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The biography of Ron Kovic. Paralyzed in the Vietnam war, he becomes an anti-war and pro-human rights political activist after feeling betrayed by the country he fought for.
Director:
Oliver Stone
Stars:
Tom Cruise,
Raymond J. Barry,
Caroline Kava
After an Afghanistan-born woman who lives in Canada receives a letter from her suicidal sister, she takes a perilous journey through Afghanistan to try to find her.
As the Civil War continues to rage, America's president struggles with continuing carnage on the battlefield and as he fights with many inside his own cabinet on the decision to emancipate the slaves.
Director:
Steven Spielberg
Stars:
Daniel Day-Lewis,
Sally Field,
David Strathairn
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
A brilliant pianist, a Polish Jew, witnesses the restrictions Nazis place on Jews in the Polish capital, from restricted access to the building of the Warsaw ghetto. As his family is rounded up to be shipped off to the Nazi labor camps, he escapes deportation and eludes capture by living in the ruins of Warsaw. Written by
Anonymous
Daniel Szpilman, the real grandson of the main character Wladyslaw Szpilman, plays the part of the boy in the ghetto (on the market place and later again on the Umschlagplatz). See more »
Goofs
When Wladyslaw Szpilman's father is slapped by the German officer, the officer is obviously wearing gloves which should not have made a sharp sound. See more »
Quotes
[first lines]
Dorota:
[running from bombing]
Mr. Szpilman?
Wladyslaw Szpilman:
Hello.
Dorota:
Oh, I came specially to meet you. I love your playing.
Wladyslaw Szpilman:
Who are you?
Dorota:
My name is Dorota. I, I'm Jurek's sister... You're bleeding.
See more »
Crazy Credits
Aside from the Universal and Focus Features credits, there are no opening credits. All credits, including the title, appear at the end of the film. See more »
This wrenching yet ultimately uplifting fact-based drama won Adrien Brody his Academy Award and finally made him a star (along with his gracious yet heartfelt Oscar speech and That Kiss :-) -- rightly so, since title character Wladyslaw Szpilman is a challenging role in so many ways! It's not easy to command the screen when your character often has to be passive, deliberately trying not to draw attention to himself to keep from falling into Nazi hands in war-torn Poland, but Brody pulls it off. It helps that Brody is absolutely stellar at acting with his eyes, plus his body language speaks volumes; these fill in the emotional cracks, especially in scenes where Szpilman, alone and in hiding, can't speak or even move around much for fear of giving himself away. (Brody is the youngest actor to date to win the Best Actor Oscar, BTW, having gotten his little gold man only a month before his 30th birthday.) While there's no lack of haunting scenes, thanks to the deservedly Oscar-winning work of director Roman Polanski and screenwriter Ronald Harwood, the one that always gets me is the one where Szpilman discovers the apartment serving as his latest `safe house' has a piano. We see Szpilman sit at the piano; we see him in a head-and-shoulders shot, shoulders moving; we hear piano music and gasp as we fear his love and longing for music is about to give him away -- and then we see his hands moving in the air just above the keyboard and realize, with both relief and a pang of regret, that the music is only in Szpilman's head. Terrific as the other 2002 Best Actor nominees were, now that I've seen THE PIANIST (as well as the fascinating making-of documentary on the DVD's flip side, showing what a physically and emotionally grueling experience Brody's job often was), I'd be really p***ed off if anybody but Adrien Brody had won! (Besides, the rest of the 2002 Best Actor nominees already won Oscars -- this time it was dark horse Brody's turn! :-)
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This wrenching yet ultimately uplifting fact-based drama won Adrien Brody his Academy Award and finally made him a star (along with his gracious yet heartfelt Oscar speech and That Kiss :-) -- rightly so, since title character Wladyslaw Szpilman is a challenging role in so many ways! It's not easy to command the screen when your character often has to be passive, deliberately trying not to draw attention to himself to keep from falling into Nazi hands in war-torn Poland, but Brody pulls it off. It helps that Brody is absolutely stellar at acting with his eyes, plus his body language speaks volumes; these fill in the emotional cracks, especially in scenes where Szpilman, alone and in hiding, can't speak or even move around much for fear of giving himself away. (Brody is the youngest actor to date to win the Best Actor Oscar, BTW, having gotten his little gold man only a month before his 30th birthday.) While there's no lack of haunting scenes, thanks to the deservedly Oscar-winning work of director Roman Polanski and screenwriter Ronald Harwood, the one that always gets me is the one where Szpilman discovers the apartment serving as his latest `safe house' has a piano. We see Szpilman sit at the piano; we see him in a head-and-shoulders shot, shoulders moving; we hear piano music and gasp as we fear his love and longing for music is about to give him away -- and then we see his hands moving in the air just above the keyboard and realize, with both relief and a pang of regret, that the music is only in Szpilman's head. Terrific as the other 2002 Best Actor nominees were, now that I've seen THE PIANIST (as well as the fascinating making-of documentary on the DVD's flip side, showing what a physically and emotionally grueling experience Brody's job often was), I'd be really p***ed off if anybody but Adrien Brody had won! (Besides, the rest of the 2002 Best Actor nominees already won Oscars -- this time it was dark horse Brody's turn! :-)