While staking out his next assignment--the innocent girlfriend of his notorious boss--contract killer Malik reflects on the dark path he's chosen but cannot escape. Torn between his sense of duty and his newfound sense of humanity, he finds that the only way out is a perilous showdown with men who are every bit as cold-blooded as he is. Written by
Sujit R. Varma
When I was ten, my father put a bullet in my mother's heart, rattled off some cryptic shit about the rent bein' due, and then he put a slug in his own head. With that level of Jackson-family-on-crack-type dysfunction, it's no wonder I turned out the way I did.
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Picture this: a light-hearted action movie about a cold-blooded killer that does not hold back on the violence. Well that pretty much describes Love and a bullet. Ironically, whyat makes the the movie light-hearted is the honest and probably realistic reactions to many of the little speeches as well as certain actions that the main character has. A key example being when a fellow hitman gives him a speeck about "the life" and the main character simply says that after thinking about it for awhile he has no clue as to what his associate was talking about. Also, there are many points where this movie will fall into the typical hollywood syndrome of making the character overyl pathetic with the rush of emotion but it doesnt, instead, it makes him even more of a badass. Another unique aspect is that the majority of the movie is the main character reflecting on how he became a a hitman, eventually going into into his confusion over his presetn situation and comparing it to another similar event in which he fall s on love with a fellow hitman (or hitwoman to be more accurate). As for the action scenes, three movies came to mind: The Way of the Gun, Eqilibrium, and Legend of Drunken Master. The final martial arts bout at the end clearly shows its Legend of drunkne master unfluence with the villian fighting mainly on one foot and at oppne time balancing himself on one foot in a kick stance. Also, you kinda see a rugh draft of Equilibrium's gun-kata although Love and a Bulllet's obviously has break-dancing as a basis for it. As for way of the gun, i only though of that becuase there is an instance where a baddy is hiding behind a corner and his foot is visible by the hero resulting in the baddy's foot being shot.
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