... | Edith Evans | |
| Sam Charles | ... | Sean Linden | |
| Ginger Broatch | ... | Natasha Linden (as Haili Page) | |
| Jennifer Bishop | ... | Sharon Evans | |
| Jennifer Mawhinney | ... | Audrey | |
| Amber Rothwell | ... | Lauren | |
| Meg Roe | ... | Lollipop Girl | |
| Jim Francis | ... | Joe Ritchie | |
| Marc Baur | ... | Plumber | |
| Patrick Earley | ... | Jim |
Directed by | |||
| John Curran | |||
Writing credits(WGA) | ||
| Andre Dubus | (short stories "We Don't Live Here Anymore" and "Adultery") | |
| Larry Gross | (screenplay) | |
Produced by | |||
| Michael Carlin | .... | associate producer | |
| Ruth Epstein | .... | executive producer | |
| Jonas Goodman | .... | producer | |
| Larry Gross | .... | executive producer | |
| Harvey Kahn | .... | producer | |
| Ken Lawson | .... | co-producer | |
| Robert Lee | .... | co-producer | |
| Bernadette Meyers | .... | associate producer | |
| Sanford Rosenberg | .... | co-producer | |
| Mark Ruffalo | .... | executive producer | |
| Michael Shepard | .... | associate producer | |
| Naomi Watts | .... | producer | |
Original Music by | |||
| Michael Convertino | |||
Cinematography by | |||
| Maryse Alberti | (director of photography) | ||
Film Editing by | |||
| Alexandre de Franceschi | |||
Casting by | |||
| Ellen Lewis | |||
| Audrey Skalbania | |||
Production Design by | |||
| Tony Devenyi | |||
Art Direction by | |||
| Rick Willoughby | |||
Set Decoration by | |||
| Dina Holmes | (as Dina Zecchel) | ||
Costume Design by | |||
| Katia Stano | |||
Makeup Department | |||
| Rebeccah Delchambre | .... | key makeup artist | |
| Maja Djilas | .... | hair assistant | |
| Maja Djilas | .... | makeup assistant | |
| Jullin Hadden | .... | hair assistant | |
| James Dean Patten | .... | key hair stylist | |
| Tone Rorvik | .... | hair assistant | |
| Tone Rorvik | .... | makeup assistant | |
| Bev Wright | .... | hair assistant | |
| Bev Wright | .... | makeup assistant | |
Production Management | |||
| Ken Lawson | .... | production manager | |
| Bernadette Meyers | .... | post-production supervisor: Canada | |
| Douglas Salkin | .... | post-production supervisor: US | |
Second Unit Director or Assistant Director | |||
| Jennifer Kidd | .... | second second assistant director | |
| Robert Lee | .... | first assistant director | |
| Cathie McGaw | .... | second assistant director (as Cathie McGaw-Russell) | |
Art Department | |||
| Mike Allen | .... | paint coordinator | |
| Shaun Bullied | .... | painter | |
| Nicole Chorney | .... | set decoration buyer | |
| Sally Cook | .... | property master | |
| Thomas Craib | .... | set dresser | |
| Gavin De West | .... | assistant property master | |
| Candiss Foss | .... | props truck supervisor | |
| Jilly Geer | .... | set dresser (as Jilli Geer) | |
| Mervyn Hope | .... | construction coordinator (as Merv Hope) | |
| Dmitry Kazak | .... | set dresser | |
| Brian Lewis | .... | set dresser | |
| Sarah Martin | .... | set dresser | |
| John McIntosh | .... | head greensman (as John Macintosh) | |
| Josh Plaw | .... | lead set dresser | |
| Serena Steffensen | .... | set decoration buyer | |
| Jonny Swift | .... | on-set decorator | |
| Alison Walker | .... | set dresser | |
| Leah Weinberg | .... | assistant set decorator | |
| Scott Weisenburger | .... | set dresser | |
Special Effects by | |||
| Cara E. Anderson | .... | special effects technician | |
| Rory Cutler | .... | special effects coordinator | |
| Alan Robertson | .... | special effects assistant | |
Stunts | |||
| Brett Armstrong | .... | stunt coordinator | |
| Dan Redford | .... | stunt rigger | |
Casting Department | |||
| Eliana Carrillo | .... | casting associate | |
| Audrey Skalbania | .... | extras casting | |
| Eliana Carrillo | .... | extras casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Tanya Berger | .... | costumer | |
| Summer Eves | .... | costumer | |
| Ruby Fleming | .... | costume set supervisor | |
| Tara R. Hinecker | .... | costume truck supervisor (as Tara Hinecker) | |
| Marie Hock | .... | costumer: prep | |
| K.M. Lowe | .... | costumer (as K. M. Lowe) | |
| Lara Lupish | .... | assistant costume designer | |
Editorial Department | |||
| Brian Anton | .... | additional editor | |
| Rodrigo Balart | .... | first assistant editor: Australia | |
| Ed Dobbs | .... | color timer | |
| Lara Ford | .... | editorial house manager | |
| James Ilecic | .... | additional editor | |
| Kathryn Raphael | .... | first assistant editor: Australia | |
| Brian Reilly | .... | first assistant editor: Vancouver | |
| Garry M.B. Smith | .... | additional editor | |
| Lana Gudlaugson | .... | post-production facility coordinator (uncredited) | |
