| Photos (see all 20 | slideshow) |
| Matthew Davis | ... | Odell (as Matt Davis) | |
| Bruce Greenwood | ... | Brice | |
| Olivia Williams | ... | Claire | |
| Holt McCallany | ... | Loomis | |
| Scott Foley | ... | Coors | |
| Zach Galifianakis | ... | Weird Wally | |
| Jason Flemyng | ... | Stumbo | |
| Dexter Fletcher | ... | Kingsley | |
| Nick Chinlund | ... | Chief | |
| Andrew Howard | ... | Hoag | |
| Christopher Fairbank | ... | Pappy | |
| Chuck Ellsworth | ... | Navy Pilot | |
| Crispin Layfield | ... | Navy Lookout | |
| Jonathan Hartman | ... | Schillings | |
| Sebastian Knapp | ... | Sonar #1 | |
| Max Casali | ... | Air Manifold | |
| Alexis Conran | ... | Helmsman | |
| Matthew Leitch | ... | Zap | |
| Gary Broadway | ... | Mess Steward | |
| Tim Plester | ... | Motormac | |
| Craig Blake | ... | Steward | |
| Mitchell Barnett | ... | Bow Planesman | |
| David Crow | ... | Sonar #2 | |
| Nick Hobbs | ... | Captain Winters | |
| Chris Bridgeman | ... | Stern Planesman | |
| David Twohy | ... | British Captain | |
| rest of cast listed alphabetically: | |||
| Paul Bayfield | ... | Radar Operator (uncredited) | |
| DJ Perry | ... | Rescue Sailor (uncredited) | |
Directed by | |||
| David Twohy | |||
Writing credits(WGA) | ||
| Lucas Sussman | (written by) & | |
| Darren Aronofsky | (written by) and | |
| David Twohy | (written by) | |
Produced by | |||
| Darren Aronofsky | .... | producer | |
| Sue Baden-Powell | .... | producer | |
| Mark Indig | .... | co-producer | |
| Andrew Rona | .... | executive producer | |
| Eric Watson | .... | producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Michael Zoumas | .... | co-producer | |
Original Music by | |||
| Graeme Revell | |||
| Tim Simonec | |||
Cinematography by | |||
| Ian Wilson | |||
Film Editing by | |||
| Martin Hunter | |||
Casting by | |||
| Felicia Fasano | |||
| Daniel Hubbard | |||
| Anne McCarthy | |||
| Mary Vernieu | |||
Production Design by | |||
| Charles Dwight Lee | (as Charles D. Lee) | ||
Art Direction by | |||
| Mark Harris | (supervising art director) | ||
| Fred Hole | |||
Set Decoration by | |||
| Richard Roberts | |||
Costume Design by | |||
| Elizabeth Waller | |||
Makeup Department | |||
| Fae Hammond | .... | makeup artist | |
| Frances Hannon | .... | chief of hair | |
| Frances Hannon | .... | chief of makeup | |
| Waldo Mason | .... | special makeup effects artist | |
| Daniel Parker | .... | special makeup effects artist | |
| Rossana Parker | .... | makeup artist | |
| Sue Westwood | .... | prosthetics hair artist | |
| Shaune Harrison | .... | special makeup effects artist (uncredited) | |
| Duncan Jarman | .... | prosthetic makeup artist (uncredited) | |
Production Management | |||
| Nigel Gostelow | .... | unit production manager | |
| Mark Indig | .... | unit production manager | |
| Brian McNulty | .... | post-production supervisor | |
Art Department | |||
| Gari Bacon | .... | props | |
| Mark Bartholomew | .... | draughtsman | |
| Roger Bowles | .... | draughtsman | |
| Anthony Caron-Delion | .... | draughtsman | |
| Bryn Court | .... | sculptor | |
| Paul J. Hayes | .... | construction coordinator | |
| Carol Kupisz | .... | graphic designer | |
| Ginger McCarthy | .... | head rigger | |
| Brian Neighbour | .... | chargehand carpenter | |
| Sarah Robinson | .... | art department coordinator | |
| Terry Royce | .... | dressing superviser | |
| Terry Royce | .... | props | |
| Alex Smith | .... | art department assistant | |
| Gert Stevens | .... | junior draughtsman | |
| Nick Thomas | .... | stand-by props | |
| Remo Tozzi | .... | draughtsman | |
Special Effects by | |||
| Sam Barkan | .... | special effects: Michigan | |
| Nick Bonathan | .... | special effects crew | |
| Sam Conway | .... | special effects coordinator | |
| Dave Eltham | .... | floor supervisor | |
| Jody Eltham | .... | special effects assistant | |
| Michael Fox | .... | special effects technician | |
| Darrell Guyon | .... | floor supervisor | |
| Steve Hamilton | .... | special effects supervisor (as Stephen Hamilton) | |
| Dan Homewood | .... | special effects technician | |
| Ian Lowe | .... | senior special effects technician | |
| Martin 'Marty' McLaughlin | .... | senior snow effects technician | |
| Brian Morrison | .... | mechanical effects supervisor | |
| David 'Pinkie' Thomas | .... | snow effects technician | |
| Simon Webber | .... | prosthetics artist | |
| Mark White | .... | special effects technician | |
| Nick Finlayson | .... | senior special effects technician (uncredited) | |
