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IMDb > Georgia (1995)
Georgia
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Georgia (1995) -- Trailerfan.com - Trailer (Flash)

Overview

User Rating:
5.8/10   1,574 votes
MOVIEmeter: ?
No change in popularity this week. See why on IMDbPro.
Director:
Writer (WGA):
Barbara Turner (written by)
Contact:
View company contact information for Georgia on IMDbPro.
Release Date:
8 December 1995 (USA) more
Genre:
Tagline:
The toughest act to follow was their dreams.
Plot:
Sadie (Jennifer Jason Leigh) is desperately looking up to her older sister Georgia (Mare Winningham) who is a famous C&W artist... more | full synopsis
Awards:
Nominated for Oscar. Another 4 wins & 4 nominations more
NewsDesk:
(13 articles)
Sundance 2010 Film Lineup *Updated*
 (From LatinoReview. 3 December 2009, 1:00 PM, PST)

There's Still Plenty to be Thankful for ... Isn't There?
 (From Vanity Fair. 25 November 2009, 7:45 AM, PST)

User Comments:
Georgia on my mind more (31 total)

Cast

  (Cast overview, first billed only)

Jennifer Jason Leigh ... Sadie Flood

Mare Winningham ... Georgia Flood

Ted Levine ... Jake

Max Perlich ... Axel Goldman
John Doe ... Bobby

John C. Reilly ... Herman
Jimmy Witherspoon ... Trucker
Jason Carter ... Chasman

Tom Bower ... Erwin Flood
Smokey Hormel ... Leland
Jimmy Z. ... Clay
Tony Marsico ... Paul
Jamian Briar ... Andrew Flood
Rachel Rasco ... Mish Flood
Nicole Donahoo ... Young Sadie Flood
more
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Additional Details

Also Known As:
Georgia (France)
more
MPAA:
Rated R for substance abuse, language and a sex scene.
Runtime:
115 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Filming Locations:
Company:

Fun Stuff

Trivia:
John Doe was cast in the film because Jennifer Jason Leigh is a fan of his band, X. more
Quotes:
Georgia: I don't want to know what you do locked away in that bathroom for half an hour. more
Movie Connections:
Featured in The 68th Annual Academy Awards (1996) (TV) more
Soundtrack:
MERCY more

FAQ

This FAQ is empty. Add the first question.
2 out of 2 people found the following comment useful.
Georgia on my mind, 14 August 2005
9/10
Author: paul2001sw-1 (paul2001sw@yahoo.co.uk) from Saffron Walden, UK

'Georgia' is a strong, sometimes harrowing drama about the relationship between two singing siblings: the eponymous elder sister, an established country-folk star, and the less talented Sadie, who is actually the central character of this film. Jennifer Jason Leigh is in her element as the self-destructive, self-loathing Sadie, and delivers perhaps her finest performance; but Mare Willingham is also good in the subtler role of Georgia, a woman whose capacity to feel compassion has been tested to the limit, and which only survives when focused through a prism of superiority. Georgia is instinctively careful with words but Sadie compulsively goads her into betraying these instincts; the telling dialogues between them are constructed with a deadly precision, the high points of a generally excellent screenplay. What's also surprising is that the music is also good. In any film about art, a central problem for the director is creating a belief in the merits of the fictional work; in 'La Bellie Noiseuse', for example, Jean-Jacques Rivette created an explicit plot justification for not having to show the painting that is the film's centrepiece to his viewers, rather than letting us judge it. By contrast, in this film, Georgia sounds genuinely good, while Sadie veers between downright awful and almost interesting; this allows the film to actually use the music as a means of conveying the narrative of the story. This slows the pace of the film, and if you don't like the types of music played, might be excruciating; but it's interesting to see the (fictional) truth conveyed through the medium of performance.

One of the film's strengths is that it grants us no indulgent fantasies; because of this, the narrative arc is limited (especially as the film is quite long). In some senses, the film resembles other great films about the self-destructive, like 'Five Easy Pieces' or 'Naked'. It's not quite in that class, but it's double-headed structure makes it more reflective, less visceral, but by no means uninteresting. Overall, it's an unjustly neglected work.

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