| Photos (See all 20 | slideshow) |
Directed by | |||
| John Carpenter | |||
Writing credits(WGA) | ||
| Michael De Luca | (written by) | |
Produced by | |||
| Michael De Luca | .... | executive producer | |
| Sandy King | .... | producer | |
| Artist W. Robinson | .... | associate producer (as Artist Robinson) | |
Original Music by | |||
| John Carpenter | |||
| Jim Lang | |||
Cinematography by | |||
| Gary B. Kibbe | (director of photography) | ||
Film Editing by | |||
| Edward A. Warschilka | |||
Production Design by | |||
| Jeff Ginn | (as Jeff Steven Ginn) | ||
Art Direction by | |||
| Peter Grundy | |||
Set Decoration by | |||
| Elinor Rose Galbraith | |||
Costume Design by | |||
| Robin Michel Bush | |||
Makeup Department | |||
| Howard Berger | .... | special makeup effects | |
| James D. Brown | .... | hair stylist | |
| Robert Kurtzman | .... | special makeup effects | |
| Donald Mowat | .... | makeup artist (as Donald J. Mowat) | |
| Gregory Nicotero | .... | special makeup effects | |
| Sean Sansom | .... | special makeup effects artist | |
| David P. Barton | .... | dental prosthetics (uncredited) | |
| Rob Hinderstein | .... | makeup artist (uncredited) | |
| Colin Penman | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Adrianna A.J. Cohen | .... | executive in charge of production | |
| John Danylkiw | .... | unit production manager | |
| Ric Keeley | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Adam Druxman | .... | second assistant director | |
| Olly Jansen | .... | trainee assistant director | |
| Glenn MacIntosh | .... | trainee assistant director | |
| Artist W. Robinson | .... | first assistant director (as Artist Robinson) | |
| Stuart Williams | .... | second second assistant director | |
Art Department | |||
| Gordon Barnes | .... | first assistant art director | |
| Stephen Myles Berger | .... | draftsman (as Stephen M. Berger) | |
| Robert Bonney | .... | assistant carpenter | |
| Carlos Caneca | .... | set dresser | |
| Karen M. Clark | .... | second assistant art director | |
| Peter Dwyer | .... | carpenter | |
| Danielle Fleury | .... | assistant set decorator | |
| Graeme Gossage | .... | assistant props (as Graeme B. Gossage) | |
| Joe Griffith | .... | illustrator (as Joseph F. Griffith Jr.) | |
| Ron Hewitt | .... | assistant props | |
| Henry Ilola | .... | head carpenter | |
| Scott Morrison | .... | art department assistant | |
| Ian Nelmes | .... | head scenic artist | |
| Peter P. Nicolakakos | .... | lead set dresser | |
| William F. O'Brien | .... | draftsman | |
| Roberto C. Ramacciotti | .... | scenic painter | |
| Vic Rigler | .... | property master | |
| Clive Thomasson | .... | lead man | |
| Donald Vandewater | .... | construction coordinator | |
Sound Department | |||
| Ron Bartlett | .... | sound effects mixer | |
| Denis Bellingham | .... | boom operator | |
| Damon Cohoon | .... | assistant sound editor (as Damon D. Cohoon) | |
| Jeff Courtie | .... | foley mixer | |
| John Dunn | .... | supervising sound editor | |
| Stephanie Flack | .... | dialogue editor | |
| Donald Flick | .... | sound editor | |
| Galen Goodpaster | .... | first assistant sound editor | |
| Robin Harlan | .... | foley artist (as Robin Harlin) | |
| Larry Hoki | .... | sound recordist | |
| Sarah Jacobs | .... | foley artist | |
| Owen Langevin | .... | sound mixer (as Owen A. Langevin) | |
| Matthew C. May | .... | sound editor | |
| Harry B. Miller III | .... | supervising adr editor | |
| Rick Mitchell | .... | foley editor | |
| Howard Neiman | .... | dialogue editor (as Howard S.M. Neiman) | |
| Andrew Patterson | .... | adr editor | |
