| Photos (see all 14 | slideshow) |
| Timothy Dalton | ... | Fr. Willam Bowden | |
| Henry Czerny | ... | Fr. Raymond McBride | |
| Jonathan Malen | ... | Robbie Mannheim | |
| Michael Rhoades | ... | Karl Mannheim | |
| Shannon Lawson | ... | Phyllis Mannheim | |
| Christopher Plummer | ... | Archbishop Hume | |
| Michael McLachlan | ... | Halloran | |
| Richard Waugh | ... | Reverend Eckhardt | |
| Deborah Drakeford | ... | Mrs. Eckhardt | |
| Piper Laurie | ... | Aunt Hanna | |
| Brad Borbridge | ... | German Soldier | |
| Robert Tinkler | ... | American Soldier | |
| Scott Wickware | ... | Racist Cop | |
| Jefferson Mappin | ... | Big Prisoner | |
| Nicholas Pasco | ... | Jail Cop | |
| Sally Cahill | ... | Robbie's Teacher | |
| Galen Dineen | ... | School Bully | |
| Jamie Kerr | ... | School Bully Larry | |
| Jean Daigle | ... | Referee | |
| Darlene Cooke | ... | Hume's Secretary | |
| Joan Heney | ... | Librarian Nun | |
| Paul A. MacFarlane | ... | Brother Bruno | |
| Chuck Campbell | ... | Dying G.I. | |
| Boyd Banks | ... | Zealot | |
| Christopher Crumb | ... | Alexian Lunatic | |
| David Talbot | ... | Fr. Walsh | |
| Dan MacDonald | ... | Senator | |
| Katherine Bates | ... | Student | |
| Theresa Kelman-Holierhoek | ... | Singer at sit-in | |
| Matthew Wallace | ... | Coach | |
| Kerry Jackson | ... | Cheerleader | |
| Jessica Arsenault | ... | Cheerleader | |
| Jennifer Bromley | ... | Cheerleader | |
| Cheryl MacDonald | ... | Raggedy Ann | |
| rest of cast listed alphabetically: | |||
| David Playfair | ... | Nazi Soldier | |
Directed by | |||
| Steven E. de Souza | |||
Writing credits(WGA) | ||
| Thomas B. Allen | (book "Possessed: The True Story of an Exorcism") | |
| Michael Lazarou | (screenplay) and | |
| Steven E. de Souza | (screenplay) | |
Produced by | |||
| Jane Bartelme | .... | line producer | |
| Barbara Title | .... | executive producer | |
Original Music by | |||
| John Frizzell | |||
Cinematography by | |||
| Edward J. Pei | |||
Film Editing by | |||
| Anthony Redman | |||
Casting by | |||
| Robin D. Cook | |||
Production Design by | |||
| John Dondertman | |||
Art Direction by | |||
| James Oswald | |||
Set Decoration by | |||
| Rosalie Board | |||
Costume Design by | |||
| Michael Harris | |||
Makeup Department | |||
| Stephanie Ingram | .... | key hair stylist | |
| Morten Jacobsen | .... | special makeup effects artist | |
| Louise Mackintosh | .... | prosthetic makeup artist | |
| Lynda McCormack | .... | key makeup artist | |
Production Management | |||
| David Bailey | .... | post-production supervisor | |
| Laurie Cook | .... | video post-production supervisor | |
| Armand Leo | .... | executive in charge of production | |
| Natalie Samanon | .... | post-production supervisor | |
| Claire Welland | .... | production manager | |
Art Department | |||
| Paul Berta | .... | storyboard artist | |
| Peter Fletcher | .... | property supervisor | |
| Peter Karmazsin | .... | set dresser | |
| Janet Macleod | .... | buyer | |
| Ian Patrick McAllister | .... | second assistant art director | |
| James McCrindle | .... | set dresser | |
| Christina Meynell | .... | set dresser | |
| Evelyn Mitsui | .... | property assistant | |
| Mike Patterson | .... | property assistant | |
| Cassandra Pollack | .... | art department apprentice | |
| Patrick Tarr | .... | lead set dresser | |
| Mark Wallace | .... | property supervisor | |
Sound Department | |||
| Bill Bridges | .... | boom operator | |
| Alek Bromke | .... | adr assistant recordist | |
| Zane D. Bruce | .... | foley artist (as Zane Bruce) | |
| Kevin Patrick Burns | .... | sound re-recording mixer (as Kevin Burns) | |
| Robert Deschaine | .... | adr mixer (as Bob Deschaine) | |
| Mark Harris | .... | sound re-recordist | |
| Ao Loo | .... | sound recordist | |
| Todd Orr | .... | sound re-recording mixer | |
| Tom Perry | .... | sound re-recording mixer | |
| Christopher B. Reeves | .... | dialogue editor (as Chris Reeves) | |
| Brian Risner | .... | sound effects editor | |
| Brian Ruberg | .... | foley mixer | |
| Joseph T. Sabella | .... | foley artist (as Joe Sabella) | |
| Marty Stein | .... | dialogue editor | |
| Richard Taylor | .... | supervising sound editor | |
| Tami Treadwell | .... | adr recordist | |
| Daniel Tripoli | .... | dialog & adr editor | |
