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It's a Bird... It's a Plane... It's Superman! (1975)

3.8
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Ratings: 3.8/10 from 110 users  
Reviews: 10 user | 2 critic

TV adaptation of the campy 1960s Broadway musical about the Man of Steel, his friends, his enemies, and his self-image problems.

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(characters), (characters), 3 more credits »
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Title: It's a Bird... It's a Plane... It's Superman! (TV Movie 1975)

It's a Bird... It's a Plane... It's Superman! (TV Movie 1975) on IMDb 3.8/10

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Cast

Credited cast:
George Chandler ...
Stuart Goetz ...
Jerry (as Stuart Getz)
Danny Goldman ...
Newsroom Copy Boy
...
Ray Clive
...
MIT Technician
...
Gangster
...
Joe
Allen Ludden ...
...
...
Gangster
...
Narrator (voice)
...
Sydney
Irene Tedrow ...
...
Boss
...
Lois Lane (as Lesley Warren)
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Storyline

TV adaptation of the campy 1960s Broadway musical about the Man of Steel, his friends, his enemies, and his self-image problems.

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Taglines:

The funniest Superhero story ever!


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Details

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Release Date:

21 February 1975 (USA)  »

Also Known As:

It's a Bird, It's a Plane, It's Superman  »

Company Credits

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Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Superman meets two young students named Jerry and Joe, who idolize him. Joe is an artist who wants to draw pictures of Superman, and Jerry is a writer who wants to write stories about Superman. Joe Shuster and Jerry Siegel were the artist and writer, respectively, who created the original Superman comics. See more »

Quotes

Superman: Lois is in danger, I must split!
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Connections

Version of Superman (1948) See more »

Soundtracks

I'm Not Finished Yet
Music by Charles Strouse
Lyrics by Lee Adams
Sung by Lesley Ann Warren
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User Reviews

 
Confused, Yes, But Containing Virtues ...
19 April 2005 | by (San Diego) – See all my reviews

The star of the 1966 stage musical "It's a Bird ...It's a Plane...It's Superman!" wasn't Jack Cassidy, it was Bob Holiday (in the double role of Superman/Clark Kent). Cassidy was the featured comic villain.The situation was that Cassidy was so right for his role, he stole most of the attention from Holiday.

Let me say, too, that it's wrong to approach this material expecting the Superman of the Salkind movies. It's closer, in attitude, to pre-Tim Burton "Batman" or the '60s "Thoroughly Modern Millie." In other words, jokey and silly and not a little racist. Only the problem, in this case, was a central uncertainty whether to parody its source material or to revere it.

Can't speak to this particular TV adaptation. I do, however, love several of the songs in the stage version -- notably "You've Got Possibilities" and "Oo-oo, Do You Love You!"


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