| Photos (See all 30 | slideshow) |
| Danielle Darrieux | ... | Mamy | |
| Catherine Deneuve | ... | Gaby | |
| Isabelle Huppert | ... | Augustine | |
| Emmanuelle Béart | ... | Louise | |
| Fanny Ardant | ... | Pierrette | |
| Virginie Ledoyen | ... | Suzon | |
| Ludivine Sagnier | ... | Catherine | |
| Firmine Richard | ... | Madame Chanel | |
| Dominique Lamure | ... | Marcel, the husband |
Directed by | |||
| François Ozon | |||
Writing credits(in alphabetical order) | ||
| Marina de Van | ||
| François Ozon | ||
| Robert Thomas | play | |
Produced by | |||
| Stéphane Célérier | .... | associate producer | |
| Olivier Delbosc | .... | producer | |
| Marc Missonnier | .... | producer | |
Original Music by | |||
| Krishna Levy | |||
Cinematography by | |||
| Jeanne Lapoirie | |||
Film Editing by | |||
| Laurence Bawedin | |||
Casting by | |||
| Antoinette Boulat | |||
Production Design by | |||
| Arnaud de Moleron | |||
Set Decoration by | |||
| Marie-Claire Quin | |||
Costume Design by | |||
| Pascaline Chavanne | |||
Makeup Department | |||
| Jean-Charles Bachelier | .... | key hair stylist | |
| Fabienne Bressan | .... | key hair stylist | |
| Agathe Dupuis | .... | key hair stylist | |
| Cédric Gérard | .... | key makeup artist | |
| Thi Thanh Tu Nguyen | .... | key makeup artist | |
| John Nollet | .... | key hair stylist | |
| Gill Robillard | .... | key makeup artist | |
| Myriam Roger | .... | key hair stylist | |
| Hervé Soulié | .... | makeup artist | |
Production Management | |||
| Christine De Jekel | .... | production manager | |
| Marie-Eve Graviou-Dural | .... | unit manager | |
| Mélanie Karlin | .... | post-production supervisor | |
| Gilles Monnier | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Hubert Barbin | .... | first assistant director | |
| Cyril Duval | .... | second assistant director | |
| Guillaume Huin | .... | trainee assistant director | |
| Nicolas Ronchi | .... | third assistant director | |
Art Department | |||
| François Aïssa | .... | carpenter | |
| Céline Barray | .... | set dresser | |
| Philippe Boutillier | .... | sculptor | |
| Bernard Chenevier | .... | carpenter | |
| Henri Demonio | .... | carpenter | |
| Christophe Doubliez | .... | carpenter | |
| Nicolas Doyon | .... | construction coordinator | |
| Pierre Duboisberranger | .... | first assistant art director | |
| Jean-Baptiste Gallou | .... | head painter | |
| François Hennequin | .... | painter | |
| Christophe Hervé | .... | painter | |
| Antoine Hoog | .... | painter | |
| Emmanuel Jaffre | .... | carpenter | |
| Jean-Louis Lalet | .... | property master | |
| Mick Lanaro | .... | music art director | |
| Loïc Le Moigne | .... | painter | |
| Norbert Luchessi | .... | head carpenter | |
| Christelle Maisonneuve | .... | assistant set decorator | |
| Elodie Martin | .... | assistant art director | |
| Franck Miniconi | .... | painter | |
| Laurent Moizo | .... | painter | |
| Louis Morand | .... | carpenter | |
| Bruno Peschard | .... | props | |
| Santiago Isidro Pin | .... | painter | |
| Marie-Claire Quin | .... | set dresser | |
| Serge Royo | .... | carpenter | |
| Carole Récamier | .... | upholsterer | |
| Marjorie Thomas | .... | painter | |
Sound Department | |||
| Charles Autrand | .... | assistant sound editor | |
| Christophe Bourreau | .... | foley artist | |
| Vincent Breau | .... | sound assistant | |
| Frédéric Cattoni | .... | stereo sound consultant: DTS | |
| Bernard Chaumeil | .... | sound assistant | |
| Samuel Dequidt | .... | assistant sound editor | |
| Philippe Dongé | .... | sound recordist | |
