A small community of descendants of Italian immigrants in the interior of the state of Rio Grande do Sul resorts to making a video to try to solve the problems of basic sanitation that plague their village.
André, relatively poor, falls in love with Silvia, a neighbor whom he spies with a telescope. Falling more and more in love with her, he begins to follow her around the city and realizes ... See full summary »
Renata de Lélis,
During the Carnival in the historical site of Pelourinho (Salvador, Bahia, Brazil), we follow the lives of the tenants of a falling-to-pieces tenement house who try to get by using creativity, irony, humor and music.
Brazilian MD Drauzio Varella starts AIDS prevention in Brazil's largest prison, Carandiru, in São Paulo, where the population is nearly double its 4,000 maximum. Doc learns from experience ... See full summary »
Boy tries to help his uncle, guilty of a murder case, to prove his innocence. He thinks the uncle has confessed the crime as a cover-up for his girlfriend, who was the wife of the dead man.... See full summary »
In Rio, Máiquel is without prospects. He's philosophical and low-key. When he loses a bet and must dye his hair blond, life changes: he finds new confidence, he asks Cledir, the hairdresser, on a date, and when he's teased by a local tough kid, he murders him. Instead of an arrest, Máiquel's a local hero; the cops look the other way. He and Cledir become lovers, his victim's girlfriend Érica, who's 15, insists that he protect her and moves into his small flat, and job offers come his way from a group of rich men who want to settle scores and get rid of local riff-raff. Where can this business go, and what about the triangle of Cledir, Érica and Máiquel? He just wants to be normal? Written by
After City of God, any Brazilian film will get a good reception. This movie has now been released as "Man of the Year" in UK cinemas.
The low key start, where we see an angry kid shooting a man we later find out is detested in the community, gives way to escalating situations which owe quite a bit to Scarface. Like many similar films, a lot of time is spent looking at the consequences of immoral behaviour - not attempting explanation. The film walks the now familiar fine line between entertainment and moral relataivism quite successfully, mainly because the characters stay undiminished throughout.
The performances between the principles is really good. But it is the way the film starts rooted in a halting reality that makes it so watchable. Watching our protagonist brooding in his small flat with the girlfriend of his first victim, and a small piglet - neither of which he has control over
is what films are all about.
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