| Photos (See all 21 | slideshow) | Videos (see all 3) |
| Matthew Davis | ... | Odell (as Matt Davis) | |
| Bruce Greenwood | ... | Brice | |
| Holt McCallany | ... | Loomis | |
| Dexter Fletcher | ... | Kingsley | |
| Nick Chinlund | ... | Chief | |
| Olivia Williams | ... | Claire | |
| Scott Foley | ... | Coors | |
| Andrew Howard | ... | Hoag | |
| Christopher Fairbank | ... | Pappy | |
| Chuck Ellsworth | ... | Navy Pilot | |
| Crispin Layfield | ... | Navy Lookout | |
| Jonathan Hartman | ... | Schillings | |
| Sebastian Knapp | ... | Sonar #1 | |
| Max Casali | ... | Air Manifold | |
| Alexis Conran | ... | Helmsman | |
| Jason Flemyng | ... | Stumbo | |
| Matthew Leitch | ... | Zap | |
| Gary Broadway | ... | Mess Steward | |
| Tim Plester | ... | Motormac | |
| Craig Blake | ... | Steward | |
| Zach Galifianakis | ... | Weird Wally | |
| Mitchell Barnett | ... | Bow Planesman | |
| David Crow | ... | Sonar #2 | |
| Nick Hobbs | ... | Captain Winters | |
| Chris Bridgeman | ... | Stern Planesman | |
| David Twohy | ... | British Captain | |
| rest of cast listed alphabetically: | |||
| Paul Bayfield | ... | Radar Operator (uncredited) | |
| David Gries | ... | Rescue Sailor (uncredited) | |
| DJ Perry | ... | Rescue Sailor (uncredited) | |
Directed by | |||
| David Twohy | |||
Writing credits(WGA) | ||
| Lucas Sussman | (written by) & | |
| Darren Aronofsky | (written by) and | |
| David Twohy | (written by) | |
Produced by | |||
| Darren Aronofsky | .... | producer | |
| Sue Baden-Powell | .... | producer | |
| Mark Indig | .... | co-producer | |
| Andrew Rona | .... | executive producer | |
| Eric Watson | .... | producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Michael Zoumas | .... | co-producer | |
Original Music by | |||
| Graeme Revell | |||
| Tim Simonec | |||
Cinematography by | |||
| Ian Wilson | |||
Film Editing by | |||
| Martin Hunter | |||
Casting by | |||
| Felicia Fasano | |||
| Daniel Hubbard | |||
| Anne McCarthy | |||
| Mary Vernieu | |||
Production Design by | |||
| Charles Dwight Lee | (as Charles D. Lee) | ||
Art Direction by | |||
| Mark Harris | (supervising art director) | ||
| Fred Hole | |||
Set Decoration by | |||
| Richard Roberts | |||
Costume Design by | |||
| Elizabeth Waller | |||
Makeup Department | |||
| Fae Hammond | .... | makeup artist | |
| Frances Hannon | .... | chief of hair | |
| Frances Hannon | .... | chief of makeup | |
| Waldo Mason | .... | special makeup effects artist | |
| Daniel Parker | .... | special makeup effects artist | |
| Rossana Parker | .... | makeup artist | |
| Sue Westwood | .... | prosthetics hair artist | |
| Shaune Harrison | .... | special makeup effects artist (uncredited) | |
| Duncan Jarman | .... | prosthetic makeup artist (uncredited) | |
Production Management | |||
| Nigel Gostelow | .... | unit production manager | |
| Mark Indig | .... | unit production manager | |
| Brian McNulty | .... | post-production supervisor | |
Art Department | |||
| Gari Bacon | .... | props | |
| Mark Bartholomew | .... | draughtsman | |
| Roger Bowles | .... | draughtsman | |
| Anthony Caron-Delion | .... | draughtsman | |
| Bryn Court | .... | sculptor | |
| James Enright | .... | modelmaker | |
| Paul J. Hayes | .... | construction coordinator | |
| Carol Kupisz | .... | graphic designer | |
| Ginger McCarthy | .... | head rigger | |
| Brian Neighbour | .... | chargehand carpenter | |
| Sarah Robinson | .... | art department coordinator | |
| Terry Royce | .... | dressing superviser | |
| Terry Royce | .... | props | |
| Alex Smith | .... | art department assistant | |
| Gert Stevens | .... | junior set designer | |
| Nick Thomas | .... | stand-by props | |
| Remo Tozzi | .... | draughtsman | |
| Quentin Davies | .... | dressing props (uncredited) | |
| Brian Murray | .... | storyboard artist (uncredited) | |
| Brian Payne | .... | property master (uncredited) | |