Visual Effects by | |||
| Richard Bain | .... | digital effects supervisor: Double Negative | |
| Adrian Banton | .... | digital compositor: Double Negative | |
| Philip Borg | .... | digital artist | |
| Jim Bowers | .... | digital matte painter | |
| Richard Briscoe | .... | digital compositor | |
| Leon Buckley | .... | video operator: visual effects unit | |
| Chris Burn | .... | digital compositor: Double Negative | |
| Peter Chiang | .... | visual effects supervisor | |
| Jeppe N. Christensen | .... | digital artist | |
| Frazer Churchill | .... | lead compositor | |
| Mike Connolly | .... | digital compositor: Double Negative | |
| Dayne Cowan | .... | digital effects artist | |
| Ciaran Crowley | .... | digital compositor | |
| Ken Dackermann | .... | digital compositor | |
| Hayley Easton | .... | digital artist | |
| Michael Bruce Ellis | .... | compositor | |
| John Follmer | .... | head of production: MetroLight Studios | |
| Paul J. Franklin | .... | head of 3D: Double Negative | |
| Mark Freund | .... | visual effects supervisor: Pacific Title | |
| Martin Gardeler | .... | digital artist | |
| Gavin Graham | .... | effects animator: Double Negative | |
| Joseph Grossberg | .... | visual effects consultant | |
| Pete Hanson | .... | studio manager: Double Negative | |
| Jeremy Hattingh | .... | digital compositor | |
| Martin Hill | .... | technical supervisor: Double Negative | |
| Nic Hodgkinson | .... | digital artist | |
| Rudi Holzapfel | .... | senior compositor: Double Negative | |
| Alex Hope | .... | visual effects producer | |
| Jody Johnson | .... | digital compositor: Double Negative | |
| Jesper Kjölsrud | .... | lead digital artist | |
| Isaac Layish | .... | digital artist | |
| Mattias Lindahl | .... | lead effects animator | |
| Andrew Lockley | .... | digital compositor: Double Negative | |
| Heather MacPhee | .... | compositor: MetroLight Studios | |
| Fay McConkey | .... | visual effects producer | |
| Ken McGaugh | .... | technical supervisor: Double Negative | |
| Jake Mengers | .... | Senior 3D Animator - Double Negative | |
| Mark Michaels | .... | lead compositor | |
| John Moffatt | .... | digital compositor | |
| Alberto Montañés | .... | rotoscope artist | |
| Mike Pope | .... | digital compositor | |
| Martin Preston | .... | CG R&D programmer | |
| Chris Ryan | .... | CGI supervisor: MetroLight Studios | |
| John Seymour | .... | visual effects editor: Double Negative | |
| Matthew Shaw | .... | video editorial | |
| Sarah Soulsby | .... | digital compositor: Double Negative | |
| Ileana Stravoskiadi | .... | digital artist | |
| Jonathan Stroud | .... | R&D programmer: Double Negative | |
| Aksel Studsgarth | .... | digital artist | |
| Åsa Svedberg | .... | digital artist: Double Negative | |
| Jerry Weil | .... | digital artist: Metrolight Studios | |
| Sheila Wickens | .... | digital compositor: Double Negative (as Sheila Gorman) | |
| Dimitri Delacovias | .... | digital matte painter/supervisor: Double Negative (uncredited) | |
| James W. Kristoff | .... | executive in charge of production: MetroLight Studios (uncredited) | |
| Natalie MacDonald | .... | rotoscope artist (uncredited) | |
| Julian Mann | .... | texture programmer: Double Negative (uncredited) | |
| Gustavo Sanchez-Perez | .... | modeller (uncredited) | |
| Dobbie Schiff | .... | executive producer: MetroLight Studios (uncredited) | |
| Clare Tinsley | .... | visual effects coordinator (uncredited) | |
| Giuliano Dionisio Vigano' | .... | digital artist (uncredited) | |
Stunts | |||
| Ben Bellman | .... | stunts | |
| Richard Bradshaw | .... | stunts | |
| Nick Chopping | .... | stunts | |
| Ben Cooke | .... | stunts | |
| Richard Dwyer | .... | stunts | |
| Bradley Farmer | .... | stunt double: Sebastian knapp | |
| Glenn Foster | .... | stunts | |
| Sy Hollands | .... | stunts | |
| Rowley Irlam | .... | stunt double: Bruce Greenwood | |
| Paul Jennings | .... | stunt coordinator | |
| Theo Kypri | .... | stunts | |
| Mike Lambert | .... | stunts | |
| Dominic Precce | .... | stunts | |
| C.C. Smiff | .... | stunts | |
Casting Department | |||
| Freddy Luis | .... | casting associate | |
Costume and Wardrobe Department | |||
| Annie Crawford | .... | costume supervisor | |
| Dave Croucher | .... | costumes | |
| Christof Roche-Gordon | .... | key costumer | |
Editorial Department | |||
| Tracy Adams | .... | assistant editor | |
| Mike Bellamy | .... | senior digital film colorist | |
| Gavin Buckley | .... | first assistant editor | |
| Emily E. Ellis | .... | post-production assistant | |
