| Matthew Settle | ... | Tommy Shaughnessy | |
| Linda Kozlowski | ... | Marla | |
| Tom Bower | ... | Marshall | |
| Sarah Paulson | |||
| Michael Jai White | ... | Carpenter | |
| Tim Grimm | |||
| John Carroll Lynch | |||
| John Hawkes | |||
| Bo Hopkins | ... | Rip Bartlett | |
| O'Neal Compton | |||
| Cari Shayne | ... | Megan | |
| Daragh O'Malley | |||
| Stuart Whitman | |||
| Norman D. Golden II | |||
| Michael Ray Wisely | ... | Dandy Drako | |
| Robert Elross | ... | Homer | |
| Velina Brown | ... | Mother | |
| Nina Marie Boston | ... | Pearl | |
| Christopher Shaw | ... | Danny | |
| Shawn Cady | ... | Sunshine girl | |
| Adam Hervey | ... | Oliver Tait | |
| Marcy Goodnow Swift | ... | Sudie Boudreau | |
| Dwight Hicks | ... | Man at Funeral | |
| Sherri Young | ... | Woman at Funeral | |
| Robert Ernst | ... | Doctor | |
| Brad Bovee | ... | Billy O'Hara (as Bradley J. Bovee) | |
| Phil Culotta | ... | Boxer #1 | |
| Daniel W. Barringer | ... | Boxer #2 (as Dan Barringer) | |
| Don William Owen | ... | Donner | |
| Gene LeBell | ... | NYC bouncer | |
| Troy Bishop | ... | Mickey | |
| Paul Ennis | ... | Baggage Man #1 (as Paul T. Ennis) | |
| Larry Holt | ... | Baggage Man #2 | |
| Bill McIntosh | ... | Fireman | |
| Ernie | ... | Madison |
Directed by | |||
| Michael Ray Rhodes | (as Michael Rhodes) | ||
Writing credits | ||
| Louis L'Amour | (novel "The Iron Marshal") | |
| William Blinn | (teleplay) | |
Produced by | |||
| William Blinn | .... | executive producer | |
| Bernadette Caulfield | .... | producer | |
| Joel Fields | .... | executive producer | |
| Ardythe Goergens | .... | producer | |
| Leonard Hill | .... | executive producer | |
| Beau L'Amour | .... | producer | |
| Verne Nobles | .... | producer | |
| Susan Rosner | .... | associate producer | |
Original Music by | |||
| Joseph Conlan | |||
Cinematography by | |||
| Mike Fash | (director of photography) (as Michael Fash) | ||
Film Editing by | |||
| Geoffrey Rowland | |||
Casting by | |||
| Molly Lopata | |||
Production Design by | |||
| Jonathan A. Carlson | (as Jonathan Carlson) | ||
Art Direction by | |||
| John Zachary | (as John Roberts Zachary) | ||
Set Decoration by | |||
| Jason Howard | |||
Costume Design by | |||
| Richard La Motte | (as Richard E. Lamotte) | ||
Makeup Department | |||
| Ann Montesanto | .... | key makeup artist | |
| Cheri Montesanto-Medcalf | .... | key hair stylist | |
Production Management | |||
| Bernadette Caulfield | .... | unit production manager (as Bernie Caulfield) | |
Second Unit Director or Assistant Director | |||
| Mark Hansson | .... | second assistant director | |
| Rean C. Luttrell | .... | second second assistant director | |
| Steven Tramz | .... | first assistant director | |
Art Department | |||
| Kelly Farrah | .... | property master (as Kelly G. Farrah) | |
Sound Department | |||
| Robert Janiger | .... | sound mixer | |
| Tim Philben | .... | sound re-recording mixer | |
| Melissa Sherwood Hofmann | .... | sound re-recording mixer (as Melissa Hofmann) | |
| Tom Caton | .... | boom operator (uncredited) | |
| Rick Hinson | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Michael Lambert | .... | special effects (as Michael F. Lambert) | |
Visual Effects by | |||
| Jeff Burks | .... | visual effects (as Jeffrey Burks) | |
| Mark Galvin | .... | visual effects (as Mark M. Galvin) | |
Stunts | |||
| Michael Adams | .... | stunt coordinator | |
| John Robotham | .... | stunt double: Drako | |
| Mike Watson | .... | stunt double: Shaughnessy | |
Camera and Electrical Department | |||
| Stan Kozma | .... | gaffer (as Stanley Kozma) | |
| Michael J. Latino | .... | first assistant camera (as Michael Latino) | |
| Andrew M. Parks III | .... | key grip | |
| Gregory W. Smith | .... | Steadicam operator (as Gregory Smith) | |
Casting Department | |||
| Carissa Blix | .... | location casting | |
| Jennifer Thurman | .... | atmosphere casting | |
Editorial Department | |||
| Kristopher Lease | .... | assistant editor | |
Music Department | |||
| Suzanne Marie Eller | .... | music editor | |
Transportation Department | |||
| Geno Hart | .... | transportation coordinator | |
| Ken Plumlee | .... | transportation captain | |
| Tony Barattini | .... | driver (uncredited) | |
| John Pellegrino | .... | driver (uncredited) | |
Other crew | |||
| Sheralyn Austin-Gagne | .... | executive assistant (as Sheree Austin-Gagne) | |
| Lori Bradbard | .... | executive assistant (as Lori B. Bradbard) | |
| Jennifer Cobb | .... | production associate | |
| Linda Ferrero | .... | production associate | |
| Jeffrey J. Kiehlbauch | .... | production coordinator | |
| Nancy McMillan | .... | dog trainer | |
| Wentworth Miller | .... | production associate | |
| Debbie-Lynn Siegel | .... | production associate (as Debra Lynn Siegel) | |
| Gordon A. Spencer | .... | wrangler boss | |
| Rebecca Swanson | .... | executive assistant | |
| Timothy Winteringham | .... | production associate | |
| Nancy A. Terriberry | .... | assistant coordinator (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| was this a t.v. series pitch?? | celticrdruid |
| Shaughnessy (1996) | lwatt-3 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
Although in the short description of the movie it says Shaughnessy becomes a sheriff in a small town, he actually became a town marshall. Trivial, yes.
I watched the movie on Encore, mainly because I like westerns, having been born and raised in the west. I can even ride a horse, or at least I used to. But I digress.
It was obviously made for TV, as the breaks were quite obvious (Encore showed it without breaks). The notion of the outsider (in this case an Irish lad in the 19th century) going west for one reason or another has become somewhat of a cliché, but if the writing and acting are good you can ignore this. I thought it was definitely an OK movie, although I probably wouldn't have gone to see it in a theatre. On the other hand, there are a lot of worse movies being made even at this time.
The movie was certainly meant to be followed by a sequel (please pardon the redundancy) and I can only wonder if one was made. I would certainly watch it if there is one.
Please pardon the format, but this is the first review I've written in a long long time.
Submitted for your approval (please forgive me, Rod Serling),
Albert Hernhuter