| Photos (See all 74 | slideshow) | Videos (see all 5) |
Directed by | |||
| Roman Polanski | |||
Writing credits | ||
| Ronald Harwood | (screenplay) | |
| Wladyslaw Szpilman | (based on the book by) | |
Original Music by | |||
| Wojciech Kilar | |||
Cinematography by | |||
| Pawel Edelman | (director of photography) | ||
Film Editing by | |||
| Hervé de Luze | (as Herve De Luze) | ||
Casting by | |||
| Celestia Fox | |||
Production Design by | |||
| Allan Starski | |||
Art Direction by | |||
| Nenad Pecur | |||
Set Decoration by | |||
| Wieslawa Chojkowska | |||
| Gabriele Wolff | |||
Costume Design by | |||
| Anna B. Sheppard | (as Anna Sheppard) | ||
Makeup Department | |||
| Sonali Chatterjee | .... | hair assistant | |
| Sonali Chatterjee | .... | makeup assistant | |
| Jean-Max Guérin | .... | hairstylist (as Jean-Max Guerin) | |
| Alicja Kozlowska | .... | hair assistant | |
| Alicja Kozlowska | .... | makeup assistant | |
| Dariusz Krysiak | .... | hair assistant | |
| Dariusz Krysiak | .... | makeup assistant | |
| Didier Lavergne | .... | makeup artist | |
| Tomasz Matraszek | .... | hair assistant | |
| Tomasz Matraszek | .... | makeup assistant | |
| Beata Matuszczak | .... | hair assistant | |
| Beata Matuszczak | .... | makeup assistant | |
| Irmela Oswald | .... | hair assistant (as Irmela Osswald) | |
| Irmela Oswald | .... | makeup assistant (as Irmela Osswald) | |
| Waldemar Pokromski | .... | makeup artist | |
Production Management | |||
| Sonja Döring | .... | assistant production manager | |
| Oliver Lüer | .... | production manager | |
| Françoise Piraud | .... | post-production manager (as Francoise Piraud) | |
| Michal Szczerbic | .... | production manager | |
| Henning Molfenter | .... | production supervisor: Germany (uncredited) | |
Second Unit Director or Assistant Director | |||
| Ewa Brodzka | .... | second assistant director | |
| Zbigniew Gruz | .... | assistant director | |
| Weronika Migon | .... | second assistant director | |
| Ralph Remstedt | .... | first assistant director | |
| Oliver Schnug | .... | second assistant director | |
| Marcin Szczerbic | .... | second assistant director | |
| Caroline Veyssière | .... | assistant director | |
| Aleksandrs Petukhovs | .... | second second assistant director (uncredited) | |
| Marianna Rowinska | .... | second second assistant director (uncredited) | |
| Filip Jan Rymsza | .... | second second assistant director (uncredited) | |
| David Seffer | .... | set trainee assistant director (uncredited) | |
| Jordan Waugh | .... | assistant director: additional photography (uncredited) | |
Art Department | |||
| Anna Adamaszek | .... | assistant art director | |
| Kerstin Braun | .... | prop assistant | |
| Jacek Czechowski | .... | assistant set decorator | |
| Bogdan Dulak | .... | set carpenter | |
| Krzysztof Dulak | .... | set carpenter | |
| Michael Düwel | .... | head of art department | |
| Michael Eigert | .... | carpenter | |
| Eckart Friz | .... | prop buyer | |
| Tadeusz Frymarski | .... | swing gang | |
| Manfred Grimm | .... | construction coordinator | |
| Martin Hartmann | .... | carpenter | |
| Matthias Hein | .... | construction dresser | |
| Adrian Hochstrasser | .... | assistant art director | |
| Peter Hoyer | .... | supervising painter | |
| Oliver Humke | .... | construction manager (as Oliver Loesch Humke) | |
| Gracia Janowicz | .... | property master | |
| Dirk Kaiser | .... | construction dresser | |
| Andreas Karbe | .... | carpenter | |
| Christoph Kettenring | .... | prop buyer | |
| Daniel Klappenbach | .... | supervising plasterer | |
