| Laia Marull | ... | Tony | |
| Beatriz Coronel | ... | Laura | |
| Juan Diego | ... | Raimundo | |
| María Galiana | ... | Ascensión | |
| Miguel Hermoso Arnao | ... | Maxi | |
| Roberto Cairo | ... | Moco | |
| Jesús Olmedo | ... | Juanjo | |
| Silvia Espigado | ... | Flor | |
| Antonio Dechent | ... | Policía 1 | |
| Jesús Lucena | ... | Policía 2 | |
| Santiago Ramos | ... | Aparcacoches | |
| María Quintanar | ... | Rosa | |
| Resu Morales | ... | Lotera mayor (as Resurrección Morales) | |
| Begoña Labrada | ... | Lotera joven | |
| Antonio Joven | ... | Cliente Flor | |
| Lucio Romero | ... | Borracho | |
| Paco De Osca | ... | Tabernero | |
| Pepe Salas | ... | Camarero 1 | |
| Jesús Codina | ... | Camarero 2 | |
| Antonio Molina | |||
| Elisa de la Torre | |||
| Francisco José Fargas | |||
| Gaspar Rodríguez | |||
| Daniel Jurado | |||
| Niña Pastori | ... | Herself | |
| Manuel Martín Martínez | |||
| Manuel Herrera González | |||
| José Guerrero Martínez | |||
| Rafa Rivas | |||
| rest of cast listed alphabetically: | |||
| Andrew Tarbet | |||
Directed by | |||
| Miguel Hermoso | |||
Writing credits(in alphabetical order) | ||
| Raúl Brambilla | ||
| Miguel Hermoso | ||
| Óscar Plasencia | ||
Produced by | |||
| Antonio P. Pérez | .... | producer | |
Original Music by | |||
| Antonio Meliveo | |||
Cinematography by | |||
| Tote Trenas | |||
Film Editing by | |||
| Blanca Guillén | |||
Production Design by | |||
| Wolfgang Burmann | |||
Costume Design by | |||
| Sonia Grande | |||
Makeup Department | |||
| Paula Cruz | .... | assistant makeup artist | |
| Fermín Galán | .... | hair stylist | |
| Jorge Hernández | .... | makeup artist | |
Production Management | |||
| Eduardo Santana | .... | production manager | |
Second Unit Director or Assistant Director | |||
| José Antonio Ortiz | .... | assistant director | |
| Josete Picaporte | .... | second assistant director | |
Sound Department | |||
| Carlos Faruolo | .... | direct sound | |
| José Luis Fernández | .... | boom operator | |
| Patrick Ghislain | .... | foley mixer | |
| Patrick Ghislain | .... | sound re-recording mixer | |
| Jorge Marín | .... | sound recordist | |
Special Effects by | |||
| Reyes Abades | .... | special effects | |
Visual Effects by | |||
| Carlos Trijueque | .... | digital compositor | |
Camera and Electrical Department | |||
| Silvia Camacho | .... | video assist operator | |
| José Ramón Delgado | .... | first assistant camera | |
| Joaquín Manchado | .... | second camera operator | |
| Matías Nieto | .... | still photographer | |
| Edmundo Sanz | .... | key grip | |
Costume and Wardrobe Department | |||
| Ana Cuerda | .... | wardrobe assistant | |
Music Department | |||
| Estopa | .... | musician | |
| Jorge Marín | .... | music recordist | |
Other crew | |||
| Rosa Garcia Merino | .... | head of publicity | |
| Matilde Rubio | .... | first assistant producer | |
Thanks | |||
| Elena Arnao | .... | thanks | |
| Juan Carmona | .... | thanks | |
| Antonio Dechent | .... | thanks | |
| Ángeles González Sinde | .... | thanks | |
| Rosa Lagarrigue | .... | thanks | |
| Mapi Laguna | .... | thanks | |
| José Manuel Lorenzo | .... | thanks | |
| Santiago Ramos | .... | thanks | |
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| The Motorcycle Diaries | Freeway | King of New York | Spider-Man 3 | Gun Crazy |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Spain section |
A feminist heist and chase piece made by unfamiliar Spaniards - sound dodgy.
FUGITIVES is actually a very lively piece kicking off with a brisk bank robbery after which the one girl in the gang finds herself on the run and stuck with an abandoned tot.They (of course) bond while being pursued by the couple of the gang left standing about when the getaway car drove off. The men are such yobos and the females so endearing that the whole thing comes together, despite a market over saturated in bloke bashing movies.
The Cadiz second meeting with the singer father, drunk at noon and struggling to come to terms with his responsibilities,is particularly remarkable, shaded and involving.
Film making is crisp and effective - the undercrancked car chase where the dust is brought up in sharp detail and the music is flamenco guitar or the child found laying down on the rail tracks with her dolly are just a couple of the telling sequences.