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In pre-war Japan, a government censor tries to make the writer for a theater troupe alter his comedic script. As they work with and against each other, the script ends up developing in unexpected ways.
Country bumpkin Haruko only ever wanted to become a geisha, like her now-deceased mother. Initially rebuffed for lack of references, Haruko's strong accent intrigues a linguistics professor, who undertakes to coach her.
Shohei Sugiyama has attained all that he has wanted in life. But he is still depressed and unhappy. One day, he gathers up the courage to sign up for dancing lessons. He hopes they will rid his depression and help him get his life back together. Written by
Robert Krzanowski <firstname.lastname@example.org>
This film is about a man who has been too caught up with the accepted convention of success, trying to be ever upwardly mobile, working hard so that he could be proud of owning his own home. He assumes this is all there is to life until he accidentally takes up dancing, all because he wanted to get a closer look of a beautiful girl that he sees by the dance studio everyday while riding the subway on his way home.
His was infatuated with her at first, going to the dance class just to idolize her, but he eventually lets himself go and gets himself into the dancing. It eventually becomes apparent to him that there is more to life than working yourself to death. There is a set of oddball characters also learning in the studio, giving the film a lot of laughs and some sense of bonding between the dejected.
There is also revelations of various characters, including the girl he initially admired, giving some depth to them by showing their blemished past and their struggle to overcome it.
The dancing was also engaging, with the big competition at the end, but it is not the usual story where our underdog come out at the top by winning it. Instead, there are downfalls, revelations and redemption.
All these makes it a moving and fun film to watch.
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