| Daniela Klewitz | .... | art department coordinator | |
| Will Kley | .... | assistant art director | |
| Sven Klingsberg | .... | carpenter (as Sven Klingberg) | |
| Marian Kolodziejczyk | .... | swing gang | |
| Sebastian T. Krawinkel | .... | assistant production designer (as Sebastian Krawinkel) | |
| Christian Krebs | .... | construction dresser | |
| Ivo Krebs | .... | prop driver | |
| Marek Kukawski | .... | assistant art director | |
| Jan-Martin Köhler | .... | construction dresser | |
| Jens Leiche | .... | metalworker | |
| Alexander Liebenthron | .... | props driver (as Alex Liebenthron) | |
| Dariusz Lipinski | .... | stand-by props | |
| Cezary Matysiak | .... | assistant prop master | |
| Dave Meacom | .... | specialist painter | |
| David Meeking | .... | supervising painter | |
| Alexis Miszak | .... | construction dresser | |
| Thorsten Münch | .... | construction dresser | |
| Peter Naguib | .... | standby props | |
| Michael Nitsche | .... | painter | |
| Jochen Panten | .... | construction manager | |
| Olav Perleberger | .... | construction dresser | |
| Ewa Pfeifer | .... | art department coordinator | |
| Matthias Prange | .... | swing gang on set | |
| Maxime Rebière | .... | storyboard (as Maxime Rebiere) | |
| Thilo Reifert | .... | construction foreman | |
| John Roberts | .... | specialist painter | |
| Ingo Rohde | .... | carpenter | |
| Ewa Rojek | .... | assistant art director | |
| Mark Rosinski | .... | assistant set decorator | |
| Andrzej Rychtarczyk | .... | construction foreman | |
| Dariusz Rzepecki | .... | swing gang | |
| Grzegorz Rzepecki | .... | prop buyer | |
| Heike Sander | .... | construction dresser | |
| Uwe Schaer | .... | construction manager | |
| Udo Scharnowski | .... | construction coordinator | |
| Kay Schilling | .... | prop assistant | |
| Annerose Schlegel | .... | prop department | |
| Simone Schlehahn | .... | assistant set decorator | |
| Norbert Schröder | .... | swing gang on set | |
| Armin Schulz | .... | supervising carpenter | |
| Leon Schulz | .... | construction dresser | |
| Torsten Schwartz | .... | plasterer | |
| Oliver Spies | .... | construction dresser | |
| Pawel Stachowiak | .... | swing gang | |
| Ralf Stottrop | .... | set painter | |
| Ryszard Szymanski | .... | painter | |
| Wlodzimierz Szyrle | .... | assistant art director | |
| Anke Vetter | .... | construction dresser | |
| Caroline Von Voss | .... | construction dresser | |
| Joey Weber | .... | prop buyer | |
| Waldemar Weiss | .... | construction coordinator | |
| Jan Wewer | .... | construction dresser | |
| Pierre Brayard | .... | draughtsman (uncredited) | |
| Zuzana Cizmarova | .... | set designer (uncredited) | |
| Severino Gürtler | .... | carpenter (uncredited) | |
| Philipp Hübner | .... | carpenter (uncredited) | |
| Anja Müller | .... | assistant art director (uncredited) | |
| Matthias Prange | .... | construction supervisor (uncredited) | |
| Matthias Prange | .... | stand-by carpenter (uncredited) | |
| Hauke Richter | .... | set designer pre-production (uncredited) | |
| Cindy Schnitter | .... | plasterer (uncredited) | |
| Tobias Schroeter | .... | plasterer (uncredited) | |
| Joey Weber | .... | leadman (uncredited) | |
| Berndt Wenzel | .... | plasterer (uncredited) | |
Special Effects by | |||
| Adrian Lorbert | .... | special effects technician | |
| Alister Mazzotti | .... | special effects coordinator | |
| Hans Seck | .... | special effects coordinator | |
| Roland Tropp | .... | snow | |
| Zbigniew Urbaszek | .... | special effects technician | |
