Wed, Feb 13, 1974
With fierce originality, this powerful adaptation of the Sophocles tragedy presents a world of honor, treachery and fateful consequences. Acclaimed actress Genevieve Bujold skillfully combines elements of zealotry and idealism in her affecting portrait of Antigone. Jean Anouilh's retelling of "Antigone" stages the inescapably wrenching central confrontation between Antigone and Creon by presenting Bujold and Fritz Weaver seated at a long, executive-suite table--a hallmark of Anouilh's play. The New York Times critic, John J. O'Connor, lauded this "Antigone" as "well acted, well directed and beautifully staged."
Wed, Feb 20, 1974
King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.
Thu, Jul 17, 1975
On a Connecticut farm, James Mayo's two sons both love Ruth Atkins. Robert, the younger son, is sickly and dreams of escaping to a romantic life somewhere "beyond the horizon." Andy is hard-working and steadfast and loves his brother deeply. When Ruth reveals that she loves Robert and not, as everyone believed, Andy, Robert's plans to go to sea with his uncle are disrupted. He decides to stay at home and marry Ruth, while Andy, unwilling to remain close at hand as his brother marries the girl he loves, takes Robert's place on the voyage. This turn of events leads to heartache and tragedy for everyone involved.
Mon, Nov 24, 1980
Most mid-19th-century Mississippi River boys dreamed of occupying that pinnacle of power and glamour, the pilot house of a riverboat. In a riot of local color, this film tells how, unlike many, Sam's dream comes true. A callow teenager, he talks the tough but consummate Horace Bixby into making him his apprentice on the "Paul Jones," eventually following him to the much finer "Aleck Scott." Meanwhile, he is already spinning fantastic yarns to everyone from awe-struck lads ashore, to fellow "cub pilots", to young lady passengers who catch his eye. Things temporarily take a turn for the worse when Bixby must attend a meeting and leave Sam to work under Brown, a dour tyrant with a grudge against him.
Mon, Nov 16, 1981
Noted American author Edith Wharton, in her later years, returns home and reminisces about her life. This was part of a PBS Great Performances trilogy, which also included dramatizations of her novels "Summer" (starring Diane Lane and John Cullum) and "The House of Mirth" (starring Geraldine Chaplin).
Fri, May 24, 1985
Tom Bosley hosts a tribute to the American musical theater taped before a live audience featuring dozens of stars recreating their original performances. Among the show-stoppers are Chita Rivera's Spanish Rose dance in "Bye, Bye, Bireie," Ray Walston as the Devil in "Damn Yankees," Nell Carter singing the Fats Waller classic "Cash for Trash" from "Ain't Misbehavin," Glynis Johns with "Send in the Clowns" from "A Little Night Music," Barry Bostwick from "Grease," and many more.
Fri, Mar 7, 1986
The life and work of the great composer Irving Berlin, tracking his work against the history of 20th century America, its ups and downs, in war and peace, progress and sentiments. Interviews with many of the people who worked with him and knew him best. And appearances in many film and television excerpts of the leading performance artists of our time, including Fanny Brice, Eddie Cantor, Al Jolson, Harry Richman, Rudy Vallee, Fred Astaire, Kate Smith, Jack Benny, John Raitt, Betty Hutton, Ethel Merman, Willie Nelson, Diana Ross, Linda Ronstadt and many others.
Fri, Oct 17, 1986
A documentary on the music of Miles Davis which contains concert footage from the1986 New Orleans Jazz Festival and interviews with Miles Davis, Bill Cosby, Keith Jarrett, Dizzy Gillespie, Gil Evans, George Benson, Wayne Shorter, Tony Williams and Robben Lee Ford. Music includes "Human Nature", "Al Jarreau, "Blues for Pablo", "Human Nature", "So What" and "Time After Time."
Fri, Nov 3, 1989
This classic American play, performed on an almost-bare stage, is about the mundane but rather pleasant lives of the Gibbs family, the Webb family, and their neighbors in Grover's Corners, New Hampshire, early in the 20th century. Act 1 presents an ordinary day in the life of the town. Act 2 carries the story forward with the courtship and marriage of George Gibbs and Emily Webb. Act 3 makes everything that has gone before seem pointless, but at the same time, ironically, it validates the earlier scenes. Emily has died while giving birth to her second child. During and after her funeral, she converses with other dead persons in the cemetery. She then gets permission to return briefly to life but finds it's not what she thought it would be. It goes too fast, and people don't have time to look at one another. "This is the way we were: in our growing up and in our marrying and in our living and in our dying." That's how the Stage Manager, an all-knowing character who serves as the narrator, sums up the play at one point. The Stage Manager knows that Our Town is about a lot more than one particular place at one particular time, and the audience soon begins to sense the mythological dimensions of Our Town.