After the Storm (2001)
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- R
- 1h 39min
- Crime, Thriller
- 20 Mar 2001 (USA)
- TV Movie
- 2 wins.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Benjamin Bratt | ... |
Arno
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Mili Avital | ... |
Coquina
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Barbara Andres | ... |
Grandma Driscoll
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Steven Petrarca | ... |
Thomas
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Bernard Graham | ... |
Delivery Man
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Armand Assante | ... |
Jean-Pierre
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Nestor Serrano | ... |
Ortega
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Javier Canul | ... |
Juanito
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Stephen Lang | ... |
Sargeant Major Jim
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Herbert Franzier | ... |
Merimac
(as Hubert Frazier)
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Simone-Élise Girard | ... |
Janine
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Bob Walton | ... |
Willie
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Rosalie Staines | ... |
Mama Nima
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Nancy Sinclair | ... |
Woman at Bar
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Gretl | ... |
Dorothy the Parrot
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Dirk Müller | ... |
Father
(as Dirk Mueller)
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Nelle Stern | ... |
Mother
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Brent Crawford | ... |
Second Youth
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Sean Ban Beaton | ... |
Third Youth
(as Sean Beaton)
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Jake Roberts | ... |
Purser
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Arthur J. Nascarella | ... |
Louie Gavotte
(as Arthur Nascarella)
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Lynn Ann Leveridge | ... |
Beatrice Richardson
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Emory King | ... |
Card Player
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Jennifer Beals | ... |
Mrs. Gavotte
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Gustave Johnson | ... |
Orthwell
(as Gustav Johnson)
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Jill Jacobson | ... |
Governor's Wife
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Leigh Chapman | ... |
Steel Heiress
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Directed by
Guy Ferland |
Written by
Ernest Hemingway | ... | (story) |
A.E. Hotchner | ... | (teleplay) |
Produced by
Mark Amin | ... | executive producer |
Mike Elliott | ... | producer |
Peter A. Marshall | ... | executive producer |
Nelle Nugent | ... | executive producer |
Kenneth Teaton | ... | producer |
Music by
Bill Wandel |
Cinematography by
Gregory Middleton |
Editing by
Charles Ireland |
Editorial Department
Cynthia Conel | ... | assistant editor |
Frank Moshier | ... | post-production coordinator |
Mary Nelson-Duerrstein | ... | negative cutter |
Lee Wimer | ... | color timer (as Lee Nicholls) |
Casting By
Reuben Cannon | ||
Kim Williams |
Production Design by
James A. Gelarden |
Art Direction by
Thomas H. Paul | ... | (as Tom Paul) |
Set Decoration by
Mary E. Gullickson |
Costume Design by
Linda Fisher |
Makeup Department
Francois Boscardi | ... | hair stylist / makeup artist |
John Carl Buechler | ... | special makeup effects artist (as John Buechler) |
Debra Johnson | ... | key hair stylist |
Lori Lofchick | ... | hair stylist / makeup artist |
Fleur Morell | ... | makeup department head |
Production Management
Carl Pedregal | ... | post-production supervisor |
Jonathan Southard | ... | production supervisor |
Mike Upton | ... | production manager |
Second Unit Director or Assistant Director
John J. Francis | ... | third assistant director |
Heather Grierson | ... | second assistant director |
Jonathan Southard | ... | assistant director |
Mike Upton | ... | first assistant director |
Art Department
Luis Aguilar | ... | gang boss |
Kenric Blades | ... | prop assistant |
Pablo Canto | ... | swing gang |
Alexis Fairweather | ... | on-set dresser |
W.D. Hogan | ... | storyboard artist (as David Hogan) / storyboard artist |
Brandon Jackson | ... | construction coordinator |
Brian Jackson | ... | construction coordinator |
Kathleen Kasinger | ... | property master |