| Kazimierz Wróblewski | .... | special effects coordinator (as Kazimierz Wroblewski) | |
| Lightning Bear | .... | special effects advisor (uncredited) | |
| Jan Gwiasda | .... | special effects technician (uncredited) | |
| Maurice Koester | .... | special effects assistant (uncredited) | |
| Volker Lorig | .... | special effects technician (uncredited) | |
| Jason Oettle | .... | special effects technician: physical effects (uncredited) | |
Visual Effects by | |||
| Nastuh Abootalebi | .... | digital effects compositor: das werk | |
| Thierry Barnay | .... | image transfer: Eclair Numerique | |
| Andreas Beck | .... | assistant compositor: das werk | |
| Roger Beck | .... | systems administrator: das werk | |
| Odile Beraud | .... | production assistant: Eclair Numerique | |
| Billy | .... | image transfer: Eclair Numerique | |
| Elena Blum | .... | assistant compositor: das werk | |
| Ronald Boullet | .... | digital restauration: Eclair Numerique | |
| Stephanie Boutinaud | .... | digital restauration: Eclair Numerique | |
| Michel Briegel | .... | assistant compositor: das werk | |
| Cania | .... | digital mattepaint artist: das werk | |
| Arnaud Chelet | .... | digital artist: Eclair Numerique | |
| Alain Chene | .... | scanning assistant: Eclair Numerique | |
| Arno Clerc | .... | digital restauration: Eclair Numerique | |
| Peter Connelly | .... | digital effects compositor: das werk | |
| Rosana D'Andrea | .... | scanning assistant: Eclair Numerique | |
| Philipp Danner | .... | assistant compositor: das werk | |
| Olivier Debert | .... | digital artist: Eclair Numerique | |
| Wolfgang Dell | .... | gaffer: Magicon (as Wolfi Dell) | |
| Mark Dollery | .... | scanning and recording: das werk | |
| Yann Doray | .... | digital artist: Eclair Numerique | |
| Philipp Eckel | .... | image data wrangler: das werk | |
| Mitch Enzmann | .... | motion control operator: Magicon | |
| Roxane Fechner | .... | production assistant: Eclair Numerique | |
| Nico Feindt | .... | 3d animator: das werk | |
| Raphael Fink | .... | electrician: Magicon | |
| Thierry Flament | .... | image transfer: Eclair Numerique | |
| Derek Flood | .... | 3d animator: das werk | |
| Valérie Flouquet | .... | digital restauration: Eclair Numerique (as Valerie Flouquet) | |
| Jerome Fournier | .... | matte painting: Eclair Numerique | |
| Alexander Gabrysch | .... | digital effects compositor: das werk | |
| Stefan Galleithner | .... | video operator: Magicon | |
| Moritz Glaesle | .... | digital effects compositor: das werk (as Moritz Gläsle) | |
| Joachim Grüninger | .... | miniature supervisor: Magicon | |
| Joachim Grüninger | .... | motion-control supervisor: Magicon | |
| Melanie Göggelmann | .... | production coordinator: das werk | |
| Philip Hahn | .... | production accountant: das werk | |
| David Hofmann | .... | 3d technical director: das werk | |
| Walter Hörger | .... | scanning and recording: das werk | |
| Philippe Jarland | .... | digital artist: Eclair Numerique | |
| Michel Jonas | .... | programming & software development: das werk | |
| Christophe Keichinger | .... | scanning assistant: Eclair Numerique | |
| Arassou Kichenassamy | .... | scanning assistant: Eclair Numerique | |
| Oliver Kirchhoff | .... | 3d animator: das werk | |
| Martin Kretschmer | .... | assistant modelmaker: Magicon | |
| Ines Krüger | .... | assistant compositor: das werk | |
| Christian Künstler | .... | visual effects supervisor | |
| Michel Lazarus | .... | modelmaker: Magicon (as Michel 'Lazy' Lazarus) | |
| Yvan Lucas | .... | grader: Eclair Numerique | |
| Britta Mangold | .... | director of photography: Magicon | |
