| Grant Show | ... | Garth | |
| Vivian Wu | ... | Diana | |
| Steve Bacic | ... | Lapierre | |
| Matthew G. Taylor | ... | King | |
| Naomi Gaskin | ... | Hernandez | |
| Wayne 'Crescendo' Ward | ... | Ebershaw (as Wayne Ward) | |
| Art Hindle | ... | Anton Reich | |
| Hannah Lochner | ... | Mandy | |
| Vickie Papavs | ... | Mandy's Mom | |
| Mairtin O'Carrigan | ... | Garth's Dad | |
| Carolyn Goff | ... | Elaine | |
| Billy Otis | ... | Lead Rat | |
| Mauricio Rodas | ... | Chortling Rat | |
| Jeff Kassel | ... | Limping Rat | |
| Kelly Fiddick | ... | Survivor | |
| Nathan Hoppe | ... | Guard | |
| Kendall Knights | ... | Guard 2 | |
| Ted Clark | ... | Rook |
Directed by | |||
| Oscar L. Costo | |||
Writing credits(WGA) | ||
| Richard Taylor | (story) | |
| Richard Taylor | (teleplay) and | |
| Robinson Young | (teleplay) | |
Produced by | |||
| Marcy Gross | .... | executive producer | |
| Paul M. Leonard | .... | associate producer | |
| Derek Rappaport | .... | producer | |
Original Music by | |||
| Misha Segal | |||
Cinematography by | |||
| Michael Galbraith | |||
Film Editing by | |||
| Andrew Cohen | |||
Casting by | |||
| Nelleke Privett | |||
Art Direction by | |||
| Jon P. Goulding | |||
Costume Design by | |||
| Ruth Secord | |||
Production Management | |||
| Geoff Garrett | .... | post-production supervisor | |
| Wendy Wallace | .... | post-production supervisor (as Wendy Belt) | |
Second Unit Director or Assistant Director | |||
| D. Joanne Malo | .... | second assistant director | |
Art Department | |||
| Mary Arthurs | .... | property master | |
| Maria Kennedy | .... | sets buyer | |
Sound Department | |||
| Vince Balunas | .... | sound editor | |
| Chris Boyett | .... | adr editor | |
| Jeff K. Brunello | .... | sound effects editor | |
| Daniel Colman | .... | sound effects editor | |
| Daniel Colman | .... | supervising sound editor | |
| Sean Keegan | .... | foley engineer | |
| Doug Madick | .... | foley artist | |
| Frank Nolan | .... | adr supervisor | |
Visual Effects by | |||
| Berj Bannayan | .... | assistant supervisor: Soho vfx | |
| Brian De Ville | .... | matte painting artist: Soho vfx | |
| Derek Gebhart | .... | 3D animator: Soho vfx | |
| Michael Kowalski | .... | visual effects producer: Soho visual effects | |
| Daniel Lu | .... | 3D animator: Soho vfx | |
| Allan Magled | .... | visual effects supervisor: Soho vfx | |
| Mike Mombourquette | .... | digital compositor: Soho vfx | |
| Shervin Shoghian | .... | 3D animator: Soho vfx | |
| Michael Wile | .... | 3D animator: Soho vfx | |
| Dong Yon Kang | .... | 3D animator: Soho vfx | |
Stunts | |||
| Dean Copkov | .... | stunt double | |
| Tig Fong | .... | stunt performer | |
| Tig Fong | .... | stunt rigger | |
| Steve Lucescu | .... | stunt coordinator | |
| Christopher McGuire | .... | stunt double | |
| Edward A. Queffelec | .... | stunt rigger | |
Camera and Electrical Department | |||
| Mark Berlet | .... | gaffer | |
| Ben Mark Holzberg | .... | still photographer | |
| Rick Leger | .... | generator operator | |
| Ari Magder | .... | second assistant camera | |
| Loreen Ruddock | .... | best boy electric | |
| Benjamin Smith | .... | assistant camera | |
| Joe Strazzeri | .... | key grip | |
| Matt Thomas | .... | grip | |
Casting Department | |||
| Sara Cuthbert | .... | extras casting | |
Editorial Department | |||
| Brian De Esch | .... | post-production coordinator | |
| Joe Finley | .... | digital colorist | |
Other crew | |||
| Heather Anderson | .... | assistant production coordinator | |
| Dara Cohen | .... | production consultant | |
| Alice Wickwire Foster | .... | production coordinator | |
| Christine Harwart | .... | stand-in | |
| Valentin Nedialkov | .... | weapons specialist | |
| Lisa Shamata | .... | unit publicist | |
| Charles Taylor | .... | armorer | |
| Al Vrkljan | .... | gun handler | |
| David M. Wermus | .... | network production coordinator | |
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| Final Fantasy: The Spirits Within | Terminator Salvation | Logan's Run | Star Wars | Transformers |
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| Full cast and crew | Company credits | External reviews |
| IMDb Sci-Fi section | IMDb Canada section |
A user comment by Roger Tay states: "How on earth does dreck written as badly as this actually get made?" Well Roger, let me explain.
This was an original script and I happen to know the screenwriter on this project, (God I love living in L.A.). I read the script way before it was produced. This is not what was written. Producers, and there are many on a project, try to dance around each other making changes to justify their existence.
When enough changes are made, the producers bring in another writer who knows nothing of the original intent of the writer and tries not only to make the lame changes the producers want, but will do his/her best to change at least 51% of the script in order to share a full "screenplay by" credit on the project. And that's how this was re-written.
So, to answer your question.... you take a bunch of 30 year olds who know how to dress but know nothing about story telling and give them a decent script to destroy.