Having packed up her possessions to move in with her lover, Laure is more unsettled than she appears. Needing to get out and have a change of scenery, she jumps in her car to go to have ... See full summary »
Having packed up her possessions to move in with her lover, Laure is more unsettled than she appears. Needing to get out and have a change of scenery, she jumps in her car to go to have dinner with friends--only to become stuck in a terrible traffic jam. Laure completely forgot about the mass transit strike that has thrown the city into chaos. But Laure feels good in her car, the only place she has for herself right now. As she takes in the sights and sounds around her--the blare of horns and arguments, the shimmer of lights and camaraderie--Laure notices a calm and self-assured stranger, Jean, approach her car. Soon thereafter, she opens her car door door to the man who--that night--will change her life. Written by
Sujit R. Varma
This movie is not for the sort of casual movie-goer who must have a plot driven, dialogue heavy entertainment vehicle in order to be satisfied. This film is typical Denis: intensely visual, with sparse dialogue and a very minimal plot.
The premise of the film is a simple one. A woman about to move in with her lover is caught in a traffic jam during a Paris transit strike. She picks up a stranger, and they have a one-nighter.
The film's focus is the little things that make up sexual attraction, the situations, the glimpses, the attitudes, the predilections, etc. It manages to present this in an almost completely visual way without ever becoming dull, pretentious, or difficult to watch. The film has a minute logic to it which manages to pull the viewer along from scene to scene using humor, suspense, and a good deal of empathy for the central character.
This film invites one to reflect on the way in which sex relates to the variety of life's anxieties: anxieties over self-image, anxieties over one's future, anxieties over one's significance, etc. It also provides an interesting vantage point from which to view the over-romanticized over-serious status that sex is given in main-stream American cinema.
Go to this film with the intent of viewing a wonderful piece of art. There is some work required on the viewer's part, but it's worth the effort.
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