After having made his Bollywood debut in American Chai, Akshay Oberoi has been slowly but steadily climbing up the Bollywood ladder. Last seen in the horror thriller Pizza 3D, Akshay Oberoi has now been signed up as the brand ambassador of ‘Insist’ brand of eyewear. Bollywood Hungama brings to you the photographs of the adRead More
The post Akshay Oberoi’s photoshoot for ‘Insist’ eyewear appeared first on Bollywood Hungama.
The post Akshay Oberoi’s photoshoot for ‘Insist’ eyewear appeared first on Bollywood Hungama.
- 4/26/2017
- by Satish Sundaresan
- BollywoodHungama
As the writer and director of Three Veils, a few common questions I get about the film are “Is this movie based on a true story?” or “How was it working with the lovely and (insert your favorite saucy term) Sheetal Sheth?” However, the first question I inevitably get is “Excuse me, are you crazy?”
I suppose one must be crazy to attempt to make a film in this day and age about young Arab women — who are Muslim — who go through controversial subject matters such as arranged marriage, forbidden love. And for creating one of the first narrative films to ever feature the struggles of an Arab, Muslim Lesbian.
When I first started writing the script, I admit I was anxious. I didn’t want to offend any particular group, or make unwelcome enemies, especially of the threatening kind. Of course, that goal proved to be mostly hopeless as...
I suppose one must be crazy to attempt to make a film in this day and age about young Arab women — who are Muslim — who go through controversial subject matters such as arranged marriage, forbidden love. And for creating one of the first narrative films to ever feature the struggles of an Arab, Muslim Lesbian.
When I first started writing the script, I admit I was anxious. I didn’t want to offend any particular group, or make unwelcome enemies, especially of the threatening kind. Of course, that goal proved to be mostly hopeless as...
- 4/8/2011
- by Rolla Selbak
- AfterEllen.com
Barjatyas of Rajshri Productions have broken their tradition of calling their lead protagonist as 'Prem'. Though for decades, the leading man in a Barjatya production has always been known as 'Prem', in Isi Life Mein debutant Akshay Oberoi is called Vivaan. If one was expecting Akshay to be disheartened about it, this is not the case as he truly believes that there is one and only original Prem - Salman Khan.'I have no qualms whatsoever if I am called Vivaan and not Prem in the film,' says Akshay who has earlier acted as a child artist in a crossover film called American Chai. 'I think the name 'Prem' is very iconic for Sooraj Barjatya and Salman bhai.'Barjatyas have made exceptions to the rule though. In their productions which haven't featured Salman Khan, their central protagonists have been called Prem, case in point being Hrithik Roshan/ Abhishek Bachchan...
- 12/14/2010
- Filmicafe
Sheetal Sheth is starring in Shangri-La Entertainment's untitled Albert Brooks project. Brooks stars, writes and directs, while Herb Nanas produces. Nanas also produced Brooks' The Muse, Lost in America and Defending Your Life. Executive producing is JoAnn Perritano. The story line is being kept under wraps, though Sheth plays a well-educated Delhi woman. The movie is expected to be released under Shangri-La's new distribution deal with Sony Pictures Entertainment and tentatively is scheduled to bow next year. The company is run by film financier Steven Bing (The Polar Express). Sheth starred in ABCD and American Chai. She also appeared in NBC's The Princess and the Marine. Sheth is repped by Abrams Artists and Edie Robb of CMG.
- 1/25/2005
- The Hollywood Reporter - Movie News
Through no fault of its own, the story in American Chai, which originally premiered at Slamdance 2001, has suffered from overexposure. It deals with cultural tensions within an American immigrant family, the subject of such recent festival films or indie releases as ABCD, My Big Fat Greek Wedding, Real Women Have Curves and Faces. But Chai writer-director Anurag Mehta will have to accept responsibility for making the most awkward and uninvolving of these current films.
An inexperienced director, Mehta has much to learn -- especially the rule of thumb that one never casts family relations in key roles unless the family name is Bridges or Fonda. His writing, too, has its share of problems, from characters depicted with cartoonish exaggeration to conflicts that often feel forced. The film has almost no chance to expand its theatrical audience beyond an ethnic crowd, though perhaps the film may enjoy some success on video.
Set in an East Indian community in suburban New Jersey, Mehta's story concerns an American-born Indian youth, Sureel (Aalok Mehta), who is at odds with his tradition-bound father (Bollywood veteran Paresh Rawal). Tensions occur over his choice of lifestyle and academic pursuits. Where his dad lays down such rules as no dating, drinking or R-rated movies, he indulges in one and all. Where his dad decrees he will study pre-med, he is in fact a music major.