| Michael Hatzer | .... | color timer | |
| Mo Henry | .... | negative cutter | |
| Lionel Johnson | .... | first assistant film editor: re-shoot | |
| Robert C. Lusted | .... | first assistant editor (as Bob Lusted) | |
| Debs Richardson | .... | assistant editor | |
Music Department | |||
| Mark Curry | .... | scoring mixer | |
| Melissa Deanne Ferguson | .... | music editor | |
| Geoff Foster | .... | score recordist | |
| Isobel Griffiths | .... | orchestra contractor | |
| Gregg Nestor | .... | music preparation (as Greg Nestor) | |
| Joe Rangel | .... | music supervisor | |
| Randy Spendlove | .... | executive in charge of music | |
| Joshua Winget | .... | music editor | |
| Richard Ziegler | .... | additional music editor | |
Other crew | |||
| John Adams | .... | special military background | |
| Daren Bailey | .... | assistant marine coordinator | |
| Daren Bailey | .... | principal diving supervisor | |
| Jules Baker-Smith | .... | assistant to director | |
| Camille Brown | .... | assistant: David Twohy | |
| Brian Cabildo | .... | yo-yo instructor | |
| Elizabeth Chambers | .... | production coordinator: Los Angeles | |
| Chloe Chesterton | .... | set runner | |
| Ian Creed | .... | diving/marine coordinator | |
| Linda Crook | .... | assistant production coordinator | |
| Michael Bruce Ellis | .... | creative consultant | |
| Hilary Fagg | .... | script supervisor | |
| Jonathan Flis | .... | production assistant | |
| Susie Ford | .... | production coordinator (as Susie Ford Weismann) | |
| Andrew Haddock | .... | video coordinator | |
| Matt Hickey | .... | production assistant | |
| Harry L. Julian Jr. | .... | diving/marine coordinator: Michigan (as Harry Julian) | |
| Lance Julian | .... | marine consultant | |
| Harry L. Julian Sr. | .... | marine consultant (as Harry Julian Sr.) | |
| Kenny MacDonald | .... | production assistant | |
| Daniel McCormick | .... | boat captain | |
| Lee Murphy | .... | diving supervisor | |
| Maggie Phelan | .... | production accountant | |
| James Richardson | .... | assistant accountant | |
| Vail Romeyn | .... | production coordinator | |
| David E. Russo | .... | programmer | |
| David Ryan | .... | special military background | |
| Nina Saxon | .... | title designer | |
| Patric Scott | .... | unit publicist | |
| Rebecca Sutton | .... | assistant coordinator | |
| Mary Tallman | .... | script supervisor | |
| Tony Tucker | .... | boat wrangler | |
| Chris Velazquez | .... | assistant production coordinator | |
| Tonia Wright | .... | assistant: Ms. Baden-Powell and Mr. Indig | |
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| The Abyss | The Spy Who Loved Me | The Secret of Treasure Island | The Hunt for Red October | The Life Aquatic with Steve Zissou |
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| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
This film has its share of fans, and I wanted to chime in.
I thought its visual effects were beautiful and functional throughout--this is a ghost movie, but the ghost effects are subtle, and never stoop to goofy atmospherics. Indeed, the ghost images are only a very small portion of the visual effects platter on display. Most of the wonderful miniatures and digital constructions concern themselves with the reality of the submarine and its adventures. And these numerous shots feature very little showing off--like the very best effects, they are tools to transmit the story, first and foremost. This rigid adhesion to story is visible all around, and it's very clear that cast and crew were solidly focused.
"Below" is a basic ghost mystery story (who is the ghost and what does it want), a type of film that is seldom done nowadays. A good number of these have been done over the years, certainly, and so the subject matter is familiar, but the story details/mechanics of "Below" present it all in a fresh manner. Lots of business for the actors to work with.
It's intricate, and demands attention from its viewers, and this is rewarded by what I think is a very watchable and entertaining ride, thanks in no small part to its great cast and tight direction. Yes! it's scary, possibly one of the most frightening films I've seen in years. I hesitate to call it a "horror" film, because its audience identification characters do their best to see that justice prevails, and eventually they pull the audience out of this hellish experience. This optimism gives the film a quality of fairy-tale parable. But it is certainly a white-knuckle suspense thriller.