A salvage crew that discovers a long-lost 1962 passenger ship floating lifeless in a remote region of the Bering Sea soon notices, as they prepare to tow it back to land, that "strange things" happen...
Lucas and Clementine live peacefully in their isolated country house, but one night they wake up to strange noise... they're not alone... and a group of hooded assailants begin to terrorize them throughout the night.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
Jigsaw locks a few unlucky people in a booby trapped shelter and they must find a way out before they inhale too much of a lethal nerve gas and die. But they must watch out, for the traps Jigsaw has set in the shelter lead to death also.
Darren Lynn Bousman
In the dark silence of the sea during World War II, the submarine U.S.S. Tiger Shark prowls on what should be a routine rescue mission. But for the shell-shocked crew, trapped together in the sub's narrow corridors and constricted spaces, this is about to become a journey into the sensory delusions, mental deceptions and runaway fear that lurk just below the surface of the ocean and deep inside the human psyche. Written by
Originally Frank Sinatra singing "I'll Be Seeing You" was supposed to be mysteriously playing on the record player. When the studio had difficulties obtaining the rights, the song was replaced by 'Benny Goodman''s "Sing Sing Sing (With a Swing)". See more »
The diving officer orders the boat to periscope depth, then adds, "66 feet." On a WW2 fleet boat, minimum periscope depth was 55 feet, optimum was 58 feet, and maximum was 62 feet. At 66 feet the scope would have been 4 feet under the surface. See more »
[hands coordinates to Loomis]
This is almost a day behind us, sir.
Well who are they? Americans, Brits, Italians? It doesn't even say.
Well I think we can assume they're friendly, Mr. Loomis. Besides, it doesn't appear to be a suggestion, does it.
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The only thing in the opening credits is the movie's title. Everything else is only shown after the movie is over. See more »
This film has its share of fans, and I wanted to chime in.
I thought its visual effects were beautiful and functional throughout--this is a ghost movie, but the ghost effects are subtle, and never stoop to goofy atmospherics. Indeed, the ghost images are only a very small portion of the visual effects platter on display. Most of the wonderful miniatures and digital constructions concern themselves with the reality of the submarine and its adventures. And these numerous shots feature very little showing off--like the very best effects, they are tools to transmit the story, first and foremost. This rigid adhesion to story is visible all around, and it's very clear that cast and crew were solidly focused.
"Below" is a basic ghost mystery story (who is the ghost and what does it want), a type of film that is seldom done nowadays. A good number of these have been done over the years, certainly, and so the subject matter is familiar, but the story details/mechanics of "Below" present it all in a fresh manner. Lots of business for the actors to work with.
It's intricate, and demands attention from its viewers, and this is rewarded by what I think is a very watchable and entertaining ride, thanks in no small part to its great cast and tight direction. Yes! it's scary, possibly one of the most frightening films I've seen in years. I hesitate to call it a "horror" film, because its audience identification characters do their best to see that justice prevails, and eventually they pull the audience out of this hellish experience. This optimism gives the film a quality of fairy-tale parable. But it is certainly a white-knuckle suspense thriller.
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