Robert Lee Robinson | ... | lead man |
Thomas Traugott | ... | set dresser (as Thomas A. Traugott) |
Sound Department
Kevin Bartnof | ... | foley artist |
Reginald Bryant | ... | sound mixer |
Kris Campbell | ... | foley supervisor |
Tom Davis | ... | foley mixer |
Denvor Fairweather | ... | boom operator |
Peter Howard | ... | post-production sound engineer (as Howard Weiss) |
Bruce McCarthy | ... | boom operator |
Donald Murray | ... | dialogue supervisor |
John Rice | ... | sound editor |
Katherine Rose | ... | foley artist (as Catherine Rose) |
Phillip Seretti | ... | post-production sound supervisor / re-recording mixer |
Robert W. Vandling | ... | sound effects supervisor |
Janja Vujovich | ... | post-production sound coordinator |
Special Effects by
John Carl Buechler | ... | special creature effects (as John Buechler) |
Erich Martin Hicks | ... | special effects coordinator |
Joe Quinlivan | ... | special effects supervisor |
Visual Effects by
Franklin Cofod | ... | line-up/editorial: Pixel Magic |
Victor DiMichina | ... | film scanning supervisor: Pixel Magic |
Kevin Fisher | ... | scanning and recording: Pixel Magic |
Mike Hardison | ... | digital artist: Pixel Magic |
Bruce Harris | ... | lead composite artist: Pixel Magic |
David Hibsher | ... | 3D animator: Pixel Magic |
Craig Kuehne | ... | visual effects artist |
George Macri | ... | software development: Pixel Magic |
Ray McIntyre Jr. | ... | visual effects supervisor: Pixel Magic |
Karla McIntyre | ... | visual effects coordinator: Pixel Magic |
Reid Paul | ... | digital compositing supervisor |
Tim Pyle | ... | visual effects animator |
Ray Scalice | ... | general manager: Pixel Magic |
Juan Carlos Vargas | ... | visual effects (as Juan Vargas) |
Larry Arpin | ... | optical effects (uncredited) |
Stunts
Erich Martin Hicks | ... | stunt coordinator |
Patrick J. Statham | ... | assistant stunt coordinator |
Camera and Electrical Department
Rick Bush | ... | grip |
George Campbell | ... | gaffer |
Paul Doucet | ... | grip |
Manny Duran | ... | best boy grip |
Richard Foreman Jr. | ... | still photographer (as Richard Foreman) |
Scott Gray | ... | electrician |
Chris Hansen | ... | underwater assistant camera (as Chris Hanson) |
Pauline Heaton | ... | underwater cinematographer |
Chad Herr | ... | key grip |
Marcus James | ... | second assistant camera |
Phillipe Lacroix | ... | best boy electric |
Patrick McGillon | ... | grip |
Shereen Saleh | ... | first assistant camera |
Kim Swank | ... | camera loader / second assistant camera |
José Vega | ... | grip |
Steve Whitcomb | ... | camera loader (as Stephen L. Whitcomb) / second assistant camera (as Stephen L. Whitcomb) |
Neil Wildman | ... | generator operator |
Glen Winter | ... | camera operator |
Casting Department
Vera Miller | ... | casting: Montreal |
Charles Woods Sr. | ... | assistant casting: Belize |
Sylvana Woods | ... | casting: Belize |
Costume and Wardrobe Department
Lavern Castillo | ... | wardrobe production assistant |
Pashelle L. Latino | ... | wardrobe supervisor (as Pashelle Clayton-Robinson) |
Yvette Stapleton | ... | wardrobe assistant (as Yvette E. Stapleton) |
Location Management
Alexander King | ... | location manager (as Alex King) |
Music Department
Joel C. High | ... | music supervisor |
Shie Rozow | ... | orchestrator |
Stephanie Urcheck | ... | music coordinator |
Anthony Vanger | ... | music supervisor |
Bill Wandel | ... | orchestrator |
Script and Continuity Department
Synthia Learned | ... | script supervisor |
Sandy Schklair | ... | script supervisor |
Transportation Department
Curtis Jones | ... | transportation coordinator |
Adrian Turton | ... | transportation captain |
Additional Crew
Marco Assante | ... | assistant: Armand Assante |
Nathan Banner | ... | production assistant |
Carol Bressi-Cilona | ... | production insurance |
Jason Capone | ... | assistant accountant: Trimark |
Richard E. Chapla Jr. | ... | production coordinator |
Don Crawford | ... | title designer |
Israel Daniels | ... | production assistant |
Margeurite Fairweather | ... | production assistant |
Brian Flaherty | ... | assistant: Peter A. Marshall |
Adina Goldman | ... | assistant production coordinator |
Clifton Guddy | ... | craft service |
Sistie Fairweather Harmes | ... | choreographer |
Erich Martin Hicks | ... | safety swimmer |
Wayne Levin | ... | head of business/legal affairs: Lions Gate |
Barbara Long | ... | production controller |
Robert M. Melnik | ... | director of business affairs: Lions Gate |
Curtis A. Miller | ... | production coordinator: Trimark |
