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Solaris (2002)

6.2
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Ratings: 6.2/10 from 61,030 users   Metascore: 65/100
Reviews: 707 user | 194 critic | 38 from Metacritic.com

A troubled psychologist is sent to investigate the crew of an isolated research station orbiting a bizarre planet.

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(novel), (screenplay)
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Title: Solaris (2002)

Solaris (2002) on IMDb 6.2/10

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Cast

Complete credited cast:
...
...
...
...
...
...
DBA Emissary #1
...
DBA Emissary #2
Shane Skelton ...
Gibarian's Son
Donna Kimball ...
Mrs. Gibarian
...
Friend #1
...
Friend #2
...
Patient #1 (as Kent D. Faulcon)
...
Patient #2 (as Lauren M. Cohn)
Rest of cast listed alphabetically:
Tony Clemons ...
Dinner Guest
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Storyline

Dr. Gibarian, part of a team at a space station studying Solaris, makes an urgent and self-described bizarre video request to his friend, civilian psychiatrist Dr. Chris Kelvin, to come to the station to deal with an unspecified phenomenon aboard, that phenomenon with which Chris' experience and background may be able to explain and solve. Chris learns that his trip is sanctioned by the space program as a security force had been sent to the station to investigate, that security team which is now missing. When Chris arrives at the station, he finds only two surviving team members, Drs. Gordon and Snow (Dr. Gibarian committed suicide), who are both acting nervously. Chris also finds two unexpected people there, the first, who Chris only sees fleetingly, being Dr. Gibarian's adolescent son Michael, and the second being Chris' deceased wife, Rheya. Chris and Rheya had a passionate relationship in all its good and bad before she committed suicide. Apparently, these appearances of loved ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

There are some places man is not ready to go See more »


Motion Picture Rating (MPAA)

Rated PG-13 on appeal for sexuality/nudity, brief language and thematic elements | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 November 2002 (USA)  »

Also Known As:

Солярис  »

Box Office

Budget:

$47,000,000 (estimated)

Opening Weekend:

$161,215 (Japan) (20 June 2003)

Gross:

$384,509 (Japan) (27 June 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| | (8 channels)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

In the final train scene, a Chicago L platform sign (Merchandise Mart) is clearly visible, though out of focus. Footage of the sign must have been looped to make the station seem much longer than it actually is: on the side of the station that's open to backlight, there are only two such signs mounted on metal balustrades, about 25 feet apart, but in the movie the train appears to pass more than a dozen. See more »

Goofs

George Clooney is shown traveling in a sleek slightly futuristic rapid transit train but the rear projection/blue screen out the window clearly shows the current day "Merchandise Mart" station of the Chicago CTA Subway. Also during his journey the train he passes going the opposite direction is a present day subway train. See more »

Quotes

[first lines]
[Chris's memories, in voiceover]
Rheya Kelvin: Chris, what is it? I love you so much. Don't you love me anymore?
See more »

Crazy Credits

There are no credits at the beginning. All the credits are at the end of the film. See more »

Connections

Referenced in The Reinactors (2008) See more »

Soundtracks

Canon on the Fifth
(Variation 15) from the "Goldberg Variations" (BWV 988)
Composed by Johann Sebastian Bach (as J.S. Bach)
Performed by Glenn Gould (1955)
From the Sony Classical/Legacy Release:
"Glenn Gould - A State of Wonder" (S3K 87703)
Courtesy of Sony Clasical and The Estate of Glenn Gould
By Arrangement with Sony Music Licensing
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Thought-provoking, powerful and evocative film
21 December 2003 | by (Doyle, Tennessee, United States) – See all my reviews

I rented this film, then did some last minute Christmas shopping. While I was gone, my husband watched the first half of "Solaris" and turned it off - twice. He then watched "Terminator 3," which he enjoyed.

After he went off to bed. I started "Solaris." Unlike my husband, I was hooked from the start, and thoroughly enjoyed being reeled in. This is what I look for in a film - a compelling, nuanced story, involving complex characters. Perhaps it appealed to me more than to some, because I have lost several loved ones in recent years, including my father who died three years ago today, and am therefore wrestling with the same questions pondered in the film. Or perhaps I'm just a sucker for a good story, deftly told.

I don't think we would have necessarily had a better or worse film had Cameron written the screenplay, merely a different film altogether. I give him more credit than many on this board, as "The Abyss" is and remains a favorite film of mine, and only defied the laws of physics a few times. ;-) Certainly "The Abyss" is a quieter and more introspective film than the Terminator series, but then again, the films do examine the same themes. It might have been interesting to see what Cameron would have done with "Solaris," hopefully sans car chases.

Personally, I am glad Soderbergh wrote this version, as there is very little I would change. I enjoyed every minute of it. The musical score captured and enhanced the atmosphere quite well. I remember hearing about the original "Solaris," which came out the year I started high school, but I never saw it. Having now seen this version, I'll make it a point to do so, and I'll read the book as well. I will definitely be adding this film to my collection.

As for my husband, I probably won't recommend that he see it right away. Instead, I'll let him see it over time, as he did "The Shipping News," which also put him off initially. Once he got past the move to Newfoundland, he began to understand the humor I saw in the film, but he still despises its more depressing aspects. Still, he considers my taste in films weird, and to date understands neither my love for "Jacob's Ladder" nor my devotion to "Six Feet Under."

But then, he doesn't like jazz, either. ;-)


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