Music Department | |||
| Michael Convertino | .... | musician | |
| John Eidsvoog | .... | music preparation | |
| Julie Eidsvoog | .... | copyist | |
| Julie Eidsvoog | .... | music preparation | |
| David Fisher | .... | music editor | |
| Peter Fox | .... | assistant music editor | |
| Clayton Haslop | .... | musician | |
| Will Kaplan | .... | music editor | |
| Dennis Karmazyn | .... | musician | |
| David Low | .... | musician contractor | |
| David Low | .... | musician | |
| David Marquette | .... | music recordist | |
| Shawn Murphy | .... | music recording mixer | |
| Brian Nevin | .... | music recording engineer | |
| P. Daniel Newman | .... | music editor | |
| Laurie Parker | .... | music supervisor | |
| Lee Scott | .... | assistant music editor | |
| Rich Walters | .... | music editor | |
| Ken Yerke | .... | musician | |
| Lesley Barber | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Vicki Brown | .... | driver: Laura Dern | |
| Randy Caine | .... | transportation coordinator | |
| Bob Chase | .... | driver: special equipment | |
| Stefano Chimarios | .... | driver: cast | |
| Keith Giesbrecht | .... | driver: Naomi Watt | |
| John Johnston | .... | driver: cast | |
| Gilles LaPlante | .... | driver: cast (as Gilles La Plante) | |
| Steve Martin | .... | transportation co-captain | |
| Richard Vanderkuip | .... | transportation captain (as Rick Vanderkuip) | |
Other crew | |||
| Juan Acosta | .... | location production assistant | |
| Don Andrews | .... | location production assistant | |
| Grant Astle | .... | assistant chef | |
| Jenz Bergren | .... | assistant: Larry Gross | |
| Angela Brown | .... | stand-in | |
| Alaina Burnett | .... | stand-in | |
| Serena Caine | .... | security | |
| Curtis Campbell | .... | location manager | |
| Stacey Campbell | .... | location production assistant | |
| Hilary Carver | .... | special publicist | |
| Carol Chestnut | .... | legal counsel: Canada | |
| Patrick Creery | .... | stand-in | |
| Steve Curran | .... | title designer | |
| Stephanie Daniel | .... | stand-in | |
| Haven Elliot | .... | stand-in | |
| Michelle Everaert | .... | location production assistant | |
| Mike Forry | .... | assistant location manager (as Michael Forry) | |
| Jennifer Gibson | .... | stand-in | |
| Aaron Grain | .... | stand-in | |
| David Hadley | .... | production coordinator | |
| Nancy Heller | .... | assistant production accountant | |
| Marie Hock | .... | location production assistant | |
| Victor Juralowicz | .... | location production assistant | |
| John Knowlton | .... | key production assistant | |
| Christopher A. Lambert | .... | location production assistant (as Chris Lambert) | |
| Dean Lamont | .... | on-set tutor | |
| Jayme Lemons | .... | assistant: Laura Dern | |
| Linda Lichter | .... | legal counsel: US | |
| Greg Lund | .... | assistant production coordinator | |
| Dan Mackle | .... | security | |
| Adam Mars | .... | location production assistant | |
| Virginia May | .... | location production assistant | |
| Stacey Moores | .... | craft service assistant | |
| Stacey Moores | .... | first aid assistant | |
| Juan Pantera | .... | location production assistant | |
| Sandy Reynolds | .... | craft service | |
| Sandy Reynolds | .... | first aid | |
| Linda Riley | .... | stand-in | |
| Trevor Sadler | .... | chef | |
| Svatia Sakarova | .... | production accountant | |
| Stephanie Sarin | .... | stand-in | |
| Greg Scott | .... | stand-in | |
| Joe Seal | .... | security | |
| Stephen Spencer | .... | stand-in | |
| Marnie Termuende | .... | post-production accountant | |
| Samantha Thorson | .... | stand-in | |
| Annie Wilkinson | .... | on-set tutor | |
| Kris Wonitowy | .... | security | |
| Peter Wonitowy | .... | security coordinator (as Pete Wonitowy) | |
| Emmy Wu | .... | office production assistant | |
| Pia Wyatt | .... | stand-in | |
| Natasha Young | .... | script supervisor | |
| Melodee Spevack | .... | voice double: Laura Dern (uncredited) | |
Thanks | |||
| Rowena Arguelles | .... | special thanks | |
| Jane Campion | .... | special thanks | |
| Darryl Choronzey | .... | special thanks | |
| Howard Cohen | .... | special thanks | |
| Holly Collins-Kahn | .... | special thanks | |
| Bob Curran | .... | special thanks | |
| Bobby Curran | .... | special thanks | |
| Mary Curran | .... | special thanks | |
| Theresa Curran | .... | special thanks | |
| Sarah Fabozzi | .... | special thanks | |
| Peter Fenton | .... | special thanks | |
| Gianna Giancarlo | .... | special thanks | |
| Bill Goodman | .... | special thanks | |
| Laurie Goodman | .... | special thanks | |