| Jeffrey Perkins | .... | supervising re-recording mixer | |
| Ken S. Polk | .... | sound re-recording mixer | |
| John Pospisil | .... | sound designer | |
| Robert Thirlwell | .... | sound re-recording mixer | |
Visual Effects by | |||
| Randall K. Bean | .... | film scanning operator | |
| Patricia Blau | .... | executive ICO producer | |
| Kim Bromley | .... | visual effects producer | |
| Ronn Brown | .... | CG production assistant | |
| Sean M. Casey | .... | visual effects still photographer | |
| Rob Coleman | .... | computer graphics animator | |
| Giovanni Donovan | .... | chief model maker | |
| Lisa Drostova | .... | digital paint artist | |
| Carl N. Frederick | .... | computer graphics supervisor | |
| John Gazdik | .... | motion control camera assistant | |
| Ray Gilberti | .... | motion control camera operator | |
| Michael J. Halsted | .... | visual effects production assistant | |
| Rebecca Heskes | .... | rotoscope artist | |
| Robert Hill | .... | motion control camera assistant | |
| Mark Holmes | .... | digital compositor | |
| Brad Jerrell | .... | visual effects electrician | |
| Bill Kimberlin | .... | visual effects editor | |
| Jennifer Lee | .... | optical line up: ILM | |
| James Lim | .... | optical camera operator | |
| Euan K. MacDonald | .... | computer graphics animator | |
| Jack Mongovan | .... | rotoscope artist | |
| Mark Moore | .... | visual effects art director | |
| Patrick Neary | .... | technical assistant | |
| Bruce Nicholson | .... | visual effects supervisor | |
| Lorne Peterson | .... | cloud model maker | |
| Joshua Pines | .... | film scanner supervisor | |
| Mary Serafini | .... | editor: CMX | |
| Kenneth Smith | .... | optical supervisor | |
| David Tanaka | .... | assistant editor: CMX | |
| Lisa Vaughn | .... | optical scanning coordinator | |
| Wade Howie | .... | effects animation supervisor (uncredited) | |
Stunts | |||
| Lloyd Adams | .... | stunts | |
| Randy Butcher | .... | stunts | |
| Phil Chiu | .... | stunts | |
| Shelley Cook | .... | stunts | |
| Rick Forsayeth | .... | stunts | |
| Shane Harvey | .... | stunts | |
| Jeff Imada | .... | stunt coordinator | |
| Jeff Imada | .... | stunts | |
| Danny Lima | .... | stunts | |
| Risa Litwin | .... | stunts | |
| Steve Lucescu | .... | stunts | |
| Dwayne McLean | .... | stunts | |
| Larry A. McLean | .... | stunts | |
| Rick Parker | .... | stunts | |
| Ken Quinn | .... | stunts | |
| Buck Randel | .... | stunts | |
| Alison Reid | .... | stunts | |
| Bryan Renfro | .... | stunts | |
| Paul Rutledge | .... | stunts | |
| Helen Scott | .... | stunts | |
| John Stead | .... | stunts | |
| John Stoneham Jr. | .... | stunts | |
| Robert Thomas | .... | stunts | |
| Tye Tyukodi | .... | stunts (as Anton Tyukodi) | |
| R. Ruddell Weatherwax | .... | stunts | |
Camera and Electrical Department | |||
| Kevin Alanthwaite | .... | co-gaffer | |
| Rob Conde | .... | electrician | |
| Carolyn Cox | .... | camera trainee | |
| Cesare DiGiulio | .... | rigging grip | |
| Kevan Dutchak | .... | second assistant camera | |
| Tim Evans | .... | gaffer | |
| Dave Ferguson | .... | best boy grip | |
| Michael Galbraith | .... | electrician | |
| Michael Hall | .... | first assistant camera | |
| Bob Hannah | .... | rigging gaffer | |
| Shane Harvey | .... | still photographer | |
| Delroy P. Jarrett | .... | electrician (as Delroy Jarrett) | |
| Jud Kehl | .... | camera operator | |
| Mike Kirilenko | .... | dolly grip | |
| John Scott MacDonald | .... | rigging grip | |
| Robert MacDonald | .... | first assistant camera | |
