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Directed by | |||
| Ken Loach | |||
Writing credits(in alphabetical order) | ||
| Paul Laverty | screenplay | |
Produced by | |||
| Michael André | .... | co-producer | |
| Ulrich Felsberg | .... | co-producer | |
| Peter Gallagher | .... | line producer | |
| Gerardo Herrero | .... | co-producer | |
| Rebecca O'Brien | .... | producer | |
| Luke Schiller | .... | german production: I.P.S. Berlin | |
Original Music by | |||
| George Fenton | |||
Cinematography by | |||
| Barry Ackroyd | |||
Film Editing by | |||
| Jonathan Morris | |||
Production Design by | |||
| Martin Johnson | |||
Art Direction by | |||
| Fergus Clegg | |||
Costume Design by | |||
| Carole K. Millar | |||
Makeup Department | |||
| Kamaura Eley | .... | assistant hair stylist | |
| Sarah Fidelo | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Jim Chad | .... | trainee assistant director | |
| David Gilchrist | .... | first assistant director | |
| Elaine MacKenzie | .... | assistant director | |
| Michael Queen | .... | assistant director | |
Art Department | |||
| Adam Alexander | .... | dressing props | |
| Sandy Borthwick | .... | painter | |
| Phil Bowen | .... | carpenter | |
| Julie Ann Horan | .... | assistant art director | |
| William Maxwell | .... | stand-by carpenter | |
| Campbell Mitchell | .... | stand-by props | |
| Lee Porter | .... | prop buyer | |
| Alex Robertson | .... | carpenter | |
| Danny Sumsion | .... | construction manager | |
| Ben Johnson | .... | daily dressing props (uncredited) | |
Sound Department | |||
| Julie Ankerson | .... | foley artist | |
| Ray Beckett | .... | sound mixer | |
| Kieran Boyne | .... | sound assistant | |
| Kevin Brazier | .... | supervising sound editor | |
| Robert Brazier | .... | foley re-recording mixer | |
| Wayne Brooks | .... | sound effects editor | |
| John Fewell | .... | foley artist | |
| Graham V. Hartstone | .... | sound re-recording mixer | |
| Peter Murphy | .... | boom operator (as Pete Murphy) | |
| Mark Sheffield | .... | sound re-recording mixer | |
Special Effects by | |||
| Wolf Bosse | .... | special effects | |
| Perry Costello | .... | armourer | |
Visual Effects by | |||
| Duc Minh Tran | .... | digital artist | |
Stunts | |||
| Stuart Clark | .... | stunts | |
| George Cottle | .... | stunts | |
| Jim Dowdall | .... | stunt coordinator | |
| Dave Fisher | .... | stunts | |
| Richard Hammatt | .... | stunts | |
| Paul Heasman | .... | stunt coordinator | |
| Derek Lea | .... | stunts | |
Costume and Wardrobe Department | |||
| Deidre Johnston | .... | costume assistant | |
Editorial Department | |||
| Paul Clegg | .... | second assistant editor | |
| Shuna Frood | .... | post-production coordinator | |
| Anthony Morris | .... | first assistant editor | |
Music Department | |||
| Simon Chamberlain | .... | music producer | |
| George Fenton | .... | music producer | |
| Isobel Griffiths | .... | orchestra contractor | |
| Steve Price | .... | music recordist | |
Transportation Department | |||
| Willie Kelly | .... | action vehicles (as Willy Kelly) | |
| Tim Schau | .... | driver | |
| Mario Simon | .... | transportation coordinator | |
Other crew | |||
| Joanna Ashton-Jones | .... | crew member: Road Movies Filmproduktion | |
| Emma Bedford | .... | floor runner | |
| Andrew Bonner | .... | misc crew | |
| Denise Booth | .... | crew member: Road Movies Filmproduktion | |
| Martin Butterworth | .... | title designer | |
| Frank Graf | .... | crew member: Road Movies Filmproduktion | |
| Abigail Howkins | .... | production coordinator | |
| Elizabeth Hurley | .... | production accountant | |
| Brian Kaczynski | .... | location manager | |
| James Lemus | .... | craft service | |
| Susanna Lenton | .... | script supervisor | |
| Hailon Li | .... | crew member: Road Movies Filmproduktion | |
| Valentina Lori | .... | crew member: Road Movies Filmproduktion | |
| Lucy Marr | .... | assistant accountant | |
| Pamela Marshall | .... | researcher | |
| Beverley Murray | .... | production assistant | |
| Karin C. Müller | .... | road movies team | |
| Marie A. Nazar | .... | publicist | |
| Volker Otte | .... | crew member: Road Movies Filmproduktion | |
| Leigh Pickford | .... | production assistant | |
| Rainer Pyls | .... | crew member: Road Movies Filmproduktion | |
| Virginia Romero | .... | staff production associate | |
| Ute Schneider | .... | crew member: Road Movies Filmproduktion | |
| Beverley Syme | .... | location assistant | |
| Kai-Peter Uhlig | .... | crew member: Road Movies Filmproduktion | |
| Jona Wirbeleit | .... | production team: Road Movies (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
Sweet Sixteen was for sure shocking but definitely also brilliant, as it portrays a story of violence and sadness in an emotional film of modern day Scotland. Ken Loach has gripped well the idea of suspense by setting it in an unusual situation such as Liam's. This film is packed with all the criminal activities you would find in a film-noir, but also comic scenes and it has a sentimental value of its own which makes it original in all ways. Very well teamed cast and crew that bring the idea and story of the film together to make you think about life in another way. It is definitely a film with a message hidden behind, a not obvious message, but one that can help understand teenage behaviour mixing comedic, violent and dramatic feelings amongst all young people.