| Joyce Menger | .... | production: Eclair Numerique | |
| David Montoya | .... | scanning assistant: Eclair Numerique | |
| Frederic Moreau | .... | production: Eclair Numerique | |
| Sarah Moreau | .... | production assistant: Eclair Numerique (as Sarah Flament) | |
| Nicolas Morlet | .... | digital artist: Eclair Numerique | |
| Michael Multhoff | .... | image data wrangler: das werk | |
| Katharina Nobis | .... | camera assistant: Magicon | |
| Jan Oehlschläger | .... | assistant compositor: das werk | |
| Connie Oettl | .... | model painter: Magicon | |
| Fabien Pascal | .... | grader: Eclair Numerique | |
| Paul Poetsch | .... | lead shake compositor: das werk | |
| Tanja Rath | .... | graphics artist: das werk | |
| Philippe Reinaudo | .... | scanning and recording: Eclair Numerique | |
| Mourad Rennou | .... | scanning assistant: Eclair Numerique | |
| Michel Roca | .... | digital artist: Eclair Numerique | |
| Helmut Rossma | .... | electrician: Magicon | |
| Matthias Scharfenberg | .... | digital film i/o supervisor: das werk | |
| Henrik Scheib | .... | workshop coordinator: Magicon | |
| Abraham Schneider | .... | digital effects compositor: das werk | |
| Bernd Schulze | .... | digital effects compositor: das werk | |
| Philippe Soeiro | .... | digital artist: Eclair Numerique | |
| Philippe Soeiro | .... | digital compositing supervisor: Eclair Numerique | |
| Gérard Soirant | .... | scanning and recording: Eclair Numerique (as Gerard Soirant) | |
| Swen Spichtinger | .... | 3d animator: das werk | |
| Gerhard Spring | .... | scanning and recording: das werk | |
| Robinson Steinke | .... | 3d animator: das werk | |
| Saskia Stoever | .... | modelmaker: Magicon (as Saskia Stoewer) | |
| Oliver Stück | .... | assistant compositor: das werk | |
| Markus Thanner | .... | electrician: Magicon | |
| Sebastian Tuttas | .... | modelmaker: Magicon | |
| Christoph Unger | .... | digital mattepaint artist: Das Werk | |
| Morgan Varona | .... | digital artist: Eclair Numerique | |
| Carole Vasseur | .... | production assistant: Eclair Numerique | |
| Gunnar Wittig | .... | 3d technical director: das werk | |
| Steffen Zeugner | .... | video operator: Magicon | |
| Christian Künstler | .... | visual effects producer: das werk (uncredited) | |
| Jörg Lehnert | .... | motion control assistant (uncredited) | |
| Thomas Tannenberger | .... | visual effects producer (uncredited) | |
Stunts | |||
| Zofia Bachleda-Zolnierczyk | .... | stunts | |
| Janusz Chlebowski | .... | stunts | |
| Piotr Cichon | .... | stunts | |
| Robert Cichon | .... | stunts | |
| Jacek Dlugosz | .... | stunts | |
| Jim Dowdall | .... | stunt coordinator | |
| Ryszard Francman | .... | stunts | |
| Jacek Jelen | .... | stunts | |
| Jacek Kadlubowski | .... | stunts | |
| Stella Kuczynska | .... | stunts | |
| Zbigniew Modej | .... | stunt supervisor | |
| Pawel Pliszka | .... | stunts | |
| Tomasz Przybysz | .... | stunts | |
| Antje Rau | .... | stunt supervisor | |
| Jacek Ryniewicz | .... | stunts | |
| Armin Sauer | .... | stunt supervisor | |
| Rene Schobes | .... | stunts (as Rene Schobess) | |
| Lee Sheward | .... | assistant stunt coordinator | |
| Józef Stefanski | .... | stunts | |
| Sylwester Zawadzki | .... | stunts (as Sylwester Zawadski) | |
| Oliver Fritsche | .... | stunt rigger (uncredited) | |
| Christof Genesis | .... | stunts (uncredited) | |
| Udo Harnach | .... | stunt performer (uncredited) | |
| Armin Sauer | .... | assistant stunt coordinator: Germany (uncredited) | |
Casting Department | |||
| Vanessa Baker | .... | voice casting | |
