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The Pianist (2002)

R  |   |  Biography, Drama, War  |  28 March 2003 (USA)
8.5
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Ratings: 8.5/10 from 407,245 users   Metascore: 85/100
Reviews: 734 user | 190 critic | 40 from Metacritic.com

A Polish Jewish musician struggles to survive the destruction of the Warsaw ghetto of World War II.

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Writers:

(screenplay), (book)
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Title: The Pianist (2002)

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Top 250 #44 | Won 3 Oscars. Another 55 wins & 53 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Nomi Sharron ...
Anthony Milner ...
Lucy Skeaping ...
Street Musician (as Lucie Skeaping)
Roddy Skeaping ...
Street Musician
Ben Harlan ...
Street Musician
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Storyline

A brilliant pianist, a Polish Jew, witnesses the restrictions Nazis place on Jews in the Polish capital, from restricted access to the building of the Warsaw ghetto. As his family is rounded up to be shipped off to the Nazi labor camps, he escapes deportation and eludes capture by living in the ruins of Warsaw. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Music was his passion. Survival was his masterpiece.

Genres:

Biography | Drama | War

Motion Picture Rating (MPAA)

Rated R for violence and brief strong language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

| | |

Language:

| |

Release Date:

28 March 2003 (USA)  »

Also Known As:

El pianista  »

Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

$115,690 (Hong Kong) (21 March 2003)

Gross:

$32,519,322 (USA) (30 May 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (DVD edition)

Sound Mix:

|

Color:

(archive footage)|

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Daniel Szpilman, the real grandson of the main character Wladyslaw Szpilman, plays the part of the boy in the ghetto (on the market place and later again on the Umschlagplatz). See more »

Goofs

When Wladyslaw Szpilman goes to his friend of last resort for help, it is deep winter, with snow. A bunch of fresh yellow roses are on the table. The next morning, the roses are apricot-colored. See more »

Quotes

[first lines]
Dorota: [running from bombing] Mr. Szpilman?
Wladyslaw Szpilman: Hello.
Dorota: Oh, I came specially to meet you. I love your playing.
Wladyslaw Szpilman: Who are you?
Dorota: My name is Dorota. I, I'm Jurek's sister... You're bleeding.
See more »

Crazy Credits

Aside from the Universal and Focus Features credits, there are no opening credits. All credits, including the title, appear at the end of the film. See more »

Connections

Referenced in Saturday Night Live: Bernie Mac/Good Charlotte (2003) See more »

Soundtracks

Sonata No. 14 in C# Minor, Op. 27/2: 'Mondscheinsonate'
(1801)
Written by Ludwig van Beethoven (as Ludwig Van Beethoven)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Brilliantly Narrated, Visually Stunning!
1 February 2003 | by (New York, USA) – See all my reviews

Polanski has depicted the gory details of the holocaust without much restraint. But, the most wonderful aspect of the film is that the director has not lost focus of his story and instead of focusing too much on the holocaust horror he has weaved the true-life narrative of survival around devillish happenings.

Every single act of escapade Szpilman goes through is depicted like a drop of water on a barren desert. However, the Oasis in the driest desert comes in the end and it is here that Polanski captures the essence of human emotion. I had this very strong urge of jumping into the theater screen and magically adopting a character in the movie and doing something about the helplesness portrayed so convincingly.

Overall, Polanski has given a stunning visual narrative of the cold war. Survival indeed is a privilege though it is taken for granted today. Performances by Brody, Kretschmann deserve applause.

Pawel Edelman's camera work is moving and he has brilliantly captured the dark sadness in the visual canvas in an effective way. The lighting is amazing. Pre-dawn shooting schedule could have helped a great deal.

Hervé de Luze's editing work has ensured that the narrative does not slip away from focus. Most notable is the scene where the human bodies are lit on fire and the camera raises to show the smoke. The darkness of the smoke is enhanced and is used effectively to fade the scene out.

The scene where Brody's fingers move as he rests his hands on the bars of the tram handle only goes to show the brilliance of Polanski as a film-maker.

Great film that will be in the running for this year's Oscars. I will give it a 9 Out of 10.


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