| Mercedes Ruehl | ... | Elizabeth 'Lizzy' Avila | |
| Victor Rivers | ... | Javier Avila | |
| Douglas Spain | ... | Anthony 'Tony' Avila | |
| Maria Carmen | ... | Sofia Avila | |
| Isidra Vega | ... | Gina Avila | |
| Elena Lopez | ... | Grandma Avila | |
| A Martinez | ... | Daniel 'Danny' | |
| Richard Yniguez | ... | Robert Avila | |
| Lorraine Perez | ... | Auntie Delores | |
| Eva Rodriguez | ... | Auntie Eva | |
| Adrian Armas | ... | Avila cousin | |
| Caz | ... | Gordo, the Avila's dog | |
| Joan Chen | ... | Trinh Nguyen | |
| François Chau | ... | Duc Nguyen (as Francois Chau) | |
| Will Yun Lee | ... | Jimmy Nguyen | |
| Kristy Wu | ... | Jenny Nguyen | |
| Brennan Louie | ... | Joey Nguyen | |
| Jimmy Pham | ... | Gary Nguyen | |
| Kieu Chinh | ... | Grandma Nguyen | |
| Chao Li Chi | ... | Grandpa Nguyen (as Chao-Li Chi) | |
| Chad Todhunter | ... | Luke | |
| Scott Nguyen | ... | Don | |
| Lainie Kazan | ... | Ruth 'Ruthie' Seelig | |
| Maury Chaykin | ... | Herb 'Herbie' Seelig | |
| Kyra Sedgwick | ... | Rachel Seelig | |
| Julianna Margulies | ... | Carla | |
| Albie Selznick | ... | Art Seelig | |
| Suzanne Carney | ... | Sarah Seelig | |
| Estelle Harris | ... | Aunt Bea | |
| Ralph Manza | ... | Uncle David | |
| Andrew Heckler | ... | Jerry | |
| Marty | ... | Max, the Seelig's dog | |
| Alfre Woodard | ... | Audrey Williams | |
| Dennis Haysbert | ... | Ronald Williams | |
| Eric George | ... | Michael Williams (as Eric K. George) | |
| Brittany Jean Henry | ... | Kristin Williams | |
| Ann Weldon | ... | Grandma Grace Williams | |
| Shareen Mitchell | ... | Paula Moore | |
| Gregory Itzin | ... | James Moore | |
| Mariam Parris | ... | Monica Moore | |
| Frank Novak | ... | Governor Rhoads | |
| Margie Loomis | ... | Old woman in airport | |
| Gwendolyn Oliver | ... | TV reporter | |
| Charles Constant | ... | Announcer | |
| Bruce Dobos | ... | Turkey man | |
| Darren O'Bannon | ... | Student #1 | |
| Jeremy Berger | ... | Student #2 | |
| Alexandra Castro | ... | Student #3 |
Directed by | |||
| Gurinder Chadha | |||
Writing credits | ||
| Gurinder Chadha | (written by) & | |
| Paul Mayeda Berges | (written by) | |
Produced by | |||
| Paul Mayeda Berges | .... | associate producer | |
| Gurinder Chadha | .... | associate producer | |
| David Forrest | .... | executive producer | |
| Abe Glazer | .... | executive producer | |
| David Grace | .... | line producer | |
| Beau Rogers | .... | executive producer | |
| Jeffrey Taylor | .... | producer | |
| Ethan Hurt | .... | executive producer (uncredited) | |
| Steven D. Kravitz | .... | executive producer (uncredited) | |
Original Music by | |||
| Craig Pruess | |||
Cinematography by | |||
| Lin Jong | (director of photography) | ||
Film Editing by | |||
| Janice Hampton | |||
Casting by | |||
| Cathy Henderson | (as Cathy Henderson-Martin) | ||
| Dori Zuckerman | |||
Production Design by | |||
| Stuart Blatt | |||
Art Direction by | |||
| Melissa Hibbard | |||
Set Decoration by | |||
| Melissa M. Levander | (as Melissa Levander) | ||
Costume Design by | |||
| Eduardo Castro | |||
Makeup Department | |||
| Carrie Angland | .... | makeup artist: Ms. Woodard | |
| Merc Arceneaux | .... | makeup artist | |
| Heather Cummings | .... | makeup artist | |
| Sterfon Demings | .... | hair stylist: Ms. Woodard (as Sterfon Demmings) | |
| Angela Johnson | .... | first makeup artist | |
| Laura Kelly | .... | key hair stylist | |
| JoJo Myers Proud | .... | hair assistant | |
| Lori Rozman | .... | hair stylist: Ms. Margulies | |
| Carol Strong | .... | key makeup artist | |
| Maricela Zavala | .... | makeup artist | |
Production Management | |||
| David Grace | .... | post-production supervisor | |
| David Grace | .... | unit production manager | |
