| Photos (see all 5 | slideshow) |
| Harvey Keitel | ... | Major Steve Arnold | |
| Stellan Skarsgård | ... | Dr. Wilhelm Furtwängler | |
| Moritz Bleibtreu | ... | Lt. David Wills | |
| Birgit Minichmayr | ... | Emmi Straube | |
| Ulrich Tukur | ... | Helmut Alfred Rode, 2nd violinist | |
| Oleg Tabakov | ... | Colonel Dymshitz | |
| Hanns Zischler | ... | Rudolf Otto Werner, oboist | |
| Armin Rohde | ... | Schlee, timpanist | |
| R. Lee Ermey | ... | General Wallace | |
| August Zirner | ... | Captain Ed Martin | |
| Daniel White | ... | Sergeant Adams | |
| Thomas Thieme | ... | Reichsminister | |
| Jed Curtis | ... | Colonel Green | |
| Garrick Hagon | ... | Major Richards | |
| Robin Renucci | ... | Captain Vernay | |
| Markus Heinicke | ... | Attendant | |
| Aleksander Tesla | ... | Projectionist | |
| Jarreth J. Merz | ... | US Soldier | |
| Holger Schober | ... | Steve's Driver | |
| Frank Leboeuf | ... | French Aide | |
| Philip Bowen | ... | US Aide | |
| Thomas Morris | ... | British Sergant | |
| Peter Döring | ... | British Officer | |
| Rinat Shaham | ... | Jazz Singer | |
| Werner Armeln | ... | Remer | |
| Matthias Wilke | ... | Schmidt | |
| Holger Jahn | ... | Aide 1 | |
| Werner Zwosta | ... | Aide 2 | |
| Thomas Rösicke | ... | Barkeeper 1 | |
| Marco Riccardi | ... | Barkeeper 2 | |
| Jourii Babalikachvili | ... | Russian Aide | |
| Henry Schindler | ... | U.K. Aide | |
| Chris Martin | ... | U.S. Soldier | |
| Benno Wirth | ... | Stallholder | |
| Ron Hermann | ... | Boy 1 | |
| Valentin Tornow | ... | Boy 2 | |
| rest of cast listed alphabetically: | |||
| Wilhelm Furtwängler | ... | Himself (archive footage) (uncredited) | |
| Josef Goebbels | ... | Himself (archive footage) (uncredited) | |
| Heinrich Himmler | ... | Himself (archive footage) (uncredited) | |
| Adolf Hitler | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| István Szabó | |||
Writing credits(in alphabetical order) | ||
| Ronald Harwood | play | |
| Ronald Harwood | screenplay | |
Produced by | |||
| Adam Betteridge | .... | associate producer: Great British Films | |
| Fritz Buttenstedt | .... | co-executive producer | |
| Michael Cowan | .... | co-executive producer (as Michael Lionello Cowan) | |
| Udo Happel | .... | line producer | |
| Jeremy Isaacs | .... | co-producer | |
| Alex Marshall | .... | associate producer | |
| Maureen McCabe | .... | co-producer | |
| Rainer Mockert | .... | co-producer | |
| Michel Nicolini | .... | supervising producer | |
| Yves Pasquier | .... | producer | |
| Jason Piette | .... | co-executive producer | |
| David Rogers | .... | co-executive producer | |
| Jacques Rousseau | .... | co-producer | |
| Rainer Schaper | .... | co-producer | |
| Michael von Wolkenstein | .... | co-producer | |
| Gisela Waetzoldt-Hildebrandt | .... | associate producer | |
Cinematography by | |||
| Lajos Koltai | |||
Film Editing by | |||
| Sylvie Landra | |||
Casting by | |||
| Gillian Hawser | |||
| Caroline Hutchings | |||
| Heta Mantscheff | |||
Production Design by | |||
| Ken Adam | |||
Art Direction by | |||
| Anja Müller | (supervising art director) | ||
Set Decoration by | |||
| Bernhard Henrich | |||
Costume Design by | |||
| Györgyi Szakács | |||
Makeup Department | |||
| Wolfgang Böge | .... | makeup artist | |
| Ann-Kathrin Guballa | .... | makeup artist | |
| Beatrice Mendelin | .... | special makeup effects artist | |
| Martina Raschke-Dressler | .... | makeup artist | |
| Robert Rebele | .... | special makeup effects artist | |
Production Management | |||
| Marcus Loges | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Claudia Anton | .... | trainee assistant director | |
| Thorne Mutert | .... | second assistant director | |
| Aleksandrs Petukhovs | .... | third assistant director | |
| Ralph Remstedt | .... | first assistant director | |