| Trevor Ward | .... | stereo sound consultant: Dolby | |
Special Effects by | |||
| Tim Barraball | .... | special effects key | |
| Michael Kavanagh | .... | special effects coordinator | |
| Ray McMillan | .... | front projection | |
| Skyler Wilson | .... | special effects key | |
| Derek Liscoumb | .... | special effects technician (uncredited) | |
Stunts | |||
| Wayne Downer | .... | stunts | |
| Errol Gee | .... | stunts | |
| Curtis Hibbert | .... | stunts | |
| Brayden Jones | .... | stunts | |
| Chris Lamon | .... | stunts | |
| Daryl Patchett | .... | stunt rigger | |
| Ken Quinn | .... | stunt coordinator | |
| David Stinson | .... | stunts | |
| Ron Van Hart | .... | stunts | |
| Dave Van Zeyl | .... | stunts | |
Camera and Electrical Department | |||
| Erik Berger | .... | key grip | |
| Scott Craven | .... | electrician | |
| Tara Dixit | .... | camera trainee | |
| Marni Grossman | .... | still photographer | |
| Paul Howden | .... | best boy grip | |
| Reni Hoz | .... | first assistant camera | |
| Murray Mainprize | .... | generator operator | |
| Beth Nobes | .... | second assistant camera | |
| David Owen | .... | gaffer | |
| Nelson Peixoto | .... | electrician | |
| Peter Sarmento | .... | electrician (as Pete Sarmento) | |
| Carl Savage | .... | dolly grip | |
| Jack Studzienny | .... | grip | |
| Allyn Terry | .... | electrician | |
| Scott Tremblay | .... | electrician | |
| Jeff Wachsmann | .... | grip | |
| Kit Whitmore | .... | camera operator | |
| Mark Willis | .... | camera operator | |
Casting Department | |||
| Andrea Kool | .... | casting assistant | |
| Eleanor Lavender | .... | extras casting | |
Costume and Wardrobe Department | |||
| Bev Ball | .... | assistant costume designer | |
| Andrea Jenkins | .... | wardrobe assistant | |
Editorial Department | |||
| Adam Clark | .... | color timer | |
| Chris Dover | .... | colorist | |
| Jamie Kirkpatrick | .... | assistant editor | |
| Roger La Prairie | .... | video colorist | |
| Tracy Lefler | .... | video post-production coordinator | |
| Renay McGowan | .... | post-production coordinator | |
| Robert C. Rodriguez | .... | post-production coordinator | |
| Hassan Smith | .... | post-production assistant | |
Music Department | |||
| Susan Pilcher | .... | music coordinator | |
Transportation Department | |||
| Don Chan | .... | transportation captain | |
| Al MacNeil | .... | transportation coordinator | |
| Jerome McCann | .... | transportation supervisor | |
| Erwin Roithmeier | .... | picture vehicle coordinator | |
| Rick Selmanovic | .... | driver: Henry Czerny | |
| Glen Weller | .... | transportation captain | |
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| The Exorcist | The Omen | The Order | Amityville II: The Possession | The Omen |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
Well-made television movie(made for Showtime)that tells the true story(so we are told) of the only modern American Exorcism rite performed by the Roman Catholic Church. This film is compelling in its nature as it draws the viewer in to see a priest battle with his own private demons only to fight with the real thing squatting in the body of a young boy named Robbie. The film is beautifully shot and possesses some wonderfully creepy scenes that enhance the mood of tension and foreboding. The acting is the best thing, however, as Timothy Dalton never acted better. He is so very convincing in the role of the priest with a tough exterior and a head full of painful memories from World War II. The young actor playing Robbie is very gifted and convincing too. Christopher Plummer adds a nice small role as an archbishop more concerned with publicity and image than healing and souls. The film has much going for it. Good story, artful direction, excellent acting, and some fine philosophical points of contention to gnaw on a bit. Is it better than The Exorcist? Yes and no. It does not carry the impact of that film, nor does it in anyway contain the shocking scenes that film employed. No crucifix masterbation here, etc.. In fact no one dies in this film. What it lacks in scares is really a better sense of what an exorcism is and what the rite actually meant. Interesting to me but perhaps not to all. So if you want some intelligent horror...look no further. Watch The Exorcist again too...another great film in its own way.