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The Pianist (2002)

 -  Biography | Drama | War  -  28 March 2003 (USA)
8.5
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Ratings: 8.5/10 from 347,070 users   Metascore: 85/100
Reviews: 721 user | 192 critic | 40 from Metacritic.com

A Polish Jewish musician struggles to survive the destruction of the Warsaw ghetto of World War II.

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Writers:

(screenplay), (book)
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Title: The Pianist (2002)

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Top 250 #42 | Won 3 Oscars. Another 51 wins & 48 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Richard Ridings ...
Nomi Sharron ...
Anthony Milner ...
Lucy Skeaping ...
Street Musician (as Lucie Skeaping)
Roddy Skeaping ...
Street Musician
Ben Harlan ...
Street Musician
Edit

Storyline

A brilliant pianist, a Polish Jew, witnesses the restrictions Nazis place on Jews in the Polish capital, from restricted access to the building of the Warsaw ghetto. As his family is rounded up to be shipped off to the Nazi labor camps, he escapes deportation and eludes capture by living in the ruins of Warsaw. Written by Anonymous

Plot Summary | Plot Synopsis

Plot Keywords:

jewish | warsaw ghetto | piano | nazi | ruins | See more »

Taglines:

Music was his passion. Survival was his masterpiece.

Genres:

Biography | Drama | War

Motion Picture Rating (MPAA)

Rated R for violence and brief strong language | See all certifications »

Parents Guide:

 »
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Details

Country:

| | |

Language:

| |

Release Date:

28 March 2003 (USA)  »

Also Known As:

El pianista  »

Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

$115,690 (Hong Kong) (21 March 2003)

Gross:

$32,519,322 (USA) (30 May 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (DVD edition)

Sound Mix:

|

Color:

(archive footage)|

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

This was Cyril Shaps' final acting role before his death on January 1, 2003 at the age of 79. See more »

Goofs

The tin of gherkins Wladyslaw Szpilman finds in the destroyed house changes size between shots. See more »

Quotes

[first lines]
Dorota: [running from bombing] Mr. Szpilman?
Wladyslaw Szpilman: Hello.
Dorota: Oh, I came specially to meet you. I love your playing.
Wladyslaw Szpilman: Who are you?
Dorota: My name is Dorota. I, I'm Jurek's sister... You're bleeding.
See more »

Crazy Credits

Aside from the Universal and Focus Features credits, there are no opening credits. All credits, including the title, appear at the end of the film. See more »

Connections

References Saving Private Ryan (1998) See more »

Soundtracks

Marsz Strzelcow
(1863)
Lyrics and Music by Wladyslaw Ludwik Anczyc (as Wladyslaw Anczyc)
English Lyrics by Michael Kunze
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
terrific movie, if relentlessly gritty and realistic
7 April 2005 | by (Croatia) – See all my reviews

I remember seeing "Schindler's list" about ten years ago, and I remember how weird I felt for being almost completely unmoved by it. Although it showed the horrors of holocaust quite realistically, somehow it all seemed just a bit too fake and exaggerated. Characters were a bit off (I still can't decide who was more over the top, Schindler or Goeth), fake sentimentalism was all over the place, . While it was a work of art and an important reminder of true events that shouldn't be forgotten, on emotional level it just somehow failed to deliver.

Enter "The Pianist". With no Spielberg around to put his trademark sappy material, we finally have a movie that shows the true horror and tragedy of Jewish people in World War II. The story is told through the eyes of one man - Wladislaw Szpielman, Jewish pianist who works in a radio station in Warsaw during the German occupation of Poland. Together with him we watch his world getting torn apart, witness his family being taken away, his existence being reduced to bare essentials. Brody gives a subtle yet spectacular performance, his best work yet. And never once are we reminded that we are watching a movie. Everything is shown from Szpielman's point of view, and it is all very gritty and realistic. While Spielberg's rendition of German atrocities always had a slightly staged feel to augment their dramatic purpose, here they are so true to life there impact is much greater - you watch and are being reminded in horror that this things actually happened.

While being very hard to watch sometimes, this is a movie that "Schindler's List" was supposed to be. This movie doesn't judge anybody, or tries to explain anything - it shows historical events as a reflection of one man's fate, making a powerful testimony that stays with you long after the beautiful last shot and the end credits are over.


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