M*A*S*H (TV Series)
Goodbye, Farewell and Amen (1983)
Full Cast & Crew
Directed by
Alan Alda |
Writing Credits
Alan Alda | ... | (written by) and |
Burt Metcalfe | ... | (written by) and |
John Rappaport | ... | (written by) and |
Dan Wilcox | ... | (written by) & |
Thad Mumford | ... | (written by) and |
Elias Davis | ... | (written by) & |
David Pollock | ... | (written by) and |
Karen Hall | ... | (written by) |
Larry Gelbart | ... | (developed for television by) |
Richard Hooker | ... | (based on a novel by) (uncredited) |
Cast (in credits order) complete, awaiting verification
Produced by
Burt Metcalfe | ... | executive producer |
Thad Mumford | ... | producer |
John Rappaport | ... | supervising producer |
Stanford Tischler | ... | associate producer |
Dan Wilcox | ... | producer |
Cinematography by
Dominic Palmieri | ... | director of photography (as Dominick R. Palmer Jr.) |
Editing by
Larry L. Mills | ||
Stanford Tischler |
Casting By
Joyce Robinson | ... | (as Joyce Robinson & Associates) |
Art Direction by
John Leimanis |
Set Decoration by
Bert Allen |
Makeup Department
Terry Miles | ... | makeup artist |
Carol Pershing | ... | hair stylist |
Production Management
Mark Evans | ... | executive production manager |
David Hawks | ... | unit production manager |
Second Unit Director or Assistant Director
Barbara Gelman | ... | second assistant director |
David Hawks | ... | first assistant director |
Cathy Kinsock | ... | first assistant director |
Art Department
Douglas Stubbs | ... | property master (as Doug Stubbs) |
Sound Department
David M. Ice | ... | sound editor |
Rached M'Dini | ... | assistant sound editor |
Godfrey Marks | ... | loop dialogue editor |
Will Yarbrough | ... | sound mixer |
Special Effects by
Jay King | ... | special effects technician (uncredited) |
Camera and Electrical Department
Bob Casey | ... | camera operator |
Terence Harkin | ... | first assistant camera |
Travers Hill Jr. | ... | first assistant cameraman |
Patricia Hill | ... | second assistant camerawoman |
Larry Rake | ... | gaffer |
Jim Robinson | ... | key grip |
Michael J. Jacobs | ... | still photographer (uncredited) |
Charles Lantz | ... | crab dolly operator (uncredited) |
Costume and Wardrobe Department
Rita Bennett | ... | costumer: women |
Albert H. Frankel | ... | costumer: men (as Albert Frankel) |
Andrea E. Weaver | ... | set costumer: womens (uncredited) |
Editorial Department
Willie Navarro | ... | editorial assistant |
Pam Sharp | ... | editorial assistant |
Joseph Silver | ... | post-production supervisor |
Ron Smith | ... | editorial assistant |
Raymond Grabowski | ... | colorist (uncredited) |
Music Department
John R. Harris | ... | music editor (as John Harris) |
Johnny Mandel | ... | composer: theme |
Lionel Newman | ... | music supervisor |
Robert Bain | ... | musician: guitar soloist (uncredited) |
Script and Continuity Department
Ruth Horne | ... | script coordinator |
Roberta Sherry Scelza | ... | script supervisor |
Transportation Department
Chris Haynes | ... | driver (uncredited) |
Julio Salazar | ... | production driver (uncredited) |
Dean E. Mason | ... | production driver (uncredited) |
Additional Crew
Walter D. Dishell | ... | medical advisor (as Walter D. Dishell M.D.) |
Michael J. Gitlin | ... | medical advisor (as Michael J. Gitlin M.D.) |
Karen Hall | ... | executive story consultant |
Marty Lowenheim | ... | dialogue director |
Robert S. Pynoos | ... | medical advisor (as Robert Pynoos M.D.) |
Alan Alda | ... | creative consultant (uncredited) |
Roy Goldman | ... | stand-in: Harry Morgan (uncredited) |
Gene Reynolds | ... | creative consultant (uncredited) |