Doc McCoy is put in prison because his partners chickened out and flew off without him after exchanging a prisoner with a lot of money. Doc knows Jack Benyon, a rich "business"-man, is up ... See full summary »
Carly Norris is a book editor living in New York City who moves into the Sliver apartment building. In the apartment building, Carly meets two of her new neighbors, author Jack Lansford who... See full summary »
Sarah Taylor, a police psychologist, meets a mysterious and seductive young man, Tony Ramirez, and falls in love with him. As a result of this relationship, she changes her personality when... See full summary »
Rebecca De Mornay,
Three muralists (one Chicano, one Black, one American Indian) and the socially-maladjusted cousin of the Chicano muralist set off on a road trip with the intent of painting their images on ... See full summary »
Messrs Lawton (a hit-man), Horton (expecting some middle-aged dating agency nooky) and Orton (checking out properties for his boss) converge on the Hotel Gabriella in Venice. Linguistic ... See full summary »
When student Jake Lo witnesses a killing, he finds himself caught between two feuding drug lords. Betrayed and set up by the federal agents protecting him, the only one he can trust is Ryan... See full summary »
Buster McHenry works as an undercover agent for the local police. Currently he investigates on police corruption and is in big trouble. His task makes him break the law, he participates in ... See full summary »
Lou Diamond Phillips,
Theatrical trailer shows some deleted and alternate scenes from original cut of the movie before it was partially re-shot and re-edited; Alternate interrogation scene between McQuean and Kirkpatrick in the beginning where he asks her some questions and she says that nobody tried to kill her, another extended part of this scene where she asks him does he has problem with lawyers and he says that he's a cop and that it's "written on the badge". Alternate dialogue between them while they are driving in car at night where he says that they can't trust any cops and when she asks him why she should trust him he says because he hasn't shoot her yet and adds a line "Night's still young". Additional scene where he gives her the gun and when she says that she doesn't know how to shoot he says it's just like using a camera, just point and shoot. Additional scene where Kirkpatrick asks McQuean will she hit him but she says "Night's still young", same line he said to her in another deleted scene shown in trailer. See more »
The villains detect Max's cellphone in use, but do not try to monitor his conversation on it, even though they have demonstrated the more difficult capability of monitoring conversations on a conventional phone. By monitoring the cellphone call, they could have spotted Max's deception at once. See more »
[after dumping a ton of mail on Max's desk]
THIS is your mail because it has your name on it! My mail is sometimes addressed to OCCUPANT. Because, Max, I AM the fucking occupant of my place! Whereas YOU are no longer an occupant. Is this sinking in? GET YOUR SHIT OUT OF MY APARTMENT!
See more »
This is bad, very bad. It must have sounded like a good idea at the time: "Die Hard With Legal Mumbo-Jumbo" with a twist: we'll have a sexy model as the star.
Erm, it sounds good on paper, and perhaps it would have been a good idea if they hadn't screwed the damn thing up by giving us a weak script, even weaker plot, weaker villians and then give up on the sexy model as John McClane and turn her into a damsel in distress.
It almost feels like Producer, Joel Silver is satirizing or parodying himself in the constant need for set-piece action after set-piece action strung together on the weakest thing to ever grace the screen.
Everything that hits something explodes, cars hit telegraph poles and explode violently, tree's that are in the way explode even more violently...its almost too much to take in. I know action is what was driving hollywood around the early 90s - but this is just TOO much.
Anyway, the film pretty much nose-dives when Crawford - who looks stunning - turns into a damsel in distress with Baldwin acting like he's painting by numbers - just doing the thing because either Stallone dropped out or because of the money.
Not even the "sex-scenes" can save this terrible affair. Not even Berkov, now type-cast as Russian bad guys, can save it. Everything hurts...everything. The end explosion looks kinda cool, but it can't mask the fact that this film is flimsy at best - and at worst? Well, I just don't wanna think about that.
They could have made it a lot better than this trash. A die-hard with a woman as the hero could have been done a lot better. Its a shame with the buckloads of money they wasted on this trash seems to have gone onto Crawford's make-up.
My Rating: 0/10
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