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We Don't Live Here Anymore (2004)

6.4
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Ratings: 6.4/10 from 7,504 users   Metascore: 66/100
Reviews: 72 user | 85 critic | 37 from Metacritic.com

An indiscretion between two close friends tears down their respective marriages.

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(short stories "We Don't Live Here Anymore" and "Adultery"), (screenplay)
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Cast

Complete credited cast:
...
...
...
...
Sam Charles ...
Sean Linden
Ginger Broatch ...
Natasha Linden (as Haili Page)
Jennifer Bishop ...
Jennifer Mawhinney ...
Audrey
...
Lauren
Meg Roe ...
Lollipop Girl
Jim Francis ...
Joe Ritchie
Marc Baur ...
Plumber
Patrick Earley ...
Jim
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Storyline

The movie is set in the Pacific Northwest; specifically, Washington state. We know this from a glimpse of a license plate, the craftsman architecture of the two houses, and the mature, rich landscapes in between. The setting, like the scrutiny of the four main character's lives, is defined by the narrowness of the camera's field-of view. The one commercial street in town is only seen in the reflection of a store window, a shot of a non-descript auto-yard, or the tunnel of a tree-lined suburban sidewalk. The lush, wooded landscape is understood as an immediate presence in the domestic and professional lives of the characters; a steep hill, railroad tracks, a rushing stream, and a path over an old steel bridge are revisited again and again by the characters in their capacities as lovers, parents and friends. Written by Chester Weir

Plot Summary | Add Synopsis

Plot Keywords:

friend | teacher | marriage | love | children | See more »

Taglines:

Ordinary lives. Extraordinary emotions. See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content and language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

11 November 2004 (Portugal)  »

Also Known As:

Adultery  »

Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend:

£28,954 (UK) (17 June 2005)

Gross:

£28,954 (UK) (17 June 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Quotes

Jack Linden: [voice over, Reading from Tolstoy, "The Death of Ivan Ilyich"] It occurred to him that what had seemed impossible before - that he had not spent his life as he should have - might, after all, be true. His professional duties and the whole arrangement of his life, of his family might all have been false.
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Crazy Credits

Special Thanks To Christine & Ben Christine, Terry & Kelly Kris & Fisher See more »


Soundtracks

Beethoven's 1st Symphony
Written by Ludwig van Beethoven
Performed by The Hollywood Chamber Orchestra
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User Reviews

A Grown-Up Look at Grown-Up Couples
6 September 2004 | by (Queens, NY) – See all my reviews

"We Don't Live Here Anymore" is a sophisticated examination of the complexities of the difficult relationship that is contemporary marriage and family.

As it takes us awhile in the beginning to figure out who is attached in what couple, Mark Ruffalo, Laura Dern, Peter Krause and Naomi Watts superbly act a matched quartet of grown-up friends whose restlessness and frustrations with their personal and professional lives are gradually torn to shreds by propinquity and alcohol (and perhaps by community college teachers having too flexible schedules and temptations). The suspense comes in the revelation of the layers that get peeled off each and we wonder just how far each will go.

Each actor finds a unique response to their character's emotional situation and the production design well illustrates their individuality (though once again in a film I got fooled that I was supposed to think ill of a character like Dern's whose comfortable house is evidently a mess when it looks like mine, while I thought Watts' house was really cold in its spotlessness while gradually I realized I was supposed to think she was more together, but heck she had one less kid).

While I haven't read yet the two Andre Dubos short stories that Larry Gross adapted for the screenplay, Ruffalo's voice-over is used inconsistently as an occasional crutch to reveal inner thoughts probably to help bolster the denouement; otherwise the camera angles try to convey their thoughts, but that manipulates the audience a bit as to whom to root for.

Maryse Alberti's cinematography richly conveys summer passing in a beautiful yet claustrophobic college town.

The song selections are not particularly revelatory, but the music is effective at mood-setting.


25 of 33 people found this review helpful.  Was this review helpful to you?

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