| Photos (See all 20 | slideshow) |
Directed by | |||
| John Carpenter | |||
Writing credits(WGA) | ||
| Michael De Luca | (written by) | |
Produced by | |||
| Michael De Luca | .... | executive producer | |
| Sandy King | .... | producer | |
| Artist W. Robinson | .... | associate producer (as Artist Robinson) | |
Original Music by | |||
| John Carpenter | |||
| Jim Lang | |||
Cinematography by | |||
| Gary B. Kibbe | (director of photography) | ||
Film Editing by | |||
| Edward A. Warschilka | |||
Production Design by | |||
| Jeff Ginn | (as Jeff Steven Ginn) | ||
Art Direction by | |||
| Peter Grundy | |||
Set Decoration by | |||
| Elinor Rose Galbraith | |||
Costume Design by | |||
| Robin Michel Bush | |||
Makeup Department | |||
| Howard Berger | .... | special makeup effects | |
| James D. Brown | .... | hair stylist | |
| Robert Kurtzman | .... | special makeup effects | |
| Donald Mowat | .... | makeup artist (as Donald J. Mowat) | |
| Gregory Nicotero | .... | special makeup effects | |
| Sean Sansom | .... | special makeup effects artist | |
| David P. Barton | .... | dental prosthetics (uncredited) | |
| Rob Hinderstein | .... | makeup artist (uncredited) | |
| Colin Penman | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Adrianna A.J. Cohen | .... | executive in charge of production | |
| John Danylkiw | .... | unit production manager | |
| Ric Keeley | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Adam Druxman | .... | second assistant director | |
| Olly Jansen | .... | trainee assistant director | |
| Glenn MacIntosh | .... | trainee assistant director | |
| Artist W. Robinson | .... | first assistant director (as Artist Robinson) | |
| Stuart Williams | .... | second second assistant director | |
Art Department | |||
| Gordon Barnes | .... | first assistant art director | |
| Stephen Myles Berger | .... | draftsman (as Stephen M. Berger) | |
| Robert Bonney | .... | assistant carpenter | |
| Carlos Caneca | .... | set dresser | |
| Karen M. Clark | .... | second assistant art director | |
| Peter Dwyer | .... | carpenter | |
| Danielle Fleury | .... | assistant set decorator | |
| Graeme Gossage | .... | assistant props (as Graeme B. Gossage) | |
| Joe Griffith | .... | illustrator (as Joseph F. Griffith Jr.) | |
| Ron Hewitt | .... | assistant props | |
| Henry Ilola | .... | head carpenter | |
| Scott Morrison | .... | art department assistant | |
| Ian Nelmes | .... | head scenic artist | |
| Peter P. Nicolakakos | .... | lead set dresser | |
| William F. O'Brien | .... | draftsman | |
| Roberto C. Ramacciotti | .... | scenic painter | |
| Vic Rigler | .... | property master | |
| Clive Thomasson | .... | lead man | |
| Donald Vandewater | .... | construction coordinator | |
Sound Department | |||
| Ron Bartlett | .... | sound effects mixer | |
| Denis Bellingham | .... | boom operator | |
| Damon Cohoon | .... | assistant sound editor (as Damon D. Cohoon) | |
| Jeff Courtie | .... | foley mixer | |
| John Dunn | .... | supervising sound editor | |
| Stephanie Flack | .... | dialogue editor | |
| Donald Flick | .... | sound editor | |
| Galen Goodpaster | .... | first assistant sound editor | |
| Robin Harlan | .... | foley artist (as Robin Harlin) | |
| Larry Hoki | .... | sound recordist | |
| Sarah Jacobs | .... | foley artist | |
| Owen Langevin | .... | sound mixer (as Owen A. Langevin) | |
| Matthew C. May | .... | sound editor | |
| Harry B. Miller III | .... | supervising adr editor | |
| Rick Mitchell | .... | foley editor | |
| Howard Neiman | .... | dialogue editor (as Howard S.M. Neiman) | |
| Andrew Patterson | .... | adr editor | |
| Jeffrey Perkins | .... | supervising re-recording mixer | |
