In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
Jonathan Rhys Meyers,
Fausta is suffering from a rare disease called the Milk of Sorrow, which is transmitted through the breast milk of pregnant women who were abused or raped during or soon after pregnancy. ... See full summary »
Howard Spence (Sam Shepard) has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to... See full summary »
A man convicted in his teens for killing a child is released on parole. He finds work as a church organist and develops a rewarding relationship with a priest and her young son. However, ... See full summary »
Pål Sverre Hagen,
Ellen Dorrit Petersen
London-based Emily Wang gained minor notoriety from her VJ-ing on cable television. She is now more renowned for being the longtime girlfriend and pseudo manager of rock musician Lee Hauser... See full summary »
Erika Kohut is a pianist, teaching music. Schubert and Schumann are her forte, but she's not quite at concert level. She's approaching middle age, living with her mother who is domineering then submissive; Erika is a victim then combative. With her students she is severe. She visits a sex shop to watch DVDs; she walks a drive-in theater to stare at couples having sex. Walter is a self-assured student with some musical talent; he auditions for her class and is forthright in his attraction to her. She responds coldly then demands he let her lead. Next she changes the game with a letter, inviting him into her fantasies. How will he respond; how does sex have power over our other faculties? Written by
Isabelle Huppert must be one of the greatest actresses of her or any other generation. "La Pianiste" truly confirms it. As if that wasn't enough, Annie Girardot plays her mother and Annie Girardot is one of the greatest actresses of her or any other generation. So, as you may well imagine, those pieces of casting are worth the horror we're put through. Isabelle and Annie play characters we've never seen before on the screen. A mother and daughter yes but with such virulent fearlessness that sometimes I was unable even to blink or to breath. Personally, I don't believe in the director's intentions, I don't believe they (the intentions that is) go beyond the shocking anecdote and the ending made me scream with frustration but I was riveted by the story written in the face of the sensational Huppert and the fierceness of Girardot's strength. I highly recommend it to cinema lovers anywhere and to the collectors of great performances like me, you can't afford to miss "La Pianiste"
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