In their closed-off underground village, Kamina and Simon chafe at the limits imposed by the village elder. Yet all this will change, when Simon stumbles across a fantastic device - just as... See full summary »
University students Kohta and Yuka (Kohta's cousin) save a Diclonius girl called "Lucy" when they see her naked in a beach. In fact "Lucy" is a serial killer who is being searched by the ... See full summary »
They are neither plants nor animals. They differ from other forms of life such as the micro-organisms and the fungi. Instead they resemble the primeval body of life and are generally known ... See full summary »
Seemingly unconnected citizens of Tokyo are targeted for bludgeoning by a boy with a golden baseball bat. As detectives try to link the victims, they discover that following the assaults, the victims' lives have improved in some way.
Naota is a normal student living with his abnormal father and grandfather. One day, a seemingly insane girl named Haruko blazes in from out of nowhere on her Vespa, wielding an electric guitar with a buzzsaw! Haruko moves in with Naota under the pretense of being a housekeeper, but Naota knows there's something obviously strange about her. To make matters worse, large shapes are growing out of his head, hatching into large monsters that Haruko makes her mission to kill. Who is Haruko really, and what is she after? You won't find out until the end of this bizarre story. Written by
Haruko refers to Naota as "Taro-kun" several times during Episode 1. Taro is perhaps the most generic name in Japan for a boy, and it used as a placeholder for unidentified Japanese males (like John Doe). See more »
During the dinner conversation in episode 3, it was mentioned that Haruko ran over Ninamori with her Vespa. This was not accurate, Haruko fell off her bike, the bike continued on and hit Naota, who was then sent careening into Ninamori. See more »
[a giant satelite bomb is headed towards the city]
If that thing hits, do you think we'll have school tomorrow?
See more »
The final image in the end credits of the sixth and final episode is Haruko riding through space on her Vespa. See more »
When I was watching FLCL for the first time, I had no idea what was going on. I'd never seen anything like it. So, the movie started switching gears from sweet and tragic to insane and funny, it really took me by surprise. Basically, I was holding on 'till the end because I wanted to know what it was all about. But even without that, it rocked. You may not be entirely sure at some moments why or how, but it rocks. The story starts off in a town that reminds one of one's own home town. The kid's are depressed, bored, and pretty much just drag themselves out of bed in the mourning. The adults are hyper, child-like and very annoying to the children of the town. But then she shows up. Like some kind of pop-metal not quite evil not quite good bubble gum haired goddess shows up and turns reality into chicken soup. This woman and the main character are somehow tied together through a story that involves sex, baseball, aliens, robots, secret government organizations and an underlying message about growing up and finding who you are.
The first time you watch it, you will not get it. I didn't, and most other people don't. When it's over, you only think about the crazy parts that made no sense, and you don't remember the deeper and sometimes creepy moments that kind of puts everything together. And even if you were able to get it the first time (*cough* not gonna happen.) this movie moves you more every time you watch it. It's the kind of thing you want to see again. It's extroadinarilly good. If you have an open mind, a little time, and feel like your out of place with the world (I'm betting you do. Everybody else does) then you will love this movie. Whether or not you understand it
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