| Adrian Start | .... | supervising painter (uncredited) | |
Special Effects by | |||
| Michael Ahasay | .... | special effects assistant | |
| Sam Barkan | .... | special effects: Michigan | |
| Steve Benelisha | .... | special effects assistant | |
| Nick Bonathan | .... | special effects crew | |
| Sam Conway | .... | special effects coordinator | |
| Dave Eltham | .... | floor supervisor | |
| Jody Eltham | .... | special effects assistant | |
| Michael Fox | .... | special effects technician | |
| Darrell Guyon | .... | floor supervisor | |
| Steve Hamilton | .... | special effects supervisor (as Stephen Hamilton) | |
| Dan Homewood | .... | special effects technician | |
| Ian Lowe | .... | senior special effects technician | |
| Martin 'Marty' McLaughlin | .... | senior snow effects technician | |
| Brian Morrison | .... | mechanical effects supervisor | |
| David 'Pinkie' Thomas | .... | snow effects technician | |
| Simon Webber | .... | prosthetics artist | |
| Mark White | .... | special effects technician | |
| Nick Finlayson | .... | senior special effects technician (uncredited) | |
| Tom Murtagh | .... | senior special effects technician (uncredited) | |
| Andy Simm | .... | special effects crew (uncredited) | |
Visual Effects by | |||
| Richard Bain | .... | digital effects supervisor: Double Negative | |
| Adrian Banton | .... | digital compositor: Double Negative | |
| Pete Bebb | .... | modelling lead | |
| Philip Borg | .... | digital artist | |
| Jim Bowers | .... | digital matte painter | |
| Richard Briscoe | .... | digital compositor | |
| Leon Buckley | .... | video operator: visual effects unit | |
| Chris Burn | .... | digital compositor: Double Negative | |
| Peter Chiang | .... | visual effects supervisor | |
| Jeppe N. Christensen | .... | digital artist | |
| Frazer Churchill | .... | lead compositor | |
| Mike Connolly | .... | digital compositor: Double Negative | |
| Dayne Cowan | .... | digital effects artist | |
| Ciaran Crowley | .... | digital compositor | |
| Ken Dackermann | .... | digital compositor | |
| Michael Bruce Ellis | .... | compositor | |
| John Follmer | .... | head of production: MetroLight Studios | |
| Paul J. Franklin | .... | head of 3D: Double Negative | |
| Mark Freund | .... | visual effects supervisor: Pacific Title | |
| Martin Gardeler | .... | digital artist | |
| Gavin Graham | .... | effects animator: Double Negative | |
| Joseph Grossberg | .... | visual effects consultant | |
| Pete Hanson | .... | studio manager: Double Negative | |
| Jeremy Hattingh | .... | digital compositor | |
| Martin Hill | .... | technical supervisor: Double Negative | |
| Nic Hodgkinson | .... | digital artist | |
| Rudi Holzapfel | .... | senior compositor: Double Negative | |
| Alex Hope | .... | visual effects producer | |
| Jody Johnson | .... | digital compositor: Double Negative | |
| Olivier Junquet | .... | effects technical director | |
| Jesper Kjölsrud | .... | lead digital artist | |
| Isaac Layish | .... | digital artist | |
| Mattias Lindahl | .... | lead effects animator | |
| Andrew Lockley | .... | digital compositor: Double Negative | |
| Heather MacPhee | .... | compositor: MetroLight Studios | |
| Fay McConkey | .... | visual effects producer | |
| Ken McGaugh | .... | technical supervisor: Double Negative | |
| Jake Mengers | .... | Senior 3D Animator - Double Negative | |
| Mark Michaels | .... | lead compositor | |
| John Moffatt | .... | digital compositor | |
| Alberto Montañés | .... | rotoscope artist | |
| Mike Pope | .... | digital compositor | |
| Martin Preston | .... | CG R&D programmer | |
| Chris Ryan | .... | CGI supervisor: MetroLight Studios | |
| John Seymour | .... | visual effects editor: Double Negative | |
| Matthew Shaw | .... | video editorial | |
| Sarah Soulsby | .... | digital compositor: Double Negative | |