| Pierre Gamet | .... | sound | |
| Benoît Hillebrant | .... | sound editor | |
| Jean-Pierre Laforce | .... | sound mixer | |
| Lionel Le Bras | .... | boom operator | |
| Stéphan Lucas | .... | sound recordist | |
| Pedro Marques | .... | synchronization sound engineer | |
| Michel Monier | .... | stereo sound consultant: Dolby | |
| Julien Perez | .... | sound recordist | |
| Pascal Vonhatten | .... | sound recordist | |
Special Effects by | |||
| Christophe Messaoudi | .... | special effects | |
Visual Effects by | |||
| Nicolas Kermel | .... | digital artist | |
| Christopher Grandel | .... | trailer digital effects, Howard Anderson Company (uncredited) | |
Stunts | |||
| Pascaline Girardot | .... | stunts | |
| Pascal Guégan | .... | stunt coordinator | |
| Pascal Guégan | .... | stunts | |
| Crystal Samani | .... | stunts | |
Costume and Wardrobe Department | |||
| Hélène Cassard | .... | costumer | |
| Isabelle Guérin | .... | costumer | |
| Emma Lebail | .... | costumer (as Emma le Bail) | |
| Hélène Robin | .... | costumer | |
| Monique Tourret | .... | costumer | |
Editorial Department | |||
| Christian Dutac | .... | color timer | |
| Delphine Illouz | .... | assistant editor | |
Music Department | |||
| Amélie de Chassey | .... | music supervisor | |
| Daniel Fauré | .... | composer: song "Pour ne pas vivre seul" | |
| Bruno Fontaine | .... | musician: piano | |
| Bruno Fontaine | .... | orchestrator | |
| Jil | .... | composer: song "Papa t'es plus dans l'coup" | |
| Gene Kelly | .... | composer: song "Pour ne pas vivre seule" | |
| Didier Lizé | .... | score mixer | |
| Delphine Mathieu | .... | music supervisor | |
| Edouard Dubois | .... | music consultant (uncredited) | |
Other crew | |||
| Thierry Chapat | .... | administrator | |
| Sébastien Charles | .... | choreographer | |
| Marylène Dastugue | .... | production secretary | |
| Marina de Van | .... | collaborator | |
| Agathe Grau | .... | script supervisor | |
| Amélia Guyader | .... | production assistant | |
Thanks | |||
| Dominique Besnehard | .... | thanks | |
|
|
|
|
|
| The Rules of the Game | Kings & Queen | The Children of the Century | The Best of Youth | Freeway |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Musical section | IMDb France section |
How do you update the Agatha Christie-style country-house murder mystery? One approach was seen in the movie 'Gosford Park', which kept the British period setting but added a note of social realism, as well as the talents of just about every leading contemporary British actor. Francois Ozon's 'Eight Women' features a similarly rich cast of French acting talent, updates the setting to the present day, but in contrast to Robert Altman's movie, keeps more of the contrived conventions of the Agatha Christie novel. Specifically, this means a ludicrous plot, characters who act for paper thin (or indiscernible) motivations, an absence of believable dialogue or emotions and a continual round of unprovoked revelations that serve to make everyone a suspect. Ozon doesn't play this dead straight, at times he has fun with the absurdities of the genre, but not really enough fun to make up for the fundamental ridiculousness of the whole construction; and in merging the mystery with another genre, the musical, he creates a more distinctive film although it has to be said that the musical elements never really feel wholly integrated into the rest of the movie. Overall, it's a bit of a waste of the distinguished cast: they all enjoy hamming it up, but frankly, this is not a film where an ability to act is actually that important.