Franz Moguel | ... | key production assistant |
Richard Brown Nelson | ... | production assistant |
Erin K. O'Brien | ... | production coordinator |
Routen Preysbe | ... | set production assistant |
Aaron Richmond | ... | assistant: Mike Elliott |
Donna Sloan | ... | director of production: Trimark |
Alan Taglianetti | ... | production coordinator |
Ingrid Vernon | ... | production assistant |
K.C. Ligon | ... | dialect coach (uncredited) |
Production Companies
Distributors
- Trimark Pictures
- USA Network (2001) (United States) (tv) (original airing)
- Aquarius TV (2006) (Greece) (tv)
- E Stars Films (2004) (China) (tv)
- Lions Gate Films Home Entertainment (2002) (United States) (tv)
- SBP (2001) (Argentina) (VHS)
- Sunfilm Entertainment (2002) (Germany) (DVD)
Special Effects
- Pixel Magic (visual effects and 3D animation)
Other Companies
- Behind the Scenes (shipping by)
- Consolidated Film Industries (CFI) (opticals by)
- Early Halloween (wardrobe rentals)
- Helen Uffner Vintage Clothing (wardrobe rentals)
- Johnson-Liff Associates (casting: New York)
- Post Sound Corporation (sound post-production services)
- Whispering Wind Media (music preparations)
Storyline
Plot Summary |
1933. With no one and nothing in his life except a broken pocket watch that belonged to his now deceased father, Arno moved from the US to Bimini, Bahamas a few years ago, and has since eked out a casual but penniless life as beachcomber, he owning a small skiff and a small cabin on the beach around Pirate Caye. He, who knows the waters as good as anyone, is not averse to making money on that knowledge, except doing anything even remotely illegal, which is why he tries to stay clear of Ortega, whose activities are always on the far side of the law. Arno is viewed suspiciously by the men of the area as a "pelican" and thus unreliable, while he, using his natural charm and good looks, is able to strike friendly relationships with most women. He is having an affair with Janine, the neglected wife of Jean-Pierre, a charter boat operator who routinely has flings with the rich socialites who charter his boat. Janine has fallen in love with Arno. When Arno ends their relationship, it is just the latest experience which makes Janine form a cynical view of life. The reason for the break-up is the return to Pirate Caye after being away on another island for three years of Coquina, an ethnic Irish lass whose family has lived in the area for generations. Never having left the Bahamas, Coquina is unwise to the ways of the world. Arno has always pined after her, and hopes to rekindle a romance with her. The day after a storm, Arno discovers that a yacht, the Pride of Chicago, has sunk, killing all on board. As he agreed to make a run into Bimini for the the Gavottes, the wealthy yacht owners, the day before, it a job which almost landed him in jail because one of the packages he was asked to retrieve unknown to him contained illegal drugs, he was on the yacht the day before and knows that it is replete with at least precious jewels probably still on the dead bodies which he could recover to begin life anew somewhere else with Coquina. Arno is reluctantly forced to join forces with Jean-Pierre, as Jean-Pierre has the necessary equipment but no knowledge of the wreck site, while Arno knows where the wreck is but doesn't have the elaborate diving equipment to do the job. Thus begins a tenuous arrangement not only between Arno and Jean-Pierre, but also by association Coquina and Janine, each who may have their own view of how they want the riches divvied up, and may use whatever means of deceit and perhaps even murder to get to their end goal. All the while, they have to hide their activities from any other interested parties such as Ortega, who they know is not averse to killing them to get to the treasures. Written by Huggo |
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Taglines | A tale of human nature rising to the surface. See more » |
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | Arno's (Benjamin Bratt) boat is named "Caca de toro" which is Spanish for "Bullsh*t". See more » |
Goofs | At the end of the movie, the bartender gives Arno a package. He opens it, finds his watch, asks what time it is, and then says, "She fixed it," implying that it is running and showing the right time. But it is an old-style pocket watch which needs regular winding, and the bartender said she hadn't seen him for a long time, so it couldn't possibly still be running. See more » |