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|Index||19 reviews in total|
When I first saw the trailer to this movie on some other action DVD, I thought, "You must be kidding me. This has got to be the worst straight-to-video HK-action rip-off ever made." But after watching the first few minutes of it on cable, I knew the trailer was all wrong. They'd focused on all the wrong elements. I found "Love and a Bullet" to be something of a black "Snatch"-type movie (no jokes, now), very tongue-in-cheek and enjoyably self-referential. The final battle, as silly as it was, was easier to swallow after the movie's setup. After all, it's not a straight gangsta-action movie; it's more of a black comedy. In both senses of the word. Definitely worth the 90-minute investment.
Picture this: a light-hearted action movie about a cold-blooded killer
does not hold back on the violence. Well that pretty much describes Love
and a bullet. Ironically, whyat makes the the movie light-hearted is the
honest and probably realistic reactions to many of the little speeches as
well as certain actions that the main character has. A key example being
when a fellow hitman gives him a speeck about "the life" and the main
character simply says that after thinking about it for awhile he has no
as to what his associate was talking about. Also, there are many points
where this movie will fall into the typical hollywood syndrome of making
character overyl pathetic with the rush of emotion but it doesnt, instead,
it makes him even more of a badass. Another unique aspect is that the
majority of the movie is the main character reflecting on how he became a
hitman, eventually going into into his confusion over his presetn
and comparing it to another similar event in which he fall s on love with
fellow hitman (or hitwoman to be more accurate).
As for the action scenes, three movies came to mind: The Way of the Gun,
Eqilibrium, and Legend of Drunken Master. The final martial arts bout at
the end clearly shows its Legend of drunkne master unfluence with the
villian fighting mainly on one foot and at oppne time balancing himself on
one foot in a kick stance. Also, you kinda see a rugh draft of
Equilibrium's gun-kata although Love and a Bulllet's obviously has
break-dancing as a basis for it. As for way of the gun, i only though of
that becuase there is an instance where a baddy is hiding behind a corner
and his foot is visible by the hero resulting in the baddy's foot being
*** This review may contain spoilers ***
Love and a Bullet seems to be the template for the "Hitman" games on the
but hastily made. There were rag-tage elements of lots of different
in this one, and the main character "Bishop" was probably one of the most
irritating gantas's I have ever seen on the screen **Spoiler - Notice how
satisfying it would be to bust a cap in his ass, when he is trying to get
together with the government Spook)
MEGA SPOILER MEGA SPOILER MEGA SPOILER MEGA SPOILER MEGA SPOILER MEGA SPOILER
The last bit of the movie was pretty unreal. Like the last review I had just sat down with something you cant buy in the shops, and it all made bad sense but sense all the same until the end, where it came together like bad manga. The kung-fu guy was high kicking, the gun guy wanted a duel, and the crazy guy was crazy.
This film is an ok rental, but I would hate to get it as a Christmas present !!
"Love and a Bullet" adds nothing really new to the hitman genre but its a
fun movie all the same. There are some really funny parts such as how
Nate's crew gets down...but as mentioned before the last twenty minutes
horrible. Like a video game where you have to beat a boss w/ some special
Also the whole, "I'm a professional" statements got old quick. Treach like Ice Cube can handle acting and his charisma carries over from music to screen.
*** This review may contain spoilers ***
Rapper Treach (lead singer for Naughty by Nature) plays Malik Bishop, a
stone cold hit man in this violent action movie. Treach gives us a
running narrative on his profession that is sometimes comical,
sometimes profane, but always badass. Handsome, with a bald head and
smooth, ripped physique, covered in gang tattoos, Treach definitely
looks the part. Joining him is an almost all-black caste of enforcers,
thugs and hit men.
Charles Guardino plays Damien, a white mob boss that specializes in recruiting young black street muscle and turning them into trained assassins. We see Treach starting out with a amateur crew and murdering other brothers with abandon. He coldly slays a black pimp for being late to meeting. In another early scene he shows he doesn't need a gun to get the job done by silently strangling a sleeping thug with a white handkerchief. Impressed by his body count, Damien soon offers him a job with his organization.
Treach enters a world where he becomes one of six highly trained black killers. Along with them being impressive physical specimens, they each have their own trademark kill techniques. Putting that black muscle on display, we see them shirtless, or in martial arts gear, working out, lifting weights and practicing their lethal artistry. We watch as training leaves them exhausted, buff bodies gleaming with sweat, ready to do the boss's bidding. But nobody is under any illusions about the power structure. Damien surrounds himself with bodyguards -- a cadre of white bodybuilders -- leaving no doubt about how far he trusts his black employees. As the six assassins admit among themselves after completing hits ordered by Damien, the world belongs to white men -- they are just there to "take out the trash."
We see some exciting hits, including one where Treach and Buddy, his best friend on the hit squad, invade a house where a federal witness is being guarded by marshals. The black killers expertly eliminate each of the six white lawmen before taking out the witness. Back at headquarters, Buddy demands more money for his work on hits like these and a furious Damien marks him for death, sending some of his white bodyguards to do the deed. In some furious action, involving snapped necks, close quarter martial arts and expert gunplay, Buddy easily offs them one by one. Though we don't see who fires the fatal shot, Buddy is finally slain, with the suspicion that one of the six black killers took the contract to ice a "brother."
