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The Pianist (2002)

 -  Biography | Drama | War  -  28 March 2003 (USA)
8.5
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Ratings: 8.5/10 from 366,412 users   Metascore: 85/100
Reviews: 726 user | 191 critic | 40 from Metacritic.com

A Polish Jewish musician struggles to survive the destruction of the Warsaw ghetto of World War II.

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Writers:

(screenplay), (book)
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Top 250 #41 | Won 3 Oscars. Another 54 wins & 51 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Richard Ridings ...
Nomi Sharron ...
Anthony Milner ...
Lucy Skeaping ...
Street Musician (as Lucie Skeaping)
Roddy Skeaping ...
Street Musician
Ben Harlan ...
Street Musician
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Storyline

A brilliant pianist, a Polish Jew, witnesses the restrictions Nazis place on Jews in the Polish capital, from restricted access to the building of the Warsaw ghetto. As his family is rounded up to be shipped off to the Nazi labor camps, he escapes deportation and eludes capture by living in the ruins of Warsaw. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Music was his passion. Survival was his masterpiece.

Genres:

Biography | Drama | War

Motion Picture Rating (MPAA)

Rated R for violence and brief strong language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

| | |

Language:

| |

Release Date:

28 March 2003 (USA)  »

Also Known As:

El pianista  »

Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

$115,690 (Hong Kong) (21 March 2003)

Gross:

$32,519,322 (USA) (30 May 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (DVD edition)

Sound Mix:

|

Color:

(archive footage)|

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Director Roman Polanski considers this his best film. At the end of the documentary Roman Polanski: A Film Memoir (2011), interviewer Andrew Braunsberg asks him which of his own films he believes to be absolutely perfect, and wouldn't change a frame if he could. To this, Polanski replies: "If any film cannisters were to be placed on my grave, I'd like them to be The Pianist's". See more »

Goofs

When Wladyslaw Szpilman is told he has to leave the first apartment he's hiding in, his hair is parted and hanging down either side of his face. In the next shot, when he sits down to try to smoke the cigarette, his hair is combed back with no part visible. See more »

Quotes

[first lines]
Dorota: [running from bombing] Mr. Szpilman?
Wladyslaw Szpilman: Hello.
Dorota: Oh, I came specially to meet you. I love your playing.
Wladyslaw Szpilman: Who are you?
Dorota: My name is Dorota. I, I'm Jurek's sister... You're bleeding.
See more »

Crazy Credits

Aside from the Universal and Focus Features credits, there are no opening credits. All credits, including the title, appear at the end of the film. See more »

Connections

Featured in Roman Polanski: A Film Memoir (2011) See more »

Soundtracks

Umowilem sie z nia na dziewiata
(1937)
Music by Henry Vars (as Henryk Wars)
Lyrics by Emanuel Schlechter (as Emanuel Szlechter)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
An astonishing film
28 April 2003 | by (Milwaukee, WI) – See all my reviews

The Pianist is the true story of Wladyslaw Szpilman, at the time Poland's most acclaimed pianist whose life is transformed during the Nazi occupation of Warsaw beginning in 1939. The film spans several years and maps his many personal trials in addition to providing the perspectives of his family, rebel factions and sympathizers.

Brilliantly directed by Roman Polanski and starring an amazing Adrien Brody, The Pianist is bound to garner comparisons to Schindler's List, for obvious reasons. However similar the subject matter, the approach is different. While Schindler's List was filmed in a beautiful, crisp black and white that offered many incredible images, The Pianist was filmed with almost muted color. Schindler's List featured what has been argued as a complicated hero. Oskar Schindler did save many Jews, but not without battling his own materialistic demons first. The Pianist's Szpilman is a sympathetic character throughout. His plight was desperate, and the demons he fought were over his own guilt in surviving a fight that eventually turns into a primal will to live.

Polanski does not spare the viewer any grief with his film. The horrific scenes between the Nazis and the Warsaw Jews were more terrifying and horrible than any horror/suspense movie I have seen in some time, possibly ever. The humiliation and complete loss is wrenching. In several scenes, Jews are lined up in the middle of the night and subjected to either torture or death. In one case, a woman asks of a Nazi officer, "What will happen to us?" and is promptly shot point blank in the head. The camera does not flinch or subdue any of these atrocities.

A mention must be made of Brody's performance. Having only previously seen Brody in two other films, Spike Lee's "Summer of Sam" and Terrence Malick's "The Thin Red Line" (a part that was supposed to be his launch into stardom before his part was unfortunately cut drastically) I knew his potential was great. After his Oscar win, I viewed this movie with more criticism than I normally would have and he certainly did not disappoint. He transcended my expectations. His physical transformation was amazing, but more importantly, he conveyed the sorrow of this man shockingly well - in both verbal and non-verbal contexts. It will be very interesting to see what kind of opportunities this role will afford him, and the kinds of roles he will accept.

Something worth mentioning is the affect this movie had on the audience with whom I viewed this film. Normally, when a film ends, the regular hardcore filmsters like myself will stay and watch the credits in their entirety. The rest of the audience stands up and leaves, usually to the chagrin of the remaining enthusiasts. This was one of the few times I have seen a film at a theater where not one person stood to leave during the final credits. It wasn't until the house lights came up at the end did people begin to disperse. Personally, I hightailed it out of the theater the second the lights came on because not only was my face a mess from crying during the film (Tammy Faye comes to mind) but I had this overwhelming need for an emotional release, so when I reached my car I sat and wept for about five minutes. It has been years since I have watched a film that upset me to that extent. Conversely, while discussing this film with my brother, (someone who loves movies as much and has similar tastes as I do) he mentioned that while he thought the movie was excellent, he wasn't as profoundly emotionally effected as I was. After thinking about this for a couple of days, I realized the difference: The music. As a classical music enthusiast and erstwhile musician, the thought of not being able to enjoy, much less play the music you love is a tragic one. Then the emotional outpouring that comes when you return to it - there aren't words to describe how intense that is. Not having the same appreciation for this musical genre, one will be able to sympathize with the physical and emotional tribulations, but perhaps not in the musical sense.

The Pianist was truly an astonishing film. I was riveted from start to finish and so emotionally affected that I couldn't even consider writing a review until a week later. Having said that, I am filing this away with my list of movies which include Schindlers List and Philadelphia, as films that I love but cannot rewatch for a long time after due to their intensely emotional content.

--Shelly


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