Before they can complete renovations on their new inn, Widower (Ben Wilson) and daughter (Hillary) are visited by a woman seeking immediate lodging for her strange group of travellers. Why ... See full summary »
In the middle of World War I, nine British soldiers caught behind enemy lines seek refuge in a complex network of German trenches. What they soon discover is that they aren't alone - and it isn't a German soldier that's hunting them down.
Zach and Avery Treus are brothers, roomates and aspiring novelists. After two years of scraping by in pursuit of their dreams, older brother Avery's ambition seems to have faded. As he ... See full summary »
In the dark silence of the sea during World War II, the submarine U.S.S. Tiger Shark prowls on what should be a routine rescue mission. But for the shell-shocked crew, trapped together in the sub's narrow corridors and constricted spaces, this is about to become a journey into the sensory delusions, mental deceptions and runaway fear that lurk just below the surface of the ocean and deep inside the human psyche. Written by
Holt McCallany learned how to do several yo-yo tricks for his character Loomis. Some of the tricks he performs in the film are the Brain Twister, Around the World, and Walk the Dog. His instructor, Brian Cabildo, is listed in the final credits. See more »
Even in peacetime, submarines never went to sea with their safety lines and stanchions rigged. See more »
[hands coordinates to Loomis]
This is almost a day behind us, sir.
Well who are they? Americans, Brits, Italians? It doesn't even say.
Well I think we can assume they're friendly, Mr. Loomis. Besides, it doesn't appear to be a suggestion, does it.
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The only thing in the opening credits is the movie's title. Everything else is only shown after the movie is over. See more »
Periodically I go through fits where I'm convinced that the American public is losing the capacity for thought in entertainment; that 99% of the movie-going public has reached the point where every smallest nuance must be telegraphed as loudly and as blatantly as possible, and any intelligent content must be simplified so it's comprehensible to the lowest common denominator.
Below is not like that.
This is a movie that simultaneously gives one hope (that something this stylish and subtle could be made in 2002), and despair (that the studio has shown so little faith in it that they've cast it adrift without any advertising or backing). Why this hasn't received even one quarter of the attention of Ghost Ship I can't fathom--if you have a choice, go see Below instead.
If you like beautifully photographed, well-thought-out eerie psychological horror films that don't tie everything up in a nice pretty package of explanations in the final shots, and are willing to give the relatively unknown but excellent cast a shot, then by all means hunt this one down.
9 out of 10
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