| Oliver Schnug | .... | third assistant director | |
Sound Department | |||
| Philippe Amouroux | .... | sound re-recording mixer | |
| Jean-Louis Bras | .... | adr boom operator | |
| Michel Filippi | .... | adr editor (as Michel Fillipi) | |
| Jean Goudier | .... | supervising sound editor | |
| Jean-Francois Hammel | .... | foley artist assistant | |
| Noemi Hampel | .... | cable woman | |
| Cyril Holtz | .... | sound re-recording mixer | |
| Denis Jaillet-Marsigny | .... | sound recordist | |
| Anne Le Campion | .... | foley recordist | |
| Jérôme Lévy | .... | foley artist | |
| Olivier Marlangeon | .... | foley artist assistant | |
| Gilles Missir | .... | adr sound engineer | |
| Bridget O'Driscoll | .... | dialogue editor | |
| John Pitt | .... | boom operator | |
| Brian Simmons | .... | sound mixer | |
Special Effects by | |||
| Michael Apling | .... | special effects technician | |
| Alain Carsoux | .... | head of special effects | |
| Lars Hintze | .... | special effects technician | |
| Thorsten Hintze | .... | special effects technician | |
| Thommy Opatz | .... | special effects makeup: supply | |
| Edouard Valton | .... | special effects producer | |
| Bernd Wildau | .... | senior special effects technician | |
| Adolf Wojtinek | .... | special effects supervisor | |
Visual Effects by | |||
| Christophe Belena | .... | digital transfers | |
| Thorsten Binte | .... | visual effects supervisor | |
| Coralie Boulay | .... | digital transfer editor | |
| Séverine De Wever | .... | production coordinator | |
| François Dupuy | .... | digital transfers | |
| Vincent Frei | .... | rotoscope artist | |
| Olivier Gadal | .... | rotoscope artist | |
| Yann Gonsard | .... | rotoscope artist | |
| Rip Hampton O'Neil | .... | technical director: Duboi | |
| Michael Hosenfeld | .... | digital effects project manager | |
| Abdel Ali Kassou | .... | digital transfers | |
| Aurelie Lajoux | .... | rotoscope artist | |
| Tina Lin | .... | digital transfers | |
| Thomas Mulack | .... | digital effects producer | |
| Nicolas Pelle | .... | digital transfers | |
| Markus Schneider | .... | compositing artist | |
| Antoine Simkine | .... | visual effects executive producer: Duboi | |
| Guillaume Uguet | .... | digital transfers | |
Stunts | |||
| Helmut Baumer | .... | stunts | |
| Oliver Fritsche | .... | stunt rigger | |
| Christof Genesis | .... | stunts | |
| Udo Harnach | .... | stunt performer | |
| Werner Kaiser | .... | stunts | |
| Armin Sauer | .... | stunt coordinator | |
| Bernhard Schirmer | .... | stunts | |
| Rene Schobes | .... | stunts (as Rene Schobess) | |
Camera and Electrical Department | |||
| Christian Almesberger | .... | assistant camera | |
| Daniel Alvermann | .... | dolly grip | |
| Karl Dillitzer | .... | gaffer | |
| Sandro Eichler | .... | grip | |
| Marcell Erdélyi | .... | camera trainee | |
| Mikesch Groht | .... | Steadicam operator | |
| Heiko Jörke | .... | key grip | |
| Daniel Klauke | .... | electrician | |
| Carsten Klockow | .... | grip | |
| Patrick Kloz | .... | video assistant | |
| Roland Knitter | .... | electrician | |
| Finn Kohler | .... | grip | |
| Oliver Ladinser | .... | electrician | |
| Martin Lippert | .... | generator operator | |
| Gero Neumann | .... | clapper loader | |
| Nicole Nullmeyer | .... | clapper loader | |
| Joseph Gallus Rittenberg | .... | still photographer | |
| Alexander Schaak | .... | electrician | |
| Axel Schrepel | .... | electrician | |
| Rico Schulze | .... | electrician | |
| Mike Wächter | .... | best boy | |
| Jörg Widmer | .... | Steadicam operator | |
Animation Department | |||
| Siegfried Ostertag | .... | animator | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Karin Beewen | .... | casting: Babelsberg | |
| Brendan Donnison | .... | adr voice casting | |