| Karen R. Sachs | .... | production supervisor | |
| Addison Wright | .... | production supervisor | |
Art Department | |||
| Teague Barto | .... | additional painter | |
| Bobby Bednar | .... | propmaker (as Bobby Bedmar) | |
| Treven Bedwell | .... | swing (as Morgan Treven Bedwell) | |
| Brian Berkel | .... | propmaker | |
| Holly Brand | .... | on-set dresser | |
| Laura Branosky | .... | art department assistant | |
| Jesse Brown | .... | propmaker | |
| Dorene Chavez | .... | additional painter | |
| James Clausman | .... | propmaker | |
| Emily Dixon | .... | painter | |
| Mark Emerson | .... | additional painter | |
| Michael Furster | .... | carpenter | |
| Greg J. Gregath | .... | propmaker (as Greg Grgath) | |
| Brian Hahn | .... | swing | |
| Guy Herman | .... | propmaker | |
| Susan Hutchinson | .... | additional painter | |
| William Johnson | .... | carpenter | |
| Susan King | .... | additional prop assistant | |
| Michael Klingerman | .... | lead person | |
| Christian Lopez | .... | additional painter | |
| Chris Marneus | .... | foreman | |
| Matthew Martin | .... | carpenter | |
| Paula Maslowski | .... | art department shopper | |
| Peter Mathus | .... | painter | |
| Takashi Matsubara | .... | additional painter | |
| Sean Maytum | .... | additional painter | |
| Kevin McCown | .... | propmaker | |
| Joe Merino | .... | additional painter (as Jose Merino) | |
| Steve Mitchell | .... | set designer | |
| Gay Perello | .... | property master | |
| Steven Piacenza | .... | assistant props (as Steve Piacenza) | |
| Garner E. Ryan | .... | carpenter (as Garner Ryan) | |
| Chris Santini | .... | construction coordinator | |
| Rik Sciacca | .... | propmaker | |
| Michael Spitaletto | .... | painter | |
| Eric Steinway | .... | swing | |
| Suzette Stotts | .... | lead scenic | |
| Don Stroud | .... | additional painter | |
| Don Stroud | .... | additional prop assistant | |
| Macie Vener | .... | art department assistant | |
| Paul Walton | .... | additional painter | |
Sound Department | |||
| Ryan Davidson | .... | adr recordist | |
| Ken Dufva | .... | foley artist | |
| Ronald Eng | .... | dialogue editor (as Ron Eng) | |
| William Fiege | .... | production sound mixer (as William M. Fiege) | |
| Richard C. Franklin | .... | sound supervisor (as Rick Franklin) | |
| Emily Gaydos | .... | dialogue editor | |
| Doug Jackson | .... | sound editor | |
| Greg Mauer | .... | foley mixer | |
| Ronnie Morgan | .... | technical assistant | |
| Chuck Neely | .... | sound editor | |
| Howard Neiman | .... | sound editor | |
| Donal Nelson | .... | additional boom operator | |
| Bruce Nyznik | .... | adr supervisor | |
| Bruce Nyznik | .... | dialogue editor | |
| Bruce Nyznik | .... | dialogue supervisor | |
| Srdjan 'Serge' Popovic | .... | additional boom operator | |
| Susan Pusateri | .... | foley artist | |
| Paul Ratajczak | .... | sound re-recording mixer | |
| Joan Rowe | .... | foley artist | |
| Steve Sollars | .... | boom operator | |
| Lee Tinkham | .... | foley mixer | |
| Marc Verboys | .... | dialogue technical assistant | |
| Jonathan Wales | .... | sound re-recording mixer | |
| Christopher T. Welch | .... | sound editor (as Chris Welch) | |
| Ace Williams | .... | additional boom operator (as Emil Ace Williams) | |
Special Effects by | |||
| Andre G. Ellingson | .... | special effects coordinator (as Andre Ellingson) | |
Stunts | |||
| Julius LeFlore | .... | stunt coordinator | |
| Mitch Toles | .... | precision driver (uncredited) | |
Casting Department | |||
| Betsy Glick | .... | casting assistant | |
| Rebecca Quiroz | .... | casting assistant | |
| Debe Waisman | .... | extras casting (as Debe Waismann) | |
Costume and Wardrobe Department | |||
| Kimberly Green | .... | wardrobe supervisor | |
