A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family". However, ... See full summary »
Mayan Indian peasants, tired of being thought of as nothing more than "brazos fuertes" ("strong arms", i.e., manual laborers) and organizing in an effort to improve their lot in life, are ... See full summary »
Zaide Silvia Gutiérrez,
Ernesto Gómez Cruz
David and Linda Howard are successful yuppies from LA. When he gets a job disappointment, David convinces Linda that they should quit their jobs, liquidate their assets, and emulate the movie Easy Rider, spending the rest of their lives travelling around America...in a Winnebago! (This is a kind of large, luxurious mobile home which suits a 1980's yuppie more than the counterculture dropout approach of Easy Rider.) His idealized, unrealistic plans soon begin to go spectacularly wrong. Written by
The movie is No. #84 on the American Film Institute's year 2000 list of the funniest movies of all time entitled "AFI's 100 Years... 100 Laughs". See more »
In the final montage, between Newnan, Georgia (where David tosses the map out the window), and the approach to Atlanta, there is a shot of a water tower shaped like a giant peach. They would likely pass this water tower on their journey, but it is located in Gaffney, South Carolina, and not southwest of Atlanta as implied. See more »
Albert Brooks and Monica Johnson have fashioned in their Lost in America screenplay a spot-on portrait of upper middle class malaise and its correspondent affluence atrophy -- and skewered it all with perfect vignettes of accomplished comic finesse. Most fans of this film -- and it certainly has a cult following -- will gleefully cite scenes ranging from the legendary "nest egg" speech to the job service interview as examples of terrific comedy, and I wholeheartedly agree: Lost in America is very funny. Brooks, who not only co-wrote the film but also stars and directs, only falters a bit when it comes to the overall pacing (I thought the section that opens the film spends too much time in Los Angeles before the couple decides to head out for the open road), but this is a minor complaint. Most of the time I am laughing too hard to point out any flaws.
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