| Mark Manchester | .... | key grip | |
| Brian Montague | .... | best boy electric | |
| Richard Scaini | .... | camera trainee | |
| Ken Wyke | .... | electrician (as Kenneth Wyke) | |
| Ron Yolevsky | .... | grip | |
Casting Department | |||
| Ross Clydesdale | .... | casting: Canada | |
| Scott Mansfield | .... | extras casting | |
Costume and Wardrobe Department | |||
| Derek J. Baskerville | .... | set costumer: men | |
| Robert Lewis Bush | .... | costume supervisor: men (as Robert Bush) | |
| Cody Carpenter | .... | wardrobe production assistant | |
| Daniel Davies | .... | wardrobe production assistant | |
| Morganne Newson | .... | additional costumer (as Ann Tree Newson) | |
| Delphine White | .... | women's set costumer | |
Editorial Department | |||
| Joe Fineman | .... | executive in charge of post-production | |
| Gary Fluxgold | .... | second assistant editor | |
| Sharon McGeeney | .... | negative cutter | |
| Paul O'Driscoll | .... | color timer | |
| Richard Sellmer | .... | second assistant editor | |
| Paul C. Warschilka | .... | assistant editor | |
Transportation Department | |||
| Mike Doyle | .... | driver (as Michael Doyle) | |
| W. Doyle | .... | driver | |
| Frank Eldridge | .... | driver | |
| Lorne Frederick | .... | driver | |
| Jazz Helie | .... | driver (as Jazz G. Helie) | |
| Neil Montgomerie | .... | transportation coordinator | |
| John Muir | .... | driver | |
| Jeff Peebles | .... | driver | |
| Gerry Savoy | .... | head driver (as G. Savoy) | |
| Dave Staples | .... | driver | |
| Frank Tenaglia | .... | transportation captain | |
| Truman van Duzen | .... | driver: honeywagon | |
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| The Texas Chainsaw Massacre | Sin City | Dreamcatcher | From Hell | Tenebre |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
The efficient and skeptical freelance insurance investigator John Trent (Sam Neill) is hired by the publisher Jackson Harglow (Charlton Heston) to find where the famous writer Sutter Cane (Jürgen Prochnow) might be. After writing a series of best-sellers in the horror genre, affecting the reason and causing disorientation, memory loss and paranoia in the readers, Sutter has simply vanished near the release of his new novel, "Horror in Hobb's End". There is a mass hysteria of his anxious fans waiting for the new release, and John believes that his disappearance is a strategy of marketing. John follows his instincts and travels with Cane's editor, Linda Styles (Julie Carmen), to New Hampshire seeking for the apparently fictional town of Hobb's End. While driving along the night, Linda reaches the Hobb's End, and John discloses that Sutter Cane has unleashed a powerful evil force in the black church of the mysterious town, and his twisted imagination is changing the reality and perception of those that read his novels.
"In the Mouth of Madness" is a journey to fear through the darkness of a twisted mind of a writer. This story follows the style of "Twilight Zone" and actually shows how a writer with the support of the media is able to manipulate hearts and minds. Further, there is a certain criticism in the values and standards of the society where those who think differently or have a different behavior are outcast or even considered crazy. John Carpenter is one of my favorite directors and Sam Neil is perfect in the role of a skeptical man, used to find schemes and con everywhere, having difficulties to accept what is happening. The conclusion is very dark and without perspective to mankind. My vote is seven.
Title (Brazil): "No Limited a Loucura" ("In the Limit of Madness")