Sureel casually lives a double life, a good Indian boy at home and a progressive American youth when he walks out the door. Oddly enough, this double life catches up with him at exactly the moment he does the one thing of which his parents would approve: Dumped by his Anglo girlfriend, the aspiring musician begins to date a woman (Sheetal Sheth) who is not only Indian but -- by his parents' standards -- from a good family.
The plot moves in highly predictable ways, with most of the complications straining credibility. Mehta's writing never ventures beyond rote characterizations.
In the lead role, Aalok Mehta, the filmmaker's songwriter-brother, is, to put it bluntly, no actor, which throws off the rhythms of nearly every scene in which he appears. Ajay Naidu, playing a fresh-off-the-boat cousin, is embarrassingly over the top. Veteran actors Aasif Mandvi and Rawal acquit themselves as best they can. Sheth does have a few movies under her belt (ABCD, Indian Cowboy), but at this stage of her career, she rises or falls to the level of her fellow actors. Which makes her scenes with Aalok Mehta particularly stiff.
Technical credits are rudimentary with few locations and a mere handful of extras in scenes that demand more people. Mehta's music, a fusion of Western rock with Indian motifs, is pleasant though unremarkable.
AMERICAN CHAI
Magic Lamp Releasing
Magic Lamp in association with Fusion Films presents
a Dream Merchant production
Credits:
Producer: Taylor MacCrae
Writer-director: Anurag Mehta
Executive producers: Kathy Perone, Sapna Shah, Ashish Shah, Victoria Dingman
Director of photography: John Matkowsky
Production designer: Cecile Thalmann
Music: Aalok Mehta, Jach Bowden Faulkner
Costume designer: Kristen Couchot
Editor: Ann E. Holbrook. Cast: Sureel: Aalok Mehta
Maya: Sheetal Sheth
Sam: Aasif Mandvi
Toby: Josh Ackerman
Hari: Ajay Naidu
Sureel's Dad: Paresh Rawal
MPAA rating: R
Running time -- 89 minutes...
An inexperienced director, Mehta has much to learn -- especially the rule of thumb that one never casts family relations in key roles unless the family name is Bridges or Fonda. His writing, too, has its share of problems, from characters depicted with cartoonish exaggeration to conflicts that often feel forced. The film has almost no chance to expand its theatrical audience beyond an ethnic crowd, though perhaps the film may enjoy some success on video.
Set in an East Indian community in suburban New Jersey, Mehta's story concerns an American-born Indian youth, Sureel (Aalok Mehta), who is at odds with his tradition-bound father (Bollywood veteran Paresh Rawal). Tensions occur over his choice of lifestyle and academic pursuits. Where his dad lays down such rules as no dating, drinking or R-rated movies, he indulges in one and all. Where his dad decrees he will study pre-med, he is in fact a music major.
Sureel casually lives a double life, a good Indian boy at home and a progressive American youth when he walks out the door. Oddly enough, this double life catches up with him at exactly the moment he does the one thing of which his parents would approve: Dumped by his Anglo girlfriend, the aspiring musician begins to date a woman (Sheetal Sheth) who is not only Indian but -- by his parents' standards -- from a good family.
The plot moves in highly predictable ways, with most of the complications straining credibility. Mehta's writing never ventures beyond rote characterizations.
In the lead role, Aalok Mehta, the filmmaker's songwriter-brother, is, to put it bluntly, no actor, which throws off the rhythms of nearly every scene in which he appears. Ajay Naidu, playing a fresh-off-the-boat cousin, is embarrassingly over the top. Veteran actors Aasif Mandvi and Rawal acquit themselves as best they can. Sheth does have a few movies under her belt (ABCD, Indian Cowboy), but at this stage of her career, she rises or falls to the level of her fellow actors. Which makes her scenes with Aalok Mehta particularly stiff.
Technical credits are rudimentary with few locations and a mere handful of extras in scenes that demand more people. Mehta's music, a fusion of Western rock with Indian motifs, is pleasant though unremarkable.
AMERICAN CHAI
Magic Lamp Releasing
Magic Lamp in association with Fusion Films presents
a Dream Merchant production
Credits:
Producer: Taylor MacCrae
Writer-director: Anurag Mehta
Executive producers: Kathy Perone, Sapna Shah, Ashish Shah, Victoria Dingman
Director of photography: John Matkowsky
Production designer: Cecile Thalmann
Music: Aalok Mehta, Jach Bowden Faulkner
Costume designer: Kristen Couchot
Editor: Ann E. Holbrook. Cast: Sureel: Aalok Mehta
Maya: Sheetal Sheth
Sam: Aasif Mandvi
Toby: Josh Ackerman
Hari: Ajay Naidu
Sureel's Dad: Paresh Rawal
MPAA rating: R
Running time -- 89 minutes...
- 4/15/2002
- The Hollywood Reporter - Movie News
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