A hitman falls in love with the boss's girlfriend, who may just be his next target.

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Cast

Cast overview, first billed only:
...
Malik Bishop (as Treach)
...
Cynda Griffie (as Kent Masters-King)
Charles Guardino ...
Damien Wiles
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Hylene
...
Buddy
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Cisco
...
Vaughn
Parris Washington ...
Sala (as Paris Washington)
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Omar
...
Wade
Hakeem Dunn ...
Young Bishop
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Frenchy
...
The Milkman
Mushond Lee ...
Pretty Nate
Tren'l ...
Shah
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Storyline

While staking out his next assignment--the innocent girlfriend of his notorious boss--contract killer Malik reflects on the dark path he's chosen but cannot escape. Torn between his sense of duty and his newfound sense of humanity, he finds that the only way out is a perilous showdown with men who are every bit as cold-blooded as he is. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

Nobody's So Good At Being So Bad.


Motion Picture Rating (MPAA)

Rated R for strong violence, language and sexuality/nudity | See all certifications »

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Details

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Release Date:

30 August 2002 (USA)  »

Also Known As:

Amore e pallottole  »

Filming Locations:


Box Office

Opening Weekend:

$12,608 (USA) (30 August 2002)

Gross:

$16,853 (USA) (13 September 2002)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

[first lines]
Malik Bishop: [narrating] When I was ten, my father put a bullet in my mother's heart, rattled off some cryptic shit about the rent bein' due, and then he put a slug in his own head. With that level of Jackson-family-on-crack-type dysfunction, it's no wonder I turned out the way I did.
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Connections

References Scarface (1983) See more »

Soundtracks

Nice ta Meet Ya
Written by Ron Bryant and Nathan Perez
Performed by Baby Beeshie
Courtesy of Dope House Records
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User Reviews

 
comic noir
25 November 2007 | by (United States) – See all my reviews

Kantz and Ramsey also put together "The Big Hit", which I disliked so much, I demanded my money back from the video store. But I admit that there is something appealing about this one.

The film is an attempt to do comic noir, and is definitely of a flavor similar to that of Tarantino's films and of the British neo-noir.

The problem such films have is one of bad taste - it's difficult to know when killing and hurting people can be made amusing, and when it just hurts and laughing at it is stepping close to something profoundly unhealthy.

However, "Love and a Bullet" only crosses that line a couple of times; and I think much of the appeal of the film comes out of the performance of Treach, who is right on the money throughout. Some of the dialog is over much, and more could have been done with less - although I admit that for a film put together for half-a-million in 2002, this really looks well-made. But I really mean less in the story and in the dialog, which goes over the top once too often to suit me.

But on the whole, an entertaining Post-Modern crime comedy of the 'outre' variety.


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