Angie gets the sack from a recruitment agency for bad behaviour in public. Seizing the chance, she teams up with her flatmate, Rose, to run a similar business from their kitchen. With ... See full summary »
1987, love in time of war. A bus driver George Lennox meets Carla, a Nicaraguan exile living a precarious, profoundly sad life in Glasgow. Her back is scarred, her boyfriend missing, her ... See full summary »
This Ken Loach docu-drama relates the story of a British woman's fight with Social Services over the care of her children. Maggie has a history of bouncing from one abusive relationship to ... See full summary »
Liam is a young, restless teen struggling to realize his dream in the gritty and dismal streets of Greenock, where unemployment is rampant and little hope is available to the city's youth. He is waiting for the release of his mother, Jean, from prison where she is completing a prison term for a crime that her boyfriend actually committed. Her boyfriend, Stan, is a crude and obnoxious drug pusher is partnered by Liam's equally rough and foul-mouthed, mean-spirited grandfather. Liam is determined to rescue his mother from both of them, which means creating a safe haven beyond their reach. But first he's got to raise the cash--no small feat for a young man It's not long before Liam and his pals' crazy schemes lead them into all sorts of trouble. Finding himself dangerously out of his depth, Liam knows he should walk away. Only this time, he just can't let go. Written by
Sujit R. Varma
The film sparked a censorship debate in the UK regarding the amount of bad language used. Under current British Board of Film Classification rules, multiple uses of the word "fuck" usually only warrant a 15-certificate, but even a single aggressive use of the word "cunt" tends to lead to an 18-certificate, as was the case with Sweet Sixteen. It was argued, however, that this would prevent the people who could most closely identify with the characters in the film from going to see it, and that such language was much more commonly used, and therefore less offensive, in the north of the UK, where the film was set. The London based censors, however, stuck to their guns, although the local authority who cover the area where the film was shot, Inverclyde, utilized their cinema licensing powers to overrule this, and awarded the film a 15-certificate for screenings in their area. See more »
Ken Loach makes films of political power and emotional intensity. If he has a flaw as a film-maker, it is that the overall body of his work is insufficiently varied, and that the same basic narrative (of essentially decent people fighting and ultimately failing to overcome their disadvantages) re-appears in a different setting in each successive film. 'Sweet Sixteen' is, however, one of his better works, in part because he resists the temptation (as sometimes he does not) to place a hero with a heart of gold at it's centre. What we have instead is a horrifyingly believable story of an ordinary kid getting into bigger and bigger trouble. Every detail convinces, and the quality of performances Loach entices from his inexperienced cast is of the highest order: the film is also a sobering reminder of the underside of life in Blair's Britain. Loach has a rare talent: it's on display here, but don't expect any surprises.
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