| Helen Monaghan | .... | wardrobe supervisor | |
| Hans Georg Struhar | .... | set costumer (as Hans Strurhar) | |
Editorial Department | |||
| Mato | .... | color timer | |
| Sean Thompson | .... | first assistant editor | |
Music Department | |||
| Michael Creighton Rogers | .... | music supervisor (as Michael Rogers) | |
| Jerry Gilbert | .... | music editor | |
| Gregory Hobson | .... | music editor | |
| Craig Pruess | .... | music coordinator | |
| Basil Moore | .... | music supervisor (uncredited) | |
Transportation Department | |||
| Ben Barsky | .... | driver | |
| Ken Day | .... | driver: camera car | |
| Paul Feddersen | .... | transportation captain | |
| Frederick Johnston | .... | driver | |
| Curt Larson | .... | transportation co-captain | |
| Michael Locke | .... | transportation coordinator (as Mike Locke) | |
| Rick Locke | .... | driver | |
| Carina Moore | .... | driver: honeywagon | |
| Danny Nelson | .... | driver | |
| Hugo Ocana | .... | driver | |
| Benjamin Rivera | .... | driver: honeywagon (as Benny Rivera) | |
| Manuel Ruiz | .... | driver | |
| Lew Strong | .... | driver | |
| Chris Walden | .... | driver: production van | |
Other crew | |||
| David Abbitt | .... | production accountant | |
| Scott Adams | .... | chef: Silver Screen Catering | |
| Conan Castro Jr. | .... | additional production assistant (as Conan Castro) | |
| Jose Chavez | .... | additional production assistant | |
| Therese Clinton | .... | craft service assistant | |
| Eric Fierstein | .... | location manager | |
| Rhoda Fine | .... | teacher | |
| Neil Fisher | .... | legal services (as Neil Fischer) | |
| Rick Ghaly | .... | additional production assistant | |
| Kevin Haskins | .... | additional production assistant | |
| Annette Hobday | .... | additional production assistant (as Annette Hawley) | |
| Matt Holloway | .... | key set production assistant (as Matthew Holloway) | |
| Ethan Hurt | .... | presenter: BeCause Entertainment | |
| Paul Kapellas | .... | office production assistant (as Paul Cloeka Kapellas) | |
| Jason Z. Kemp | .... | set production assistant (as Jason Kemp) | |
| Melissa Kinnicutt | .... | additional production assistant | |
| Carol Kitinski | .... | craft service | |
| Steven D. Kravitz | .... | presenter: BeCause Entertainment | |
| Kerry Lane | .... | additional production assistant | |
| Ed Meeken | .... | assistant location manager | |
| Ean Meving | .... | additional production assistant | |
| Dana Michaelson | .... | assistant production accountant | |
| Susan Mieras | .... | assistant: Ms. Sedgwick | |
| Anthony J. Nahar | .... | additional production assistant (as Tony Nahar) | |
| Nelson O. Noguera | .... | chef: Silver Screen Catering (as Nelson Noguera) | |
| Tasha Oldham | .... | script supervisor | |
| Nathaniel Rundle | .... | set production assistant | |
| Jeffrey Taylor | .... | presenter: BeCause Entertainment | |
| Chantal Thomas | .... | assistant production coordinator | |
| Matthew A. Thomas | .... | additional production assistant (as Matthew 'Stretch' Thomas) | |
| Jacob Whitmore | .... | office production assistant | |
| Wendy Wilhite | .... | teacher | |
| Anthony Woods | .... | set medic | |
| Danijela Zakic | .... | set production assistant | |
| Ava DuVernay | .... | publicity consultant (uncredited) | |
| Leah Jediny | .... | stand-in: Kyra Sedgwick (uncredited) | |
| Chris Swinney | .... | craft service (uncredited) | |
Thanks | |||
| David Azzoto | .... | special thanks (as Dave Azzoto) | |
| Leslie Belzberg | .... | special thanks | |
| Janis Mayeda Berges | .... | special thanks | |
| Jody Berges | .... | special thanks | |
| Ronald Berges | .... | special thanks | |
| Balwant Kaur Chadha | .... | special thanks | |
| Sardar Bhajan Singh Chadha | .... | dedicatee: my father | |