| Shelly Hancock | .... | special thanks (as Shelley Hancock) | |
| Peter Heinrich | .... | special thanks | |
| Ishil Kaner-Carson | .... | special thanks | |
| Rob Kaplan | .... | special thanks | |
| Carolyn Katz | .... | special thanks | |
| Kalen Keach | .... | special thanks | |
| Kevin W. Kennedy | .... | special thanks (as Kevin Kennedy) | |
| Nina Klingen | .... | special thanks | |
| David Leuschen | .... | special thanks | |
| Peter Levine | .... | special thanks | |
| Gene Lushtak | .... | special thanks (as Eugene Lushtak) | |
| Jun Makihara | .... | special thanks | |
| Fernando Mata | .... | special thanks | |
| Christoph Menardi | .... | special thanks | |
| Simon Millar | .... | special thanks | |
| Sam Mills | .... | special thanks | |
| Herb Norman | .... | special thanks | |
| Sara Reischman | .... | special thanks | |
| Mark Shafir | .... | special thanks | |
| Robert Stein | .... | special thanks | |
| Jason Weinberg | .... | special thanks | |
| Lindsay Williams | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Watch this as a double-bill with Mike Nichols' "Closer," and you very well might swear off love, relationships and marriage for a very long time, if not forever.
The last screenwriter I'd expect to write a somber, almost Bergmanesque exploration of marriage and infidelity would be Larry Gross, whose credits include "48 HRS." (1982) and "Streets of Fire" 1984) for Walter Hill and "True Crime" (1999) for Clint Eastwood.
Yet Gross has turned two Andre Dubus short stories into an engaging, albeit somewhat depressing, movie that explores marital infidelities among two couples - Jack (Mark Ruffalo) and Terry Linden (Laura Dern); and Hank (Peter Krause) and Edith Evans (Naomi Watts).
Much like the Nichols film, "We Don't Live Here Anymore" can be tough viewing, at times. Uncomfortable, even occasionally painful. But the actors make it work, often lifting it above trite moments. Director John Curran keeps things tight and gets emotionally powerful performances from them. Though, the film would have smarted more had Krause injected some rawness into his role. Hank seems too laid-back about the whole affair and Krause's performance never inches past insouciant.
Dern throws herself fully into her strongest role since "Citizen Ruth" (1996). As a wife who's apparently lost the desire of her husband and really has little interest in housework, Dern does well to keep Terry from turning into a broad caricature. She makes Terry sad without turning her pathetic. A bedroom confrontation with Jack doesn't veer into clichés only because Dern and Ruffalo bring such brutal honesty to their roles.
Watts seems to revel in playing emotionally devastated women. Here, she throws in selfishness, to boot. Watts makes it awfully difficult for us to like Edith because she's the most manipulative of the lot. That we wind up caring about her speaks highly of Watts' acting ability.
The Lindens and the Evanses might very well take narcissism to a new level. These thoroughly self-absorbed people don't really care about the infidelity. In fact, they're so blasé about it all, you wonder if anything at all would jolt them into feeling something for someone else.
When Edith asks Jack, "How do you think we'll get caught?" she's not so much worried about her husband finding about the affair than her friend, Terry. And it's in delving into the Terry-Edith dynamic that Gross' script fails. We hear that these two women are dearest friends. Yet, we never get that feeling from watching them together. In fact, Gross never really gives either Dern or Watts, two incredible talents, the chance to play off each other. Their few scenes together barely scratch the surface of any friendship Terry and Edith might have.
True, there's nothing really sympathetic about any of these four people. I doubt redemption's around the corner, either. But the way they claw at each other's emotions, occasionally fraying themselves, as they lie and cheat, and even tell the truth, to their loved ones, makes for compelling viewing.
"We Don't Live Here Anymore" shows a side of marriage that movies, certainly American movies, rarely dare to depict. Marriage isn't easy. For many, it can be terribly hard work. Sometimes, painful and difficult work. And that's what this film shows.
You can't really say you enjoyed watching this movie, but it will linger with you long after you're done watching it; when you're stuck washing dirty dishes for the umpteenth time, picking up tossed-about laundry or suddenly realizing that your lover's quirk which you once thought was endearing and cute is now just positively irritating and infuriating.