| Ken S. Polk | .... | sound re-recording mixer | |
| John Pospisil | .... | sound designer | |
| Robert Thirlwell | .... | sound re-recording mixer | |
Visual Effects by | |||
| Randall K. Bean | .... | film scanning operator | |
| Patricia Blau | .... | executive ICO producer | |
| Kim Bromley | .... | visual effects producer | |
| Ronn Brown | .... | CG production assistant | |
| Sean M. Casey | .... | visual effects still photographer | |
| Rob Coleman | .... | computer graphics animator | |
| Giovanni Donovan | .... | chief model maker | |
| Lisa Drostova | .... | digital paint artist | |
| Carl N. Frederick | .... | computer graphics supervisor | |
| John Gazdik | .... | motion control camera assistant | |
| Ray Gilberti | .... | motion control camera operator | |
| Michael J. Halsted | .... | visual effects production assistant | |
| Rebecca Heskes | .... | rotoscope artist | |
| Robert Hill | .... | motion control camera assistant | |
| Mark Holmes | .... | digital compositor | |
| Brad Jerrell | .... | visual effects electrician | |
| Bill Kimberlin | .... | visual effects editor | |
| Jennifer Lee | .... | optical line up: ILM | |
| James Lim | .... | optical camera operator | |
| Euan K. MacDonald | .... | computer graphics animator | |
| Jack Mongovan | .... | rotoscope artist | |
| Mark Moore | .... | visual effects art director | |
| Patrick Neary | .... | technical assistant | |
| Bruce Nicholson | .... | visual effects supervisor | |
| Lorne Peterson | .... | cloud model maker | |
| Joshua Pines | .... | film scanner supervisor | |
| Mary Serafini | .... | editor: CMX | |
| Kenneth Smith | .... | optical supervisor | |
| David Tanaka | .... | assistant editor: CMX | |
| Lisa Vaughn | .... | optical scanning coordinator | |
| Wade Howie | .... | effects animation supervisor (uncredited) | |
Stunts | |||
| Lloyd Adams | .... | stunts | |
| Randy Butcher | .... | stunts | |
| Phil Chiu | .... | stunts | |
| Shelley Cook | .... | stunts | |
| Rick Forsayeth | .... | stunts | |
| Shane Harvey | .... | stunts | |
| Jeff Imada | .... | stunt coordinator | |
| Jeff Imada | .... | stunts | |
| Danny Lima | .... | stunts | |
| Risa Litwin | .... | stunts | |
| Steve Lucescu | .... | stunts | |
| Dwayne McLean | .... | stunts | |
| Larry A. McLean | .... | stunts | |
| Rick Parker | .... | stunts | |
| Ken Quinn | .... | stunts | |
| Buck Randel | .... | stunts | |
| Alison Reid | .... | stunts | |
| Bryan Renfro | .... | stunts | |
| Paul Rutledge | .... | stunts | |
| Helen Scott | .... | stunts | |
| John Stead | .... | stunts | |
| John Stoneham Jr. | .... | stunts | |
| Robert Thomas | .... | stunts | |
| Tye Tyukodi | .... | stunts (as Anton Tyukodi) | |
| R. Ruddell Weatherwax | .... | stunts | |
Camera and Electrical Department | |||
| Kevin Alanthwaite | .... | co-gaffer | |
| Rob Conde | .... | electrician | |
| Carolyn Cox | .... | camera trainee | |
| Cesare DiGiulio | .... | rigging grip | |
| Kevan Dutchak | .... | second assistant camera | |
| Tim Evans | .... | gaffer | |
| Dave Ferguson | .... | best boy grip | |
| Michael Galbraith | .... | electrician | |
| Michael Hall | .... | first assistant camera | |
| Bob Hannah | .... | rigging gaffer | |
| Shane Harvey | .... | still photographer | |
| Delroy P. Jarrett | .... | electrician (as Delroy Jarrett) | |
| Jud Kehl | .... | camera operator | |
| Mike Kirilenko | .... | dolly grip | |
| John Scott MacDonald | .... | rigging grip | |
| Robert MacDonald | .... | first assistant camera | |
| Mark Manchester | .... | key grip | |
| Brian Montague | .... | best boy electric | |
| Richard Scaini | .... | camera trainee | |
| Ken Wyke | .... | electrician (as Kenneth Wyke) | |