| Ileana Stravoskiadi | .... | digital artist | |
| Hayley Easton Street | .... | digital artist (as Hayley Easton) | |
| Jonathan Stroud | .... | R&D programmer: Double Negative | |
| Aksel Studsgarth | .... | digital artist | |
| Åsa Svedberg | .... | digital artist: Double Negative | |
| Jerry Weil | .... | digital artist: Metrolight Studios | |
| Sheila Wickens | .... | digital compositor: Double Negative (as Sheila Gorman) | |
| Dimitri Delacovias | .... | digital matte painter/supervisor: Double Negative (uncredited) | |
| James W. Kristoff | .... | executive in charge of production: MetroLight Studios (uncredited) | |
| Natalie MacDonald | .... | rotoscope artist (uncredited) | |
| Julian Mann | .... | texture programmer: Double Negative (uncredited) | |
| Gustavo Sanchez-Perez | .... | modeller (uncredited) | |
| Dobbie Schiff | .... | executive producer: MetroLight Studios (uncredited) | |
| Clare Tinsley | .... | visual effects coordinator (uncredited) | |
| Giuliano Dionisio Vigano | .... | digital artist (uncredited) | |
| Mark Wallman | .... | digital effects artist (uncredited) | |
Stunts | |||
| Ben Bellman | .... | stunts | |
| Richard Bradshaw | .... | stunts | |
| Nick Chopping | .... | stunts | |
| Ben Cooke | .... | stunts | |
| Richard Dwyer | .... | stunts | |
| Bradley Farmer | .... | stunt double: Sebastian knapp | |
| Glenn Foster | .... | stunts | |
| Sy Hollands | .... | stunts | |
| Rowley Irlam | .... | stunt double: Bruce Greenwood | |
| Paul Jennings | .... | stunt coordinator | |
| Theo Kypri | .... | stunts | |
| Mike Lambert | .... | stunts | |
| Dominic Preece | .... | stunts | |
| C.C. Smiff | .... | stunts | |
| William Willoughby | .... | stunt performer (uncredited) | |
| Steen Young | .... | stunt performer (uncredited) | |
Casting Department | |||
| Freddy Luis | .... | casting associate | |
| Chuck Douglas | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Annie Crawford | .... | costume supervisor | |
| Dave Croucher | .... | costumes | |
| Christof Roche-Gordon | .... | key costumer | |
Editorial Department | |||
| Tracy Adams | .... | assistant editor | |
| Mike Bellamy | .... | senior digital film colorist | |
| Gavin Buckley | .... | first assistant editor | |
| Emily E. Ellis | .... | post-production assistant | |
| Michael Hatzer | .... | color timer | |
| Mo Henry | .... | negative cutter | |
| Lionel Johnson | .... | first assistant film editor: re-shoot | |
| Robert C. Lusted | .... | first assistant editor (as Bob Lusted) | |
| Debs Richardson | .... | assistant editor | |
Music Department | |||
| Mark Curry | .... | scoring mixer | |
| Melissa Deanne Ferguson | .... | music editor | |
| Geoff Foster | .... | score recordist | |
| Isobel Griffiths | .... | orchestra contractor | |
| Gregg Nestor | .... | music preparation (as Greg Nestor) | |
| Joe Rangel | .... | music supervisor | |
| Randy Spendlove | .... | executive in charge of music | |
| Joshua Winget | .... | music editor | |
| Richard Ziegler | .... | additional music editor | |
Transportation Department | |||
| Kurt Knudsen | .... | driver (uncredited) | |
Other crew | |||
| John Adams | .... | special military background | |
| Daren Bailey | .... | assistant marine coordinator | |
| Daren Bailey | .... | principal diving supervisor | |
| Jules Baker-Smith | .... | assistant to director | |
| Camille Brown | .... | assistant: David Twohy | |
| Brian Cabildo | .... | yo-yo instructor | |
| Elizabeth Chambers | .... | production coordinator: Los Angeles | |
| Chloe Chesterton | .... | set runner | |
| Ian Creed | .... | diving/marine coordinator | |
| Linda Crook | .... | assistant production coordinator | |
| Michael Bruce Ellis | .... | creative consultant | |
| Hilary Fagg | .... | script supervisor | |
| Jonathan Flis | .... | production assistant | |
| Vincent J. Guastini | .... | creature concepts | |