| Martina Goldsmith | .... | extras casting assistant | |
| Petra Lüttschwager | .... | extras casting assistant | |
| Iris Müller | .... | extras casting | |
| Tanja Ploetz | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Anke Baier | .... | dresser | |
| Pascale Bourtequoi | .... | assistant costume designer | |
| Constanze Hagedorn | .... | wardrobe mistress | |
| Sparka Lee Hall | .... | costume supervisor | |
| Richard Olaf Zintel | .... | wardrobe master: Harvey Keitel | |
| Zintel Richard Olaf | .... | wardrobe master: Harvey Keitel | |
| Judith Stöger | .... | dresser | |
Editorial Department | |||
| Patrick Delamotte | .... | color timer | |
| Juliette Garcias | .... | assistant editor | |
| Soline Guyonneau | .... | first assistant editor | |
| Isabelle Lepicier | .... | assistant editor (as Isabelle Lépicier) | |
Music Department | |||
| Daniel Barenboim | .... | conductor: new recordings | |
| Wilhelm Furtwängler | .... | conductor: original recordings | |
| Ulrich Trimborn | .... | music supervisor | |
Transportation Department | |||
| Katja Heissig | .... | driver | |
| Axel Hübner | .... | driver: director | |
| Inga Meissner | .... | transportation coordinator | |
| Grit Menzzer | .... | driver | |
| Recent Posts (updated daily) | User |
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| music in this movie | zizimouse |
| Very end....SPOILER | kingofthegrass |
| Church location | paulthompson |
| My review | chris-rogers2 |
| Taking Sides | Ell-4 |
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Art vs. politics; the ethical dilemmas of talented artists when politics approaches them; this has always been István Szabó's favourite topic. Already the Oscar-winner Mephisto featured a talented actor selling his soul to the Nazis. This time the story is based on real-life events: while most of his colleagues fled the country, Wilhelm Furtwängler, this truly exceptional conductor stayed in Germany during the Nazi era and continued his career with the Berlin Philharmonic Orchestra. His "collaboration" provoked strong accusations after the war.
The film is the story of the investigation by the American post-war authorities to decide whether the accusations of collaboration are valid. The film presents two ethical answers. The first one is stated by the American officer (played excellently by Harvey Keitel), who believes that Furtwängler is morally guilty, as he accepted a shining career from the Nazi's hand. The second answer is presented by Furtwängler himself who tries to defend himself by stating that in order to help (by "help" he both meant practical assistance - as he did save many Jews during the war - and a spiritual message - as he claimed that his music maintained the inner good in his nation's soul even in the time of Evil) he had to compromise with the Nazis, but he never really collaborated with them. The film itself (despite its title) does not take side, although it seems to sympathize with Furtwängler as an artist and generally presents the American officer as an ignorant and illiterate person. However, as the investigation proceeds, this aggressive and obnoxious person asks questions that are very hard to answer: is it acceptable to make such a compromise with a regime that kills 6 million Jews? Is it really so that Furtwängler made the compromise with the idea of helping people in need? Or rather, did he make it to advance his career?
The film has triggered exciting conversations with my friends who have differing opinions. I think these lengthy talks are the best proof that this is an excellent film and it has achieved its aim.
The story has several layers (I particularly liked the way differences of American and German cultures are presented), the characters are exciting and well played: if you like thought-provoking movies, go for this one!