| Ron Yolevsky | .... | grip | |
Casting Department | |||
| Ross Clydesdale | .... | casting: Canada | |
| Scott Mansfield | .... | extras casting | |
Costume and Wardrobe Department | |||
| Derek J. Baskerville | .... | set costumer: men | |
| Robert Lewis Bush | .... | costume supervisor: men (as Robert Bush) | |
| Cody Carpenter | .... | wardrobe production assistant | |
| Daniel Davies | .... | wardrobe production assistant | |
| Morganne Newson | .... | additional costumer (as Ann Tree Newson) | |
| Delphine White | .... | set costumer: women | |
Editorial Department | |||
| Joe Fineman | .... | executive in charge of post-production | |
| Gary Fluxgold | .... | second assistant editor | |
| Sharon McGeeney | .... | negative cutter | |
| Paul O'Driscoll | .... | color timer | |
| Richard Sellmer | .... | second assistant editor | |
| Paul C. Warschilka | .... | assistant editor | |
Transportation Department | |||
| Mike Doyle | .... | driver (as Michael Doyle) | |
| W. Doyle | .... | driver | |
| Frank Eldridge | .... | driver | |
| Lorne Frederick | .... | driver | |
| Jazz Helie | .... | driver (as Jazz G. Helie) | |
| Neil Montgomerie | .... | transportation coordinator | |
| John Muir | .... | driver | |
| Jeff Peebles | .... | driver | |
| Gerry Savoy | .... | head driver (as G. Savoy) | |
| Dave Staples | .... | driver | |
| Frank Tenaglia | .... | transportation captain | |
| Truman van Duzen | .... | driver: honeywagon | |
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| The Texas Chainsaw Massacre | Sin City | Dreamcatcher | From Hell | Tenebre |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
"In The Mouth of Madness" is one of John Carpenter's better flicks. It features the usually bland Sam Neill in a surprisingly good and likable performance, and is packed with oodles of intriguing concepts and spiffy details. The music is good (it was cowritten by Carpenter) and the movie has a great look. There are also lots and lots of ginchy make-up effects, and while some are better than others (the kid who turns into an old man looks like a kid wearing a Spencer's Gifts Old Man mask and fright wig), but the sheer abundance of them make this unique.
Neill plays John Trent, a no-nonsense insurance investigator who loves his job and has disdain for most of humanity- but with a sense of humor. He's sent to find a missing mega-selling author Sutter Caine (Jurgen Prochnow, in a role that would have been kick-ass if played by Stephen King), whose books are a nation-wide craze. Trent ends up in Hobb's End, a town right out of Caine's books (literally) where the morbid tales of fiction are becoming reality.
The movie, although muddled in places, too repetitive (on purpose), and too reliant on flash forwards, has lots of things to say about the perception of reality and it interesting and entertaining.
The supporting cast is good: John Glover and David Warner are psychiatrists, a subdued Charleton Heston is a publisher, and Bernie "Revenge of the Nerds" Casey is Trent's boss, but the highlight is Frances Bay as the sweet Mrs. Pickman. She provides the film's high points and ends up looking like something from the director's "The Thing". The weak link in the cast is the leading lady, Julie Carmen, who delivers every line like she just chugged a case of Nyquil. In addition to her lousy acting, she's dressed in ugly outfits and has a kind of "in-your-face" ugliness. In one scene there is a special effects dummy head in place of Carmen's and the dummy head out-acts her.
This is not as great as "The Thing" but better than "They Live" as far as John Carpenter's paranoid, reality-bending flicks go, and is worth checking out.