Jigsaw locks a few unlucky people in a booby trapped shelter and they must find a way out before they inhale too much of a lethal nerve gas and die. But they must watch out, for the traps Jigsaw has set in the shelter lead to death also.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
Lucas and Clementine live peacefully in their isolated country house, but one night they wake up to strange noise... they're not alone... and a group of hooded assailants begin to terrorize them throughout the night.
In the dark silence of the sea during World War II, the submarine U.S.S. Tiger Shark prowls on what should be a routine rescue mission. But for the shell-shocked crew, trapped together in the sub's narrow corridors and constricted spaces, this is about to become a journey into the sensory delusions, mental deceptions and runaway fear that lurk just below the surface of the ocean and deep inside the human psyche. Written by
Holt McCallany learned how to do several yo-yo tricks for his character Loomis. Some of the tricks he performs in the film are the Brain Twister, Around the World, and Walk the Dog. His instructor, Brian Cabildo, is listed in the final credits. See more »
The diving officer orders the boat to periscope depth, then adds, "66 feet." On a WW2 fleet boat, minimum periscope depth was 55 feet, optimum was 58 feet, and maximum was 62 feet. At 66 feet the scope would have been 4 feet under the surface. See more »
[hands coordinates to Loomis]
This is almost a day behind us, sir.
Well who are they? Americans, Brits, Italians? It doesn't even say.
Well I think we can assume they're friendly, Mr. Loomis. Besides, it doesn't appear to be a suggestion, does it.
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The only thing in the opening credits is the movie's title. Everything else is only shown after the movie is over. See more »
One of the best British films never to be shown here!!
I will start with my only criticism - that of the genre change half-way from wartime thriller to ghost story I found a bit much as we were all expecting one of the characters to turn out as a German saboteur. The cinematography by Ian Wilson was excellent and was combined well with the CGI work (the underwater sub looked so real), the above-water sub being done in the 007 tank at Pinewood. Along with Ian Wilson for cinematography, I personally would also nominate it for a BAFTA (of which I am a member) in both Sound and Editing categories, if it was submitted, the latter being particularly slick. We (about 50 of us, including many BSC members) leapt out of our seats at certain points. You were really there, suffering with the crew. It is only tragic that because the bosses would prefer to change it into a horror movie that it will never be released in the UK, so sadly Brits will never see one of the great British films, although the Union flag shown in the end shot should have been a Red Ensign, but then nothing is perfect!
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