| Jennifer Jason Leigh | ... | Sadie Flood | |
| Mare Winningham | ... | Georgia Flood | |
| Ted Levine | ... | Jake | |
| Max Perlich | ... | Axel Goldman | |
| John Doe | ... | Bobby | |
| John C. Reilly | ... | Herman | |
| Jimmy Witherspoon | ... | Trucker | |
| Jason Carter | ... | Chasman | |
| Tom Bower | ... | Erwin Flood | |
| Smokey Hormel | ... | Leland | |
| Jimmy Z. | ... | Clay | |
| Tony Marsico | ... | Paul | |
| Jamian Briar | ... | Andrew Flood | |
| Rachel Rasco | ... | Mish Flood | |
| Nicole Donahoo | ... | Young Sadie Flood | |
| Aisleagh Jackson | ... | Young Georgia Flood | |
| Colleen O'Hara | ... | Ticket Agent | |
| Bruce Wirth | ... | Dan Ferguson | |
| Dieter Thomas Kuhn | ... | Bartender at Larry's (as Thomas Kuhn) | |
| Bill Johns | ... | Promoter | |
| Mina Badie | ... | Bobby's Girlfriend | |
| Chris Carlson | ... | Reporter at Larry's | |
| Shawn Cox | ... | 17-Year-Old Boy | |
| Jeff Steitzer | ... | Drunk | |
| Michael Shapiro | ... | Brian | |
| Barbara Deering | ... | Nurse #1 | |
| Stephanie Shine | ... | Nurse #2 | |
| Jay Keye | ... | Gate Agent | |
| Jo Miller | ... | Jo Miller | |
| Craig Huston | ... | Drunk in Crowd (as C.W. Huston) | |
| rest of cast listed alphabetically: | |||
| Michelle Ahern | ... | Featured Dancer (uncredited) | |
| Wendy Bones | ... | Concert crowd member (uncredited) | |
| Shawn Garrett | ... | Concert fan (uncredited) | |
Directed by | |||
| Ulu Grosbard | |||
Writing credits(WGA) | ||
| Barbara Turner | (written by) | |
Produced by | |||
| Ben Barenholtz | .... | executive producer | |
| Amanda DiGiulio | .... | line producer | |
| Ulu Grosbard | .... | producer | |
| Jennifer Jason Leigh | .... | producer | |
| Barbara Turner | .... | producer | |
Cinematography by | |||
| Jan Kiesser | |||
Film Editing by | |||
| Elizabeth Kling | |||
Casting by | |||
| Renee Rousselot | |||
Production Design by | |||
| Lester Cohen | |||
Art Direction by | |||
| Rondi Tucker | |||
Set Decoration by | |||
| Crista Schneider | |||
Costume Design by | |||
| Carol Oditz | |||
Makeup Department | |||
| Lori Guidroz | .... | key hair stylist | |
| Micheline Trépanier | .... | key makeup artist | |
Production Management | |||
| Amanda DiGiulio | .... | unit production manager | |
| Lemore Syvan | .... | post-production manager | |
| Lemore Syvan | .... | post-production supervisor | |
| Stacia White | .... | music production manager | |
Second Unit Director or Assistant Director | |||
| Craig Huston | .... | first assistant director | |
| Elisa Sansalone | .... | second second assistant director | |
| Lynn Wegenka | .... | second assistant director | |
Art Department | |||
| George M. Abeyta | .... | set dresser | |
| Matthew Ebert | .... | art department coordinator | |
| Steven E. Eyrse | .... | head painter | |
| Steven E. Eyrse | .... | scenic artist | |
| Jonathan Faber | .... | art department production assistant | |
| Noelle King | .... | set designer | |
| Kim Larsen-Santini | .... | assistant property master | |
| Melissa Matthies | .... | property master | |
| Michael McCombe | .... | greensman | |
| Robert A. Neer | .... | set dresser | |
| Robert A. Neer | .... | swing | |
| Mary Seibert | .... | set dresser | |
| Alun Vick | .... | construction coordinator | |
Sound Department | |||
| Marko A. Costanzo | .... | foley artist | |
| Lee Dichter | .... | sound re-recording mixer | |
| Lewis Goldstein | .... | sound effects editor | |
| Skip Lievsay | .... | supervising sound editor | |
| Nicholas Renbeck | .... | apprentice sound editor | |
| Fred Rosenberg | .... | dialogue editor | |
| Kira Smith | .... | boom operator | |
| Philip Stockton | .... | sound editor | |
| Mark Weingarten | .... | production sound mixer | |
Special Effects by | |||
| Don Dumas | .... | special effects | |
Camera and Electrical Department | |||
| Peter K. Anderson | .... | camera operator | |
| Ed Ewing | .... | camera operator | |
| David J. Frederick | .... | camera operator (as David Frederick) | |
| Kirk R. Gardner | .... | Steadicam operator (as Kirk Gardner) | |
| Lulu Gargiulo | .... | camera operator (as Lulu Gargiulio) | |
| Steve Itano | .... | first assistant camera: "b" camera | |
| Scott Leyse | .... | assistant camera | |
| Gregory D. Smith | .... | grip | |
| Scott Watkins | .... | best boy grip | |
| Bob Webeck | .... | additional first assistant camera | |
Casting Department | |||
| Tina Kerr | .... | extras casting | |