| Andrew Haddock | .... | video coordinator | |
| Matt Hickey | .... | production assistant | |
| Harry L. Julian Jr. | .... | diving/marine coordinator: Michigan (as Harry Julian) | |
| Harry L. Julian Sr. | .... | marine consultant (as Harry Julian Sr.) | |
| Lance Julian | .... | marine consultant | |
| Kenny MacDonald | .... | production assistant | |
| Daniel McCormick | .... | boat captain | |
| Lee Murphy | .... | diving supervisor | |
| Maggie Phelan | .... | production accountant | |
| James Richardson | .... | assistant accountant | |
| Vail Romeyn | .... | production coordinator | |
| David E. Russo | .... | programmer | |
| David Ryan | .... | special military background | |
| Nina Saxon | .... | title designer | |
| Patric Scott | .... | unit publicist | |
| Rebecca Sutton | .... | assistant coordinator | |
| Mary Tallman | .... | script supervisor | |
| Tony Tucker | .... | boat wrangler | |
| Chris Velazquez | .... | assistant production coordinator | |
| Suzie F. Wiesmann | .... | production coordinator (as Susie Ford Weismann) | |
| Tonia Wright | .... | assistant: Ms. Baden-Powell and Mr. Indig | |
| Anthony Gore | .... | post-production delivery (uncredited) | |
| Marcel Valcarce | .... | artist: main title (uncredited) | |
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| Sphere | A Single Man | The League of Extraordinary Gentlemen | Never Say Never Again | Atonement |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Below (*****) I know what you're thinking. A "B" picture about a haunted submarine? And I think it's the best flick I've seen so far this year? Well, when a "B" picture is this smart, this intricate, this well-made, this damned entertaining, then, yeah, it's the best movie I've seen so far this year.
Here's the set-up: it's 1943 in the North Atlantic, and the U.S.S. Tiger Shark picks up three survivors from a British hospital ship that was torpedoed two days earlier; the discovery that one of the survivors is a German leads to violence; and, then, really weird things start happening, all the while a German cruiser is chasing the sub down. Is a ghost trying to destroy the sub and its crew, or are they just imagining things through convenient coincidences?
Below was written by Lucas Sussman, Darren Aronofsky and the film's director, David N. Twohy; Aronofsky is the smart filmmaker behind the art-house hit Requiem for a Dream, and Twohy has consistently specialized in sophisticated "B" pictures like The Arrival and Pitch Black. Below offers up an intricate storyline that keeps both the characters and the audience guessing--when they and we aren't jumping out of our skins in terror. Twohy's direction is an example of economic brilliance--the flick charges forward, piling on the twists and scares methodically, but never gratuitously--thankfully, this is a horror flick that's more about mood than about gore--indeed, it's less in tune with modern splatterfests than it is an homage to the cerebral Val Lewton thrillers of the 1940s (like The Seventh Victim or Isle of the Dead).
And what mood this movie creates! Ian Wilson's cinematography is vibrant and chilling, and the magnificent special effects never overwhelm the story--except for a final, hauntingly beautiful shot that will linger in your memory for quite awhile.
An added bonus is the cast of smart players: Bruce Greenwood as the sub commander trying to hold his crew and himself together; Matt Davis as the wet-behind-the-ears officer not really accepted by the crew; Olivia Williams as an English nurse who is both suspect and suspicious; and Holt McCallaney as a gruff officer.
It appears that Below is being dumped by its studio, Dimension, with little advertising or fanfare; a shame, really, since it's one of the most sophisticated and highest quality pictures I've seen in quite awhile. [Rated R: Violence, language, brief nudity.]