| Photos (See all 10 | slideshow) | Videos (see all 2) |
| Kôji Yakusho | ... | Shohei Sugiyama | |
| Tamiyo Kusakari | ... | Mai Kishikawa | |
| Naoto Takenaka | ... | Tomio Aoki | |
| Eri Watanabe | ... | Toyoko Takahashi (as Eriko Watanabe) | |
| Yu Tokui | ... | Tokichi Hattori | |
| Hiromasa Taguchi | ... | Masahiro Tanaka | |
| Reiko Kusamura | ... | Tamako Tamura | |
| Hideko Hara | ... | Masako Sugiyama | |
| Hiroshi Miyasaka | ... | Macho | |
| Kunihiko Ida | ... | Teiji Kaneko | |
| Amie Toujou | ... | Hisako Honda | |
| Ayano Nakamura | ... | Chikage Sugiyama | |
| Katsunari Mineno | ... | Keiri-kachô | |
| Tomiko Ishii | ... | Haruko Haraguchi | |
| Maki Kawamura | ... | Eiko Miyoshi | |
| Takako Matsuzaka | ... | Fusako Fukube | |
| Kôichi Ueda | ... | Torakichi Kumada | |
| rest of cast listed alphabetically: | |||
| Akira Emoto | ... | Tôru Miwa | |
| Nanea Hoffman | ... | Tomodachi | |
| Robert Hoffman | ... | Tomodachi | |
| Hirotarô Honda | ... | Sayônara-Pâtî no Emu-Shî | |
| Yudai Ishiyama | ... | Giruba no Hama (Hama the Jitterbug) | |
| Maiko Itô | |||
| Kyôko Kagawa | ... | Keiko Kishikawa | |
| Goro Kataoka | ... | Burusu no Jô | |
| Angelique Midthunder | ... | Dansâ (as Angelique Roehm) | |
| Shûichirô Moriyama | ... | Ryo Kishikawa | |
| Masahiro Motoki | ... | Hiromasa Kimoto | |
| Ren Ohsugi | ... | Sugiuwa, the Floor Manager | |
| Angélique Roehm | ... | Dansâ | |
| Misa Shimizu | ... | Natsuko | |
| Hideo Tanaka | ... | Tokihiko Okada | |
| Yôko Tanaka | ... | Yôko Kishikawa | |
| Paradise Yamamoto | ... | Band Leader | |
Directed by | |||
| Masayuki Suo | |||
Writing credits(in alphabetical order) | ||
| Masayuki Suo | ||
Produced by | |||
| Yoichi Arishige | .... | associate producer | |
| Kazuhiro Igarashi | .... | producer | |
| Tetsuya Ikeda | .... | chief producer | |
| Hiroyuki Kato | .... | producer | |
| Shôji Masui | .... | producer | |
| Shigeo Minakami | .... | assistant producer | |
| Yuji Ogata | .... | producer | |
| Shigeru Ohno | .... | producer | |
| Yasuyoshi Tokuma | .... | executive producer | |
| Yasuharu Urushido | .... | producer | |
Original Music by | |||
| Yoshikazu Suo | |||
Cinematography by | |||
| Naoki Kayano | |||
Film Editing by | |||
| Jun'ichi Kikuchi | |||
Casting by | |||
| Tetsu Maeda | |||
Production Design by | |||
| Kyôko Heya | |||
Set Decoration by | |||
| Yoshihito Akatsuka | |||
Makeup Department | |||
| Mikiko Hayama | .... | makeup artist | |
Production Management | |||
| Yoshino Sasaki | .... | production manager | |
| Masamitsu Washizu | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Hideaki Satô | .... | assistant director | |
| Gen Yamakawa | .... | assistant director | |
Sound Department | |||
| Kiyoshi Yoneyama | .... | sound editor | |
| Kiyoshi Yoneyama | .... | sound mixer | |
Camera and Electrical Department | |||
| Tatsuya Osada | .... | lighting director | |
Editorial Department | |||
| Bruce Kitzmeyer | .... | conforming editor | |
Other crew | |||
| Christopher Gambale | .... | assistant to harvey weinstein | |
| Howard Smith | .... | operator: remote head | |
| Toshihisa Watai | .... | production coordinator | |
| Toshio Watari | .... | choreographer | |
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| Shall We Dance | Gone with the Wind | Take the Lead | Crazy, Stupid, Love. | The Kids Are All Right |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Japan section |
I don't like "grade inflation" but I just had to give this a 10. I can't think of anything I didn't like about it. I saw it last night and woke up today thinking about it. I'm sure that the Hollywood remake that someone told me about, with J Lo and Richard Gear, will be excellent, but this original Japanese version from 1996 was so emotional and thought-provoking for me that I am hard-pressed to think of any way that it could be improved, or its setting changed to a different culture.
A story I found worth watching, and with o fist-fight scenes or guns going off or anything of the sort! Imagine that!
All the characters seemed well-developed, ... even non-primary characters had good character-development and enjoyable acting, and the casting seemed very appropriate.
It's always hard to find a good movie-musical in our day and age, and perhaps this doesn't quite qualify (there is plenty of learning how to dance, but no singing) but I really think that Gene Kelly and others who championed a place for dance in our lives would have thought so very highly of this film and the role of dance in helping to tell a story about a middle aged man, successful with a family in Japan, looking for something... he knows not precisely what.
To the team of people in Japan who contributed to this film, thank you for creating and doing it.