The late-40s to the early/mid-50s Casper the Friendly Ghost cartoons had a higher budget and overall the overall quality was much better. Onwards, the quality did diminish quite significantly though the overall cartoons varied, some decent, many mediocre.
Famous Studios' cartoons are not for all tastes, but my opinion is that their early stuff and some of the early 50s output are good. While they were very formulaic they were always well animated and voiced with some funny parts, some poignancy and decent characters and their regular composer Winston Sharples could always be relied on to write a great and often outstanding score.
Admittedly though, by the mid-50s through to the late-60s Famous Studios' cartoons did get repetitive. While Sharples' music still shone and the voice actors did their best the animation suffered due to lower budgets and tighter deadlines, the humour became more tired and slow in timing than sharp and funny, the stories became increasingly predictable and rehashed and some characters started losing their initial spark, this is particularly true of most of the later Herman and Katnip cartoons.
'Puss n Boos' is much better than the previous two Casper the Friendly Ghost cartoons 'Casper Genie' (where saw a decline in animation quality) and 'Zero the Hero'.
Best thing about 'Puss n Boos' is the music score. Starting to experiment more with a more mellow horn and string sound, Winston Sharples' music score here is typically merry and whimsical, it's beautifully orchestrated, energetic and adds so much to the mood, his music has always been one of the best assets of the Famous Studios cartoons and it's not an exception here. In fact how it's composed and how it meshes so well with everything going on in the animation, story and action contributes to it being the best thing about the cartoon.
And who can't help love those adorable kittens? Also love Casper's love and kindness and friendship, while there are a couple of amusing moments ("psycowatrist" has just been made my word of the day), in fact the whole sequence with the cow is fun, and this is one of few 50s Casper cartoons to be cute without being too twee. Voice acting, although dialogue is reasonably minimal, is dependable.
Where 'Puss n Boos' isn't so good is the animation, which has been much better before. 'Casper Genie' saw a significant decline in quality as a result of lower budget and tighter time constraints, which unfortunately 'Puss n Boos' continues. Some of the colours are vibrant, but the backgrounds and drawings have lost their meticulousness and instead look hastily drawn and scrappy.
It's a pretty predictable cartoon too, not as repetitive as most Casper cartoons but no surprises, and while the dialogue is minimal there is nothing memorable about it and it's not particularly good either being too sugary.
Overall, nice enough, Sharples' score is outstanding and the kittens are adorable with a capital 'A' but it is a shame that the animation has taken such a nosedive. 7/10 Bethany Cox
Famous Studios' cartoons are not for all tastes, but my opinion is that their early stuff and some of the early 50s output are good. While they were very formulaic they were always well animated and voiced with some funny parts, some poignancy and decent characters and their regular composer Winston Sharples could always be relied on to write a great and often outstanding score.
Admittedly though, by the mid-50s through to the late-60s Famous Studios' cartoons did get repetitive. While Sharples' music still shone and the voice actors did their best the animation suffered due to lower budgets and tighter deadlines, the humour became more tired and slow in timing than sharp and funny, the stories became increasingly predictable and rehashed and some characters started losing their initial spark, this is particularly true of most of the later Herman and Katnip cartoons.
'Puss n Boos' is much better than the previous two Casper the Friendly Ghost cartoons 'Casper Genie' (where saw a decline in animation quality) and 'Zero the Hero'.
Best thing about 'Puss n Boos' is the music score. Starting to experiment more with a more mellow horn and string sound, Winston Sharples' music score here is typically merry and whimsical, it's beautifully orchestrated, energetic and adds so much to the mood, his music has always been one of the best assets of the Famous Studios cartoons and it's not an exception here. In fact how it's composed and how it meshes so well with everything going on in the animation, story and action contributes to it being the best thing about the cartoon.
And who can't help love those adorable kittens? Also love Casper's love and kindness and friendship, while there are a couple of amusing moments ("psycowatrist" has just been made my word of the day), in fact the whole sequence with the cow is fun, and this is one of few 50s Casper cartoons to be cute without being too twee. Voice acting, although dialogue is reasonably minimal, is dependable.
Where 'Puss n Boos' isn't so good is the animation, which has been much better before. 'Casper Genie' saw a significant decline in quality as a result of lower budget and tighter time constraints, which unfortunately 'Puss n Boos' continues. Some of the colours are vibrant, but the backgrounds and drawings have lost their meticulousness and instead look hastily drawn and scrappy.
It's a pretty predictable cartoon too, not as repetitive as most Casper cartoons but no surprises, and while the dialogue is minimal there is nothing memorable about it and it's not particularly good either being too sugary.
Overall, nice enough, Sharples' score is outstanding and the kittens are adorable with a capital 'A' but it is a shame that the animation has taken such a nosedive. 7/10 Bethany Cox
