This all-access documentary series about the storied Boston Bruins, one of the NHL's "Original Six" hockey teams gives viewers an inside perspective into the worlds of Bruins players, coaches, fans and management.
Nia is a successful copy writer at ad agency, and she leads white yuppie life (though her mother is black). She quits the agency when she is ordered to push a new brand of beer to black ... See full summary »
Frank O'Brien, a petty thief, and his 7-year-long girlfriend Roz want to put an end to their unsteady lifestyle and just do that _last_ job, which involves stealing a valuable painting. ... See full summary »
When a painting owned by one of her clients is stolen from a Barcelona museum, a New York-based artexpert is sent there to help investigate. After more paintings are stolen, she learns that... See full summary »
A hip, happening game show where the contestants (almost always young college students) get to try their hand at answering TV related trivia questions. Featured unusual methods of asking ... See full summary »
Many of the cast members would work together again in the 2004 series Rescue Me, which also stars Denis Leary. See more »
[Mike pulls a taxi driver out of a his cab after a wise remark and proceeds to beat the hell out of him.]
Damn! Is your partner crazy?
Terrence 'Pip' Phillips:
No, he just quit smoking.
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After just two episodes, Denis Leary's "The Job" has become a must-see part of my Wednesday nights.
Perhaps the most remarkable element of the show is Leary's almost ego-free presence at the center. He co-produces, he co-writes, he stars, and yet the character he creates is, unquestionably, a jerk. He's a caustically funny and charismatic jerk, but he's a jerk nonetheless. Leary is quite aware of this, allowing the other characters to call him on his jerkiness; one actually slaps him.
In a strange way, this liberates the show. We know Leary as a star, and we already like him, so the show doesn't feel the need to prop him up as a fake hero. Leary finds all sorts of nuances, demonstrating that he's a much better actor than anyone gave him credit for being. He finds the laughs, of course -- many, many laughs -- but he also finds a measure of pathos and sympathy in this aggressively selfish and self-centered man.
If I have any complaint about the show, it's that it's too short. Half an hour isn't enough time to truly develop the policework, to set up and follow a complex, involving case. In this, the apotheosis of the television police program, "Homicide: Life on the Street," doesn't need to worry about being unseated from its throne as the best damn cop show ever. Leary's "The Job," though, has much of the same energy, the loosey-goosey character-centered approach and gritty realism of "Homicide," and that's high praise indeed.
That, of course, is ABC's cue to cancel the show as soon as possible, as they did with "Sports Night" and other quality programs. Tune into "The Job," and hope ABC lets it live.
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