Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
In this adaptation of the autobiography "The Pianist: The Extraordinary True Story of One Man's Survival in Warsaw, 1939-1945," Wladyslaw Szpilman, a Polish Jewish radio station pianist, sees Warsaw change gradually as World War II begins. Szpilman is forced into the Warsaw Ghetto, but is later separated from his family during Operation Reinhard. From this time until the concentration camp prisoners are released, Szpilman hides in various locations among the ruins of Warsaw. Written by
Wladyslaw Szpilman's autobiographical account of his life in the Warsaw Ghetto during the war under the Nazi regime was published shortly after the war ended. However, the Communist government that took over in Poland refused to have it published for many years as it didn't fully comport with their "officially documented" version of events. See more »
When the German officer slaps Szpilman's father, the officer is wearing gloves which would not have made a sharp sound. See more »
last weekend, I saw Roman Polanski's The Pianist and what a movie. The grizzly reality feeling of the movie shell-shocked me in the first place but later on I recognized the pure feeling of the film: The horror what war does with innocent people truly is. the main story isn't about a war hero, but about people who don't want to die in this madness. Every aspect of the film is really done for an reason and in his place and you don't feel this as entertainment.
the music is what hit me the most. the classical tunes had such an enormous impact on me and portrayed the feelings of the main role of the pianist. The fact that there are no hero's in a war movie is for me more than a welcome benefit. No war in the world should have hero's who can't die. Everybody in this movie can die, every second of it. The scary moments are real scary.
bottom line: ten times as realistic as the also brilliant Schindler's list. and twenty times better than Saving private Ryan for the lack of hero's and there is no patriotism at all.
ten out of ten, best movie of 2002
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