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Directed by | |||
| George Armitage | |||
Writing credits(WGA) | ||
| Tom Jankiewicz | (story) | |
| Tom Jankiewicz | (screenplay) and | |
| D.V. DeVincentis | (screenplay) & | |
| Steve Pink | (screenplay) & | |
| John Cusack | (screenplay) | |
Produced by | |||
| Brent Armitage | .... | associate producer | |
| Susan Arnold | .... | producer | |
| Roger Birnbaum | .... | producer | |
| John Cusack | .... | co-producer | |
| Jonathan Glickman | .... | executive producer | |
| Steve Pink | .... | co-producer | |
| Donna Roth | .... | producer (as Donna Arkoff Roth) | |
| Jackie Rubin | .... | associate producer | |
| Lata Ryan | .... | executive producer | |
Cinematography by | |||
| Jamie Anderson | (director of photography) | ||
Film Editing by | |||
| Brian Berdan | |||
Casting by | |||
| Junie Lowry-Johnson | (as Junie Lowry Johnson) | ||
| Ron Surma | |||
Production Design by | |||
| Stephen Altman | |||
Art Direction by | |||
| Scott Meehan | |||
Set Decoration by | |||
| Chris L. Spellman | (as Chris Spellman) | ||
Costume Design by | |||
| Eugenie Bafaloukos | |||
Makeup Department | |||
| Colleen Callaghan | .... | hair stylist | |
| Todd Masterson | .... | prosthetic makeup effects designer | |
| Cindy J. Williams | .... | makeup artist (as Cindy Jane Williams) | |
Production Management | |||
| Steven Brown | .... | unit production manager | |
| Pat Rand | .... | post-production manager: Caravan Pictures | |
Art Department | |||
| Matthew R. Altman | .... | on-set dresser (as Matthew Altman) | |
| Aneikit Bonnel | .... | art department coordinator | |
| Anthony Maccario | .... | property master | |
| Michael Reinhart | .... | construction coordinator | |
| Tim Snowber | .... | leadman | |
| R. Lucas Stewart | .... | construction foreman | |
| Thomas R. Wagner | .... | assistant property master (as Thomas Geraci-Wagner) | |
| Cliff Carothers | .... | general foreman construction (uncredited) | |
| Bryan Corbett | .... | foreman (uncredited) | |
| Beth Emerson | .... | set dresser (uncredited) | |
| Ted Haigh | .... | assistant art director (uncredited) | |
| Timothy O'Brien | .... | carpenter (uncredited) | |
| Fred O'Connor | .... | propmaker (uncredited) | |
| Tim Park | .... | set dresser (uncredited) | |
| Fred Seibly | .... | sign supervisor (uncredited) | |
Special Effects by | |||
| Paul Hickerson | .... | special effects foreman | |
| Ron Trost | .... | special effects coordinator | |
Visual Effects by | |||
| Steven Davis | .... | computer graphics (as Steve Davis) | |
| John C. Bush | .... | computer graphic artist (uncredited) | |
| Michael Curtis | .... | digital trailer effects (uncredited) | |
Stunts | |||
| Jeff Brockton | .... | stunts | |
| William H. Burton Jr. | .... | stunts (as William Burton Jr.) | |
| Jeffrey J. Dashnaw | .... | stunts (as Jeff Dashnaw) | |
| Lisa Dempsey | .... | stunts | |
| Eddy Donno | .... | stunts | |
| Richard M. Ellis | .... | stunts (as Richard Ellis) | |
| Tom Harper | .... | stunts | |
| Greg Harris | .... | stunts | |
| Billy Hank Hooker | .... | stunts (as William H. Hooker) | |
| Buddy Joe Hooker | .... | stunt coordinator | |
| Kevin L. Jackson | .... | stunts (as Kevin Jackson) | |
| Anthony Kleeman | .... | stunts | |
| Stacy Logan | .... | stunts | |
| Ronnie Rondell Jr. | .... | stunts (as Ronnie Rondell) | |
| David Welch | .... | stunts | |
| David Barrett | .... | stunts (uncredited) | |
| Christian J. Fletcher | .... | stunts (uncredited) | |
| Bill H. Schwocho | .... | stunt double (uncredited) | |
| Benny Urquidez | .... | fight coordinator (uncredited) | |
Camera and Electrical Department | |||
| Michael J. Bailey | .... | best boy electric (as Michael Bailey) | |
| Greg Banta | .... | electrician | |
| Ken Berkhout | .... | electrician | |
| Randy Berrett | .... | grip | |
| Tom Campau | .... | camera operator: second unit | |
| Billy Clevenger | .... | first assistant camera | |
| James D. Doherty | .... | best boy grip (as James Doherty) | |
| Daniel Duggan | .... | grip (as Danny Duggan) | |
| Jimmy Ferguson | .... | loader | |
| Jay Galbo | .... | electrician | |
| Carlos M. Gallardo | .... | dolly grip (as Carlos 'Coco' Gallardo) | |
| Melinda Sue Gordon | .... | still photographer | |
| Conrad W. Hall | .... | camera operator | |
| Suzanne Hanover | .... | still photographer | |
| John Haskell | .... | electrician | |
| John Layne | .... | electrician | |
| Ted Lewis | .... | grip | |
| Karl Linde | .... | second assistant camera | |
| Robert W. Morgenroth | .... | video supervisor (as Robert Morgenroth) | |
| David Morton | .... | gaffer (as Dave Morton) | |
| Peter Wagner | .... | key grip | |
| Jay M. Huntoon | .... | video assist operator (uncredited) | |
