Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
A 19 year old (Heath Ledger) finds himself in debt to a local gangster (Bryan Brown) when some gang loot disappears and sets him on the run from thugs. Meanwhile two street kids start a ... See full summary »
Claude Massoulier is murdered while hunting at the same place than Julien Vercel, an estate agent that knew him and whose fingerprints are found on Massoulier's car. As the police discovers... See full summary »
One morning at an isolated mansion in the snowy countryside of 1950s France, a family is gathered for the holiday season. But there will be no celebration at all because their beloved patriarch has been murdered! The killer can only be one of the eight women closest to the man of the house. Was it his powerful wife? His spinster sister-in-law? His miserly mother-in-law? Maybe the insolent chambermaid or the loyal housekeeper? Could it possibly have been one of his two young daughters? A surprise visit from the victim's chic sister sends the household into a tizzy, encouraging hysterics, exacerbating rivalries, and encompassing musical interludes. Comedic situations arise with the revelations of dark family secrets. Seduction dances with betrayal. The mystery of the female psyche is revealed. There are eight women and each is a suspect. Each has a motive. Each has a secret. Beautiful, tempestuous, intelligent, sensual, and dangerous...one of them is guilty. Which one is it? Written by
Anthony Pereyra <firstname.lastname@example.org>
Pierette (Fanny Ardant) tells Augustine (Isabelle Huppert) that she looks like a woman from one of her romance novels, "La Dame Aux Camélias". Huppert actually played Alphonsine in _Storia vera della signora dalle camelie, La (1980)_, an adaptation of that novel. See more »
On two occasions the ladies refer to the gun as a revolver but it is clearly a semi-automatic pistol. See more »
[in French, using English subtitles]
I'm going in, Mom.
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1st watched 1/23/2005 - 9 out of 10(Dir-Francois Ozone): Well crafted drama/mystery/musical that is so full it's hard to critique into a summary. The basic plot is that 8 related women find themselves in the same place at approximately the same time when the lone man is presumed to be murdered, who happens to be the grandfather, father, husband, bearer of child, lover etc of the women(not necessarily in that order). You talk about complexity of plot? Every time someone opens their mouth another twist is thrown into the mix. I think it would take at least another viewing to understand everyone's relationship with everyone else by the end of the movie. And besides this, musical numbers are thrown in to help us understand the characters that are sung by themselves and sometimes backed up by the rest of the cast(ala Bollywood). One thing I have always noticed about French movies is that they come across as a confused people but they're OK with that, instead of the American's who believe that "they" have the answers to everything. This makes it slightly un-comfortable for us pompous Americans to view movies like this where every "real" thing in life is kind of taken with a little tongue-in-cheek mentality but this is the reality of their people and it's present often in their movies. Good for them!! This is so evident in this movie where because of it's mystery plot, we think that who did the killing is what's important, but what we find out is that there is much more behind the so-called answer we're seeking which makes for a very complex experience. Thank you French cinema. Without it there would not be movies like this.
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