That lesson isn't lost on Treach and he begins to lay plans to leave the organization -- especially after falling in love with the beautiful black hit woman Hylene. In a series of graphic sex scenes (including a full frontal view of Treach's impressive manhood) the romance gets red hot and it's only a matter of time before Damien lets Treach know that love isn't healthy in his line of work. Hylene disappears and, at the same time, Damien orders Treach to snuff Cynda (Damien's black girlfriend whom he suspects of cheating) installing Treach in a sniper's nest across the street from her apartment. Even while he's aiming the rifle at her head, we can see Treach is developing feelings for her as he watches Damien slap her around. In a sick mind game with Treach, Damien won't give the final order to kill her, preferring to taunt Treach by letting him watch while he abuses her -- sometimes even winking at him from the window. Treach slowly loses it -- day after day, often stripped to just his boxers, his muscular black torso slick with sweat -- all the time with his crosshairs on Cynda's lovely face and Damien's leering smirk right there.
Having enough of his twisted game Damien calls off the hit, but Treach has other plans. Knowing that Cynda's life will never improve, he fires the fatal bullet to free her forever. Damien goes insane and orders his men to take out Treach and the final battle is on. First his remaining white musclemen are dispatched but they are no match for Treach's black fury. Their deaths only infuriate Damien all the more and he turns to Treach's former "brothers" to carry out the hit. In an orgy of black-on-black violence, Treach faces the best in the business --- and ices them, one by one. With guns blazing, kicks and fists flying and some incredible acrobatic fighting moves, each killer meets his end. In one particularly brutal fight, Treach drives an iron spike clean through the shaved head of one of his former buddies. Leaving a pile of black corpses, Treach goes looking for the white man responsible for it all and, in a hail of bullets, takes Damien's life.
There is a surprise waiting for Treach at the end of this movie and, badass killer that he is, you don't begrudge him a little happiness. Treach makes this movie -- all black muscle and attitude -- and elevates it beyond just another gangsta outing. The fights are awesome, the intrigue is cool, the sex is hot and the hits are cleverly staged -- like Wesley Snipes once famously said in another action movie, "always bet on black."
*** This review may contain spoilers ***
Ben Ramsey and Kantz co-directed "Love and a Bullet," a stylish
romantic action film with an urban twist, in 2002. The film's most
essential component is Malik Bishop (Treach, lead rapper for rap group
Naughty by Nature), a young professional hit-man in Los Angeles who
engages in a would-be forbidden romance with his employer's main
squeeze. The drama in the plot comes from the fact that Bishop's latest
assignment forces him to question his profession for the first time and
reflect on the violent path that his life has taken him. Anyone looking
for a deep rumination or moral dilemmas on the life of a hit-man better
look elsewhere, say "The Professional" (1994). But Treach makes an
interesting and charismatic lead character because he lets us get to
know him, like him, and sympathize with the choices he's made and how
he's learning to live with the consequences of those decisions. And
plus he's a just an all-around bad-ass who must ultimately learn to
fend for himself in the film's blood-soaked, action-packed climax. The
movie is also pretty funny, too, albeit in a darkly comic fashion. One
sequence that will have you laughing out loud is when Bishop and his
mentor Buddy (Sam Scarber) lay siege to a house where a federal witness
is being held up and they not only succeed in slaying the witness, but
also the six federal agents protecting him. All the while, Buddy is
complaining about why the job is so messed up because they didn't have
time to plan it properly. Other darkly humorous instances abound, but
that is by far the funniest in the whole movie. Not a perfect film by
any standard, but it does make for a quick 87-minute trip with your
brain locked squarely in the "off" position.
Kantz and Ramsey also put together "The Big Hit", which I disliked so
much, I demanded my money back from the video store. But I admit that
there is something appealing about this one.
The film is an attempt to do comic noir, and is definitely of a flavor similar to that of Tarantino's films and of the British neo-noir.
The problem such films have is one of bad taste - it's difficult to know when killing and hurting people can be made amusing, and when it just hurts and laughing at it is stepping close to something profoundly unhealthy.
However, "Love and a Bullet" only crosses that line a couple of times; and I think much of the appeal of the film comes out of the performance of Treach, who is right on the money throughout. Some of the dialog is over much, and more could have been done with less - although I admit that for a film put together for half-a-million in 2002, this really looks well-made. But I really mean less in the story and in the dialog, which goes over the top once too often to suit me.
But on the whole, an entertaining Post-Modern crime comedy of the 'outre' variety.
Love and a Bullet is a confused movie. At times it seems like a comedy with the use of the MF word more times in a sentence than any other word. But other times with its blood and violence it want to be a film trying to shock. All the while filled with philosophy that doesn't make sense to anyone and they note it. As love story starts to form, you feel small moments. You feel for Bishop on thanksgiving but then it becomes a comedy of errors again. This movie could have been better if it decided what it was before it decided who should die.
Surprisingly well acted, tongue-in-cheek comedy with a flawless performance by Treach. This is not going to be the best movie you have ever seen but if you are looking for something different and enjoyable to occupy 90 minutes of your time, I doubt you will be disappointed. Give it a shot if you've got some time to kill and are looking for some good laughs...just be sure to pay close attention or you might miss the subtle nuances--and have an open mind. The final showdown is unreal...best of luck to Treach in his ensuing acting career.
This movie was much better than I expected!
I thought the story was very smart and original. Some good twists and turns.
The action scenes were exciting, original and very, very cool. A bit more gory than I expected.
The acting was pretty good. Especially since Treach is a rapper and sometimes there not very good.
It was a nice blend of comedy and action. The jokes were very good. It's no wonder it was written and directed by Ben Ramsey, who did The Big Hit.
Does anyone else think Treach sounds like Ice T, especially when narrating.
Overall I thought it was a funny, exciting, original and very, very cool movie.
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