Directed by | |||
| Charles Robert Carner | |||
Writing credits(WGA) | ||
| Tom Fontana | (written by) | |
Produced by | |||
| Lara dall'Antonia | .... | assistant producer (as Lara Dall'Antonia) | |
| Frank R. Desiderio | .... | executive producer | |
| Tom Fontana | .... | executive producer | |
| Marco Valerio Pugini | .... | executive producer | |
| Ann Wingate | .... | producer | |
Original Music by | |||
| Bill Conti | |||
Cinematography by | |||
| Michael Goi | |||
Film Editing by | |||
| Raúl Dávalos | |||
Casting by | |||
| Natalie Hart | |||
| Jason La Padura | |||
Production Design by | |||
| Paolo Biagetti | |||
Art Direction by | |||
| Tamara Marini | |||
Costume Design by | |||
| Sergio Ballo | |||
Makeup Department | |||
| Laura Borselli | .... | makeup artist | |
| Martina Cossu | .... | makeup artist | |
| Walter Cossu | .... | key makeup artist | |
Production Management | |||
| Fabiomassimo Dell'Orco | .... | unit production manager | |
| Erik Paoletti | .... | unit manager | |
| Skates Naiman | .... | production supervisor (uncredited) | |
Art Department | |||
| Aziz Hamichi | .... | assistant to art department | |
| Sebastiano Murer | .... | props | |
Special Effects by | |||
| Daniel Acon | .... | special effects supervisor | |
Visual Effects by | |||
| Michael F. Hoover | .... | digital artist | |
| Al Magliochetti | .... | visual effects supervisor | |
Stunts | |||
| Younes Afroukh | .... | stunt performer | |
Costume and Wardrobe Department | |||
| Omar Darouiche | .... | costume assistant | |
| Claudette Lilly | .... | assistant costume designer | |
Editorial Department | |||
| Albert Coleman | .... | additional editor | |
Music Department | |||
| Elin Carlson | .... | solo vocals | |
| Dan Wallin | .... | music scoring mixer | |
Transportation Department | |||
| Mustapha Ismaili Alaoui | .... | transportation captain | |
| Hicham Regragui | .... | transportation coordinator | |
Other crew | |||
| Youssef Abagourram | .... | assistant location manager | |
| Ngadi Abdeslam | .... | assistant location manager | |
| Mona Bernal | .... | production coordinator | |
| Robert C. Campion | .... | supervising production accountant | |
| Marco Giacalone | .... | location manager | |
| Christian Giuliani | .... | assistant production coordinator | |
| Becky Maxwell | .... | assistant accountant (as Becky Johnson) | |
| Lisa Randolph | .... | assistant: Tom Fontana | |
| Mohammed Hamza Regragui | .... | production assistant: morocco | |
| Marlene Sharp | .... | adr voice | |
| Sarah Trowse | .... | production accountant: Morocco | |
| Ralph Berge | .... | production executive (uncredited) | |
| Stephanie Fontana | .... | assistant to producer (uncredited) | |
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| Jesus | St. Paul | The Greatest Story Ever Told | Bugsy | Ben-Hur |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb USA section |
The reason I ask if Jesus owned his own surf board is because he looked like he was born and raised in Malibu. While Judas has its moments, interesting and original, the movie fails to hold up to anything serious. In the shadow of The Passion, the networks only real motive to show this movie was for profit. Judas has moments of stunning visual achievement and great conversations with Pilate and Jesus and Judas toward the end of the movie. Still, I found myself laughing at some of the things Jesus said. And forgive me for being a Catholic, but, even the Pope changed the channel when this movie was playing. Jesus asks Judas: "What do you say?" when asking if he wants Judas to be one of his followers. "What do you say?" Who are we marketing with words like that? If you want to make a serious movie, use serious dialogue. Enough said.