| David Katz | .... | video assist operator (uncredited) | |
Casting Department | |||
| Justine Baddeley | .... | casting assistant | |
| Libby Goldstein | .... | casting assistant | |
| Kathy Mooney | .... | extras casting (as Kathy Mooney-Ellis) | |
| Dixie Webster | .... | extras casting (as Dixie Webster-Davis) | |
Costume and Wardrobe Department | |||
| Adrienne Childers | .... | costumer | |
| Maurice Palinski | .... | costumer | |
| Scheris Shephard | .... | costumer | |
| Barcie Waite | .... | costume supervisor | |
Editorial Department | |||
| Joanne Abrams | .... | post-production associate | |
| Marisa Johnston | .... | post-production coordinator: Caravan Pictures | |
| Gloria Kaiser | .... | color timer | |
| Blake Maniquis | .... | first assistant editor | |
| Alan Z. McCurdy | .... | second assistant editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Blake Danforth | .... | assistant editor (uncredited) | |
Music Department | |||
| Bob Badami | .... | music consultant | |
| Brian Carrigan | .... | score consultant | |
| D.V. DeVincentis | .... | music consultant | |
| Chris Douridas | .... | music consultant | |
| Parker Logan | .... | assistant music editor | |
| Jill Meyers | .... | music clearance | |
| Kathy Nelson | .... | music supervisor | |
| Angie Rubin | .... | music editor | |
| Sharlotte Blake | .... | soundtrack executive producer: London Records (uncredited) | |
| Bryan Carrigan | .... | music programmer (uncredited) | |
| Bryan Carrigan | .... | music scoring mixer (uncredited) | |
| Elvis Costello | .... | song producer (uncredited) | |
| Michael Fey | .... | music executive (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
I love this film! Starring John Cusack, England's patriotically-named Minnie Driver, plus Dan Ackroyd, Alan Arkin & Joan Cusack, Grosse Pointe Blank' is funny, clever, action-packed & has a great eighties soundtrack.
John Cusack - as the film's protagonist Martin Blank - is superb, & virtually carries the whole movie. He plays an assassin who started out working for the U.S. Government but has now gone freelance, having managed to rationalise his cold-blooded killing. He is an amoral, sharp, ruthless killer, but also vulnerably human, neurotic, conscience-ridden, tender & romantic. Despite these ostensibly impossible personality contradictions, you never once question that his character is real, you can't help but like the guy, & never stop hoping that things work out for him. Pulling this off is a remarkable achievement & Cusack does it brilliantly.
He reluctantly accepts a commission that takes him back to his hometown, Grosse Pointe, coincidentally at exactly the same time as his old High School reunion. While there he visits his childhood sweetheart, local DJ Debi (Driver), for the first time in 10 years when in a fit of madness he had ditched her on their prom night to run off & join the army. As neither she nor anyone else had heard anything from him since then, her feelings about this are understandably rather mixed!
Blank visits his institutionalised Mum & the family home, which to his great distress is now an Ultimart', & eventually convinces Debi to go with him to the reunion. His reacquaintances with his former schoolmates are very funny & even quite touching, & are sure to strike a chord with anyone who's ever been to one of those things.
Meanwhile various other assassins, chief of which is Blank's rival Grocer (Ackroyd brilliant as ever) are out to kill him. Their reasons are many & varied mainly involving an Assassin's union', secret Government operations & a dead dog (yes, really!). As you can probably guess, these are not the sort of things that are conducive to a successful High School reunion, & mayhem ensues.
Grosse Pointe Blank' is extremely funny, full of deadpan, twisted humour - mainly from Cusack, but ably supported by Ackroyd & Arkin. I particularly liked the running gag of Blank's response to the inevitable "what do you do for a living?" question: a completely matter-of-fact "professional killer", which of course not one person takes seriously. I also loved the hilariously neurotic exchanges between Blank & his hounded shrink (Arkin), who ends every conversation with "Don't kill anyone!" There's also a lovely little story involving a pen...
The film is also a great action flick - it has some brilliantly choreographed & executed gunfight & hand-to-hand fight sequences in fact some of the best I've ever seen. Cusack looks, or at least is made to look, like a pretty decent athlete himself. The finale is a real tour-de-force, & for me sums up the movie itself: a great gunfight, clever & hilariously funny.
This film is wonderful from start to finish if you haven't done so already, see it now!