A historical television series that focuses on the impact of the Underground Railroad during the 19th century, "Underground" offers viewers a message of social progress that's just as relevant in 2017.
A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family". However, ... See full summary »
David and Linda Howard are successful yuppies from LA. When he gets a job disappointment, David convinces Linda that they should quit their jobs, liquidate their assets, and emulate the movie Easy Rider, spending the rest of their lives travelling around America...in a Winnebago! (This is a kind of large, luxurious mobile home which suits a 1980's yuppie more than the counterculture dropout approach of Easy Rider.) His idealized, unrealistic plans soon begin to go spectacularly wrong. Written by
Reportedly, Seinfeld (1989)'s Larry David once revealed in an interview with 'Laugh Factory' magazine during the 1990s that he he had to keep working hard on the comedy sitcom because when he first was married to his wife, they went to Las Vegas and blew all their money just like the couple did in this movie. See more »
During the cross country trip headed east entering Texas the Visitors Center is on the wrong side of the state. I-10 starts at mile marker 1 in West Texas. Mile maker 879 Visitors Center is near the border with Louisiana as you head west into Texas from Louisiana. See more »
[repeated line, at the roulette table]
Twenty-two, twenty-two, come on back to me, come on back to me!
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Albert Brooks and Monica Johnson have fashioned in their Lost in America screenplay a spot-on portrait of upper middle class malaise and its correspondent affluence atrophy -- and skewered it all with perfect vignettes of accomplished comic finesse. Most fans of this film -- and it certainly has a cult following -- will gleefully cite scenes ranging from the legendary "nest egg" speech to the job service interview as examples of terrific comedy, and I wholeheartedly agree: Lost in America is very funny. Brooks, who not only co-wrote the film but also stars and directs, only falters a bit when it comes to the overall pacing (I thought the section that opens the film spends too much time in Los Angeles before the couple decides to head out for the open road), but this is a minor complaint. Most of the time I am laughing too hard to point out any flaws.
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