| Brendan Donnison | .... | voice casting | |
| Martina Goldsmith | .... | assistant casting director | |
| Alex Johnson | .... | assistant casting director | |
| Heta Mantscheff | .... | casting: German | |
| Iris Müller | .... | assistant casting director | |
Editorial Department | |||
| Mélanie Braux | .... | assistant editor (as Melanie Braux) | |
| Lionel Cassan | .... | assistant editor | |
| Christian Dutac | .... | grader: L.T.C. | |
| Eric Martin | .... | digital technician: Scanlab | |
| Stephane Martini | .... | digital grader: Scanlab | |
| Marcel Mazoyer | .... | grader: L.T.C. | |
| Margot Meynier | .... | first assistant editor | |
Music Department | |||
| Nancy Allen | .... | assistant music editor | |
| Tadeusz Boniecki | .... | orchestra contractor | |
| Marcus Herzog | .... | music mixer: Chopin music | |
| Marcus Herzog | .... | music recordist: Chopin music | |
| Marcus Herzog | .... | music supervisor: Chopin music | |
| Grazyna Kozlowska | .... | music coordinator | |
| Dirk Lachmann | .... | music recording assistant | |
| Anne-Laure Lermyte | .... | music spotter | |
| Janusz Olejniczak | .... | musician: piano solos performed by | |
| Rafal Paczkowski | .... | music recording assistant | |
| Suzana Peric | .... | music editor | |
| Tadeusz Strugala | .... | orchestra conductor | |
| John Timperley | .... | music recordist and mixer | |
| Hanna Wolczedska | .... | musician: clarinet soloist | |
| Zbyszek Zbrowski | .... | music coordinator | |
| Robert Zychlinski | .... | music studio assistant | |
| Wladyslaw Szpilman | .... | musician: piano (uncredited) | |
Transportation Department | |||
| Maher Abu Mugheisib | .... | driver (as Maher Abu-Mugheisib) | |
| Piotr Bartoszkiewicz | .... | driver | |
| Tadeusz Belke | .... | driver | |
| Markus Bendler | .... | action vehicles | |
| Andrzej Bogdanski | .... | driver | |
| Jerzy Dzieciol | .... | driver | |
| Michael Fechner | .... | action vehicles | |
| Jens Forkel | .... | trailer captain | |
| Józef Frymarski | .... | driver (as Jozef Frymarski) | |
| Katja Heissig | .... | driver | |
| Axel Hübner | .... | driver | |
| Eugeniusz Jagiello | .... | driver | |
| Franciszek Jedlecki | .... | driver | |
| Stanislaw Karlikowski | .... | driver | |
| Holger Klinke | .... | driver | |
| Nils Konrad | .... | driver | |
| Tadeusz Kupiec | .... | driver | |
| Tobias Lauterberg | .... | driver | |
| Dariusz Lipka | .... | driver | |
| Inga Meissner | .... | transportation coordinator | |
| Grit Menzzer | .... | driver | |
| Konrad Orlowski | .... | action vehicles | |
| Roman Pawlik | .... | driver | |
| Jan Romanski | .... | driver | |
| Jacek Schwarz | .... | driver | |
| Ilias Uhlman | .... | driver | |
| Marcus Welsch | .... | driver | |
| Zdzislaw Wonatowski | .... | driver | |
| Józef Zapala | .... | driver (as Jozef Zapala) | |
| Enrico Taubert | .... | production driver (uncredited) | |
Thanks | |||
| Ian Burlingham | .... | special thanks | |
| Didier Duverger | .... | special thanks | |
| Jean-Patrick Flande | .... | special thanks | |
| John Hardy | .... | special thanks: Matrix Film Finance Limited | |
| Gilles Francois Renard | .... | special thanks | |
| Isabelle Terrel | .... | special thanks | |
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The Pianist is the true story of Wladyslaw Szpilman, at the time Poland's most acclaimed pianist whose life is transformed during the Nazi occupation of Warsaw beginning in 1939. The film spans several years and maps his many personal trials in addition to providing the perspectives of his family, rebel factions and sympathizers.
