Two women embark on a road trip after they are brought together by circumstance. Rebecca (Portman) flees her hotel after a fight with her mother-in-law (Maura) and hails a taxi driven by Hanna (Lazlo).
In Tel Aviv, people prepare food, eat, make love, get pregnant, and die. Can one find peace in this life, asks one character at a wake; can there be an act of freedom in this modern life, ... See full summary »
Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life... See full summary »
A 24 hour period in the lives of Fausto and Jesus, two undocumented Mexican day-laborers in L.A. Each day another task, each day the same pressure to find money. They go about their daily ... See full summary »
Jesus Moises Rodriguez,
The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the ... See full summary »
Zoé decides to hit the road to approach a writer she admires. She believes that a road trip might give purpose to her life. On the way, she meets Adrien, a young comedian. Intrigued by her elusive personality, he decides to follow her.
Amélie van Elmbt
Alice de Lencquesaing,
In 1980 the black Falashas in Ethiopia are recognised as genuine Jews. In turn they are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his ... See full summary »
The year 2000 approaches in Jerusalem's Orthodox Mea Shearim quarter, where the women work, keep house, and have children so the men can study the Torah and the Talmud. Rivka is happily and passionately married to Meir, but they remain childless. The yeshiva's rabbi, who is Meir's father, wants Meir to divorce Rivka: "a barren woman is no woman." Rivka's sister, Malka, is in love with Yakov, a Jew shunned by the yeshiva as too secular. The rabbi arranges Malka's marriage to Yossef, whose agitation when fulfilling religious duties approaches the grotesque. Can the sisters sort out their hearts' desires within this patriarchal world? If not, have they any other options? Written by
The film is a gross misrepresentation of Orthodox lifestyle and practice. NEVER will a Jewish court enforce a divorce between childless couples. Although the concept exists in Jewish law, the conditions are too numerous for it to actually ever take place. Childless couples do find it difficult to cope with their childlessness in a community where children are a very important part of life, but nowhere are they "rejected" by their community as depicted in the film. They are treated with extreme sensitivity. In fact, many great Rabbis have lived their entire lives without children and never considered divorce.
The depiction of Yosef, a horrible human being, is meant to - perhaps subconsciously - show the behavior of a typical orthodox male. In reality, it is as typical as a violent drunkard rapist is typical of secular society. Both exist in their own worlds and both are despicable.
It is surprising that so many people form their opinions about a society based on a MOVIE (by someone who is personally biased against a community). I have always thought that it is only the Orthodox, because of their narrow-mindedness and insular lifestyle, who judge all secular people based on the violence and immoral conduct they read about in newspapers or see in the movies.
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