Every know cliché of the B&W sixties art film - speeded sequences, still frames for the photo session with the girl, Bande à part & Halelluya in the Hills horseplay, improvised dialogue including some wildly out post synch. Even with it's recognisable glimpses of the sixties Chelsea scene it's all as convincing as rubber salami.
Three party scenes, including a lesbian event and witchcraft with the girl reading (of course) beat poetry - "the gates of heaven where all comers will not be admitted, even if they bring bottles"
Two young Chelsea types get the girl they share to go with an unlikely American producer who ignores Zanuck calls and wears a suit which needs pressing.
A few nice images and model Julia White appeals. There's some perverse pleasure in finding a film like this, especially an English one. Quarrier was the blond gay vampire in Fearless Vampire Killers.
Three party scenes, including a lesbian event and witchcraft with the girl reading (of course) beat poetry - "the gates of heaven where all comers will not be admitted, even if they bring bottles"
Two young Chelsea types get the girl they share to go with an unlikely American producer who ignores Zanuck calls and wears a suit which needs pressing.
A few nice images and model Julia White appeals. There's some perverse pleasure in finding a film like this, especially an English one. Quarrier was the blond gay vampire in Fearless Vampire Killers.
