| Photos (See all 19 | slideshow) |
| Isabelle Huppert | ... | Erika Kohut | |
| Annie Girardot | ... | The Mother | |
| Benoît Magimel | ... | Walter Klemmer | |
| Susanne Lothar | ... | Mrs. Schober | |
| Udo Samel | ... | Dr. George Blonskij | |
| Anna Sigalevitch | ... | Anna Schober | |
| Cornelia Köndgen | ... | Mme Gerda Blonskij | |
| Thomas Weinhappel | ... | Baritone | |
| Georg Friedrich | ... | Man in drive-in | |
| Philipp Heiss | ... | Naprawnik | |
| William Mang | ... | Teacher | |
| Rudolf Melichar | ... | Director | |
| Michael Schottenberg | ... | Teacher | |
| Gabriele Schuchter | ... | Margot | |
| Dieter Berner | ... | Singing teacher | |
| Volker Waldegg | ... | Teacher | |
| Martina Resetarits | ... | Teacher | |
| Annemarie Schleinzer | ... | Teacher | |
| Karoline Zeisler | ... | Teacher | |
| Liliane Neiska | ... | Secretary | |
| Luz Leskowitz | ... | Violinist | |
| Viktor Teuflmayr | ... | Pianist | |
| Viviane Bartsch | ... | Woman in drive-in (as Vivian Bartsch) | |
| Florian Koban | ... | Pupil | |
| Thomas Auner | ... | Haydn pianist | |
| rest of cast listed alphabetically: | |||
| Noam Morgensztern | ... | The first pupil (voice) | |
| Lisa Olah | ... | Sex shop girl (as Lisa Wölzl) | |
| Vitus Wieser | ... | Klemmer's Friend (uncredited) | |
Directed by | |||
| Michael Haneke | |||
Writing credits(in alphabetical order) | ||
| Michael Haneke | ||
| Elfriede Jelinek | novel | |
Produced by | |||
| Yvon Crenn | .... | executive producer | |
| Christine Gozlan | .... | executive producer | |
| Veit Heiduschka | .... | producer | |
| Michael Katz | .... | executive producer | |
Cinematography by | |||
| Christian Berger | |||
Film Editing by | |||
| Nadine Muse | |||
| Monika Willi | |||
Casting by | |||
| Kris Portier de Bellair | |||
| Markus Schleinzer | |||
Production Design by | |||
| Christoph Kanter | |||
Set Decoration by | |||
| Hans Wagner | |||
Costume Design by | |||
| Annette Beaufays | |||
Makeup Department | |||
| Françoise Andrejka | .... | makeup artist | |
| Fabienne Bressan | .... | hair stylist | |
| Ellen Just | .... | makeup artist | |
| Thi-Loan Nguyen | .... | key makeup artist | |
| Michaela Oppl | .... | special makeup effects artist | |
| Waldemar Pokromski | .... | special makeup effects artist | |
Production Management | |||
| Roman Haschberger | .... | unit production manager | |
| Michael Katz | .... | production manager | |
| Gebhard Zupan | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Katharina Biró | .... | assistant director | |
| Fritz Noltmann | .... | assistant director | |
| Hanus Polak Jr. | .... | first assistant director | |
Art Department | |||
| Gerhard Dhor | .... | construction crew (as Gerhard Dohr) | |
| Peter Dörflinger | .... | construction crew | |
| Peter Ecker | .... | props | |
| Katrin Huber | .... | property master | |
| Fritz Martan | .... | construction coordinator | |
| Hannes Salat | .... | props | |
| Peter Wenhardt | .... | scenic artist | |
Sound Department | |||
| Pascal Chauvin | .... | foley artist | |
| Pascal Dedeye | .... | assistant foley artist | |
| Othmar Eichinger | .... | sound playback operator | |
| Dominique Eyraud | .... | boom operator | |
| Jean-Pierre Laforce | .... | sound mixer | |
| Nadine Muse | .... | sound editor | |
| Guillaume Sciama | .... | sound | |
Special Effects by | |||
| László Kovács | .... | special effects coordinator | |
| Hans Wagner | .... | special effects | |
Visual Effects by | |||
| Geoffrey Kleindorfer | .... | visual effects | |
Camera and Electrical Department | |||
| Rainer Barta | .... | electrician | |
| Stefan Biebl | .... | Steadicam operator (as Stefan Bibl) | |
| Petro Domenigg | .... | still photographer | |
| Peter Drittenpreis | .... | assistant Steadicam operator | |
| Katharina Frank | .... | second assistant camera | |
| Gerald Helf | .... | first assistant camera | |
| Regina Höllbacher | .... | second assistant camera | |
| Bernhard Pötscher | .... | first assistant camera | |
| Harald Staudach | .... | assistant Steadicam operator | |
| Reinhard Vince | .... | electrician | |
| Wolfgang Vince | .... | gaffer | |
| Jörg Widmer | .... | Steadicam operator | |
Casting Department | |||
| Carmen Loley | .... | casting | |
Costume and Wardrobe Department | |||
| Brigitte Fink | .... | costumer | |
Editorial Department | |||
| Yannick Coutheron | .... | assistant editor | |
| Alarich Lenz | .... | assistant editor | |
| Monica Parisini | .... | assistant editor | |
| Franz Rabl | .... | color timer | |
| Gabriele Sikuta | .... | negative cutter | |
Transportation Department | |||
| Thomas Messer | .... | property driver | |
Other crew | |||
| Roman Haschberger | .... | location manager | |
| Eva Jürgens | .... | production trainee | |
| Andreas Kispert | .... | set manager | |
| Ulrike Lässer | .... | production coordinator | |
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| The Children of the Century | The Accompanist | Kings & Queen | Bitter Moon | Head-On |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Austria section |
Erika (Isabelle Huppert) is a fortyish piano teacher with deeply repressed sexual feelings. She lives with her mother (Annie Girardot), a controlling, oppressive woman, and deals with her erotic longings through voyeurism, visits to sex shops and self mutilation. She still sleeps with her mother. The film largely takes place at the conservatory where she teaches and at the apartment she shares with her mother.
Huppert in an excellent on-disc interview says Erika longs to be loved but is frightened of seduction. She treats her students coldly but is drawn to one who is vain and handsome, and played by Benoit Magimel. The rest is the story of her creating and accepting a masochistic relationship with the young man that spirals down into her own psycho-sexual collapse.
This movie won't be everyone's choice for an evening with the kids. It's a serious, disturbing film for adults that looks grimly at repressed feelings and emotional self destruction. For the grownups, it might put you off sado-masochism for a few days. It's a first-rate film.
Isabelle Huppert is one of my favorite actors. Like Depardieu, she has no apparent screen vanity; she'll do what it takes for the role. She also has the rare ability to express deep, unsettling feelings with an absolute economy of expression. She is incredible in this film.
I'm happy to have the movie, but to tell you the truth I'm not sure how many more times I'll watch it.