| Bradford Craig | .... | special thanks | |
| Steve Dontanville | .... | special thanks | |
| Martin Fink | .... | special thanks (as Marty Fink) | |
| Marcus Hu | .... | special thanks | |
| Sally Hunter | .... | special thanks | |
| Alkarim Jivani | .... | special thanks | |
| Timothy Khan | .... | special thanks: Merlins Energy Source | |
| Doug MacLaren | .... | special thanks | |
| Komiko Mayeda | .... | special thanks | |
| Toshio Mayeda | .... | special thanks | |
| Jonathan Merrison | .... | special thanks | |
| Basil Moore | .... | special thanks | |
| Kathy Nanez | .... | special thanks: Imperial Bank | |
| Billy Pollina | .... | special thanks (as Bill Pollina) | |
| Janice Sakamoto | .... | special thanks | |
| Michelle Satter | .... | special thanks | |
| Momita Sengupta | .... | special thanks | |
| Zak Taylor | .... | special thanks | |
| Paul A. Wyckoff | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
With Girlfight, this tops my best of 2000 list. Not that I have seen them all, and not that there's much competition. This was such a dreadful year in Hollywood I'm swearing off Oscar day. But this IS an amazing film (as is Girlfight). Let women direct more, I say, and let budgets be slashed in subatomic particles. Most importantly, let people who have stuff to say, say it. All the other ones should wait for inspiration.
One of the amazing things about this film is its pace. It is breathless, and you never quite stop laughing or gasping or having some variety of intense edge-of-your-seat emotional reaction. Which is amazing, because the plot is so complex, it could easily have gotten lost in chaos. Even as you laugh, the tension doesn't let up. The stories unfold rapidly and dramatically and with full comic timing, and you never quite stop marveling. We are not treated very often to this kind of inventive filmmaking.
If you've lived in LA for any significant length of time, you'll realize from the start that this film is not meant to be realistic. The MTA scenes at the beginning are so un-LA, so colorful and happy, you know this is going to be a grand fest of the imagination and the heart, not a tale of urban life. (For one, people on MTA buses tend to sit dejectedly, not to have a collective laugh&lovefest). Similarly, the ethnic angle is more life-as-we-would-like-it-to-be than life-as-is. And there's absolutely nothing wrong with that. In fact, it's so refreshing to see race on film without having to trudge through misery, pain, and blood, you want to weep with gratitude. What's Cooking? is full of big themes treated with similar lightness: broken families, same-sex relationships, tradition vs. progress, parenthood, urban violence, gender roles, politics... Even as it packs it all in, the film does it all seamlessly, treating it as the stuff of everyday's life it in fact is (funny how movies tend to deal with one issue at the time, and how we've grown to consider that a good thing).
But lightness is not glibness or superficiality. There's a big heart and a big sharp mind at the center of What's Cooking? and problems get taken seriously. Clearly, since this is the world as we'd like it to be, most things find some sort of satisfactory conclusion by the end. And that is more than all right, because we're tired to see gays and people of color go down, families drown in waters to thick to negotiate, and all the vast repertoire of disasters that make critics think a film "got it right." Nope. Not here. But the world as we'd like it to be can still be a POSSIBLE world, and this is ultimately the exhilarating nutshell of What's Cooking?: that joy is not beyond our reach, the pain can give way to healing, and that, hell, we can, maybe not perfectly but nonetheless, all get along.
Well done!