Brilliantly directed by Roman Polanski and starring an amazing Adrien Brody, The Pianist is bound to garner comparisons to Schindler's List, for obvious reasons. However similar the subject matter, the approach is different. While Schindler's List was filmed in a beautiful, crisp black and white that offered many incredible images, The Pianist was filmed with almost muted color. Schindler's List featured what has been argued as a complicated hero. Oskar Schindler did save many Jews, but not without battling his own materialistic demons first. The Pianist's Szpilman is a sympathetic character throughout. His plight was desperate, and the demons he fought were over his own guilt in surviving a fight that eventually turns into a primal will to live.
Polanski does not spare the viewer any grief with his film. The horrific scenes between the Nazis and the Warsaw Jews were more terrifying and horrible than any horror/suspense movie I have seen in some time, possibly ever. The humiliation and complete loss is wrenching. In several scenes, Jews are lined up in the middle of the night and subjected to either torture or death. In one case, a woman asks of a Nazi officer, "What will happen to us?" and is promptly shot point blank in the head. The camera does not flinch or subdue any of these atrocities.
A mention must be made of Brody's performance. Having only previously seen Brody in two other films, Spike Lee's "Summer of Sam" and Terrence Malick's "The Thin Red Line" (a part that was supposed to be his launch into stardom before his part was unfortunately cut drastically) I knew his potential was great. After his Oscar win, I viewed this movie with more criticism than I normally would have and he certainly did not disappoint. He transcended my expectations. His physical transformation was amazing, but more importantly, he conveyed the sorrow of this man shockingly well - in both verbal and non-verbal contexts. It will be very interesting to see what kind of opportunities this role will afford him, and the kinds of roles he will accept.
Something worth mentioning is the affect this movie had on the audience with whom I viewed this film. Normally, when a film ends, the regular hardcore filmsters like myself will stay and watch the credits in their entirety. The rest of the audience stands up and leaves, usually to the chagrin of the remaining enthusiasts. This was one of the few times I have seen a film at a theater where not one person stood to leave during the final credits. It wasn't until the house lights came up at the end did people begin to disperse. Personally, I hightailed it out of the theater the second the lights came on because not only was my face a mess from crying during the film (Tammy Faye comes to mind) but I had this overwhelming need for an emotional release, so when I reached my car I sat and wept for about five minutes. It has been years since I have watched a film that upset me to that extent. Conversely, while discussing this film with my brother, (someone who loves movies as much and has similar tastes as I do) he mentioned that while he thought the movie was excellent, he wasn't as profoundly emotionally effected as I was. After thinking about this for a couple of days, I realized the difference: The music. As a classical music enthusiast and erstwhile musician, the thought of not being able to enjoy, much less play the music you love is a tragic one. Then the emotional outpouring that comes when you return to it - there aren't words to describe how intense that is. Not having the same appreciation for this musical genre, one will be able to sympathize with the physical and emotional tribulations, but perhaps not in the musical sense.
The Pianist was truly an astonishing film. I was riveted from start to finish and so emotionally affected that I couldn't even consider writing a review until a week later. Having said that, I am filing this away with my list of movies which include Schindlers List and Philadelphia, as films that I love but cannot rewatch for a long time after due to their intensely emotional content.
--Shelly