| Jodi Rothfield | .... | seattle casting | |
| Katie Ryan | .... | casting: Seattle | |
Costume and Wardrobe Department | |||
| Marienne O'Brien | .... | costume supervisor | |
Editorial Department | |||
| Sam Adelman | .... | assistant editor | |
| Sandra Nash | .... | apprentice editor | |
| Patricia Sztaba | .... | negative matcher | |
| Stan Sztaba | .... | negative matcher | |
Music Department | |||
| Todd Kasow | .... | music editor | |
| Margaret Lite | .... | music production assistant | |
| J. Steven Soles | .... | music producer (as Steven Soles) | |
| Tom Swift | .... | music mixer | |
| Robin Urdang | .... | music consultant | |
| Stacia White | .... | music production manager | |
Transportation Department | |||
| Roy A. Grace | .... | driver | |
| Rick Wiley | .... | driver: camera car | |
Other crew | |||
| Ronald Arthur Baker | .... | caterer | |
| Travis William Blue | .... | production assistant | |
| Mark Botvinick | .... | production assistant | |
| Kristin Capp | .... | location assistant | |
| Bradley Dumont | .... | assistant to director | |
| Roger D. Faires | .... | assistant location manager | |
| Meg McHutchison | .... | location manager | |
| Carrie Ann Morrow | .... | technical advisor | |
| Susan Pearce | .... | first assistant production accountant | |
| Atalanta Powell | .... | production assistant | |
| Lou Ann Quast | .... | script supervisor | |
| Gary Roundtree | .... | production assistant | |
| Dixie Lee Sedgwick | .... | stand-in | |
Thanks | |||
| Elvis Costello | .... | special thanks | |
| Van Morrison | .... | special thanks | |
| Lou Reed | .... | special thanks | |
| Recent Posts (updated daily) | User |
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| ee-gads..what a great performance... | beavertoof |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This film presents a fairly accurate portrayal of the chaotic, symbiotic environment of the bar band music scene. If you are looking for a coherent, one-two-three plot and are expecting realism at the same time, forget it. You would be missing the point. Having "been there" and "done that", I can affirm that this movie does a pretty good job at portraying interesting and realistic snapshot views of people in this particular music genre. In addition, this film even goes so far as to attempt realistic discriminations between different types of musicians (e.g., between ones who want to just succeed, ones who just want to play, ones who can't get their lives together enough to make it, starving artists, etc.).
This film initially may seem innocuous and even simplistic to some casual viewers. I must admit that I didn't get much the first time I casually viewed it. "Georgia" is very layered and textural -- the more you stand back and look, the more you can almost reach out and touch it -- but, as with most true art -- one must stand back and really take a look at it to appreciate the many layers. The layers of this particular artwork is done via multiple, sometimes concurrent, relationships, which intermittently share the foreground and the background with some really great music and various elements of the music scene. There is the relationship between Georgia and Sadie -- of course, the most obvious relationship that maintains precedence, but if you spend too much time on this one, you will miss so much. There is the Sadie-Axel layer; the Sadie-Georgia's husband layer; the Sadie-Herman layer; the Sadie-and the music layer; the Sadie-Sadie layer; the Sadie-drugs layer; the Sadie-father layer; on and on. All these relationships involving Jennifer J.L's character puts a lot of pressure on J.J.L, and I think she brings it about beautifully. I don't find her "overacting" in any scene -- the only "overacting" that is done is done by Sadie, not by J.J.L.
J.J.L. has rarely disappointed me in her character portrayals. I have always found her an interesting sort of actress: she does not have that obvious physical "stand out" star quality about her, but more of a quiet, well-played character actress, genuine star quality about her. I think she, along with the other actors in this movie, did a terrific job with very difficult material (about a very unusual and difficult, but interesting, lifestyle), and this movie calls out to me to watch it every time it plays on my satellite service.
This movie should not be judged along with "standards". It is a rare piece of filmwork, and should be judged entirely on its own standalone merits.