5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
Captain Picard and his crew pursue the Borg back in time to stop them from preventing Earth's first contact with an alien species. They also make sure that Zefram Cochrane makes his famous maiden flight at warp speed.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
In the distant future high school kids are encouraged to become citizens by joining the military. What they don't know is that they'll soon be engaged in a full scale war against a planet of alien insects. The fight is on to ensure the safety of humanity. Written by
Christopher Van Pelt
This movie, along with RoboCop (1987), Basic Instinct (1992), Showgirls (1995) and Hollow Man (2000) is one of five separate movie franchises in which the first movie of their respected series (directed by Paul Verhoeven) were successful, but their respected sequels (not directed by Verhoeven) all either bombed at the box office or were released 'Direct-to-DVD'. See more »
Several references are made to the M.I. being Marines, yet there are several uses of Army and Naval directive within the M.I. This is due to the fact the the M.I. is the result of all of the ground-based military units becoming 'one' after the afore-mentioned fall of democracy. The M.I. would use the best parts of the 3 branches to make up the 'Federation Mobile Infantry.' See more »
Young people from all over the globe are joining up to fight for the future.
I'm doing my part.
I'm doing my part.
I'm doing my part.
Young kid dressed up as a soldier:
I'm doing my part too.
They're doing their part. Are you? Join the Mobile Infantry and save the world. Service guarantees citizenship.
See more »
I love the way Verhoeven approached the idea of Man v Beast. Our "heros" are beautiful, white-teethed Americans, firm of body and morals; our villains are decapitating stick insects, cockroaches, and giant maggots.
Yet who are the real heroes ?
The white-teethed Americans are vacuous, shallow thugs. They are thrust into a war with the Bugs, whose planets, we are told, have been invaded by the Americans. The Bugs are justifiably annoyed.
I couldn't help but laugh at some of the "Nazi" parallels drawn by other reviewers. What Verhoeven is putting across in this film is not a polemic against Nazi ideology, but an attack upon American Imperialism in the latter part of the last century. He is satirising American crusades against other countries, whose inhabitants are portrayed in the American press as no better than Bugs.
Had Verhoeven wished to attack Nazism, he could have given the good guys German accents; he didn't, he gave them American accents. The "Nazi" symbolism as commented upon by other reviewers is not Nazi symbolism at all
it is totalitarian symbolism, full stop. It is right-wing, "bomb them back
to the stone age" American totalitarianism.
Why do I believe this ?
Check out the scene where American kids are encouraged to stamp on cockroaches by an overly excited parent. Check out the high fives.
Verhoeven has done a mighty job here. He has made a film which has great action, great cinematography, very cute women (and boys) and yet the film still manages to take the mickey out of the New Order in a very funny and effective manner.
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