Pedro goes out searching for a girl, but the night doesn't seem to be good. While he is talking with a friend, he sees Sara breaking up with a boy. He goes after her, and they end up ... See full summary »
Three friends, two young men and a young woman, are bored by the normal world of their parents and want to flee in order to start living somewhere else. Thus they make a pervert plan: rob ... See full summary »
A member of the ETA terrorist organization belongs to a commando which is preparing an outrage in Madrid. But he sets other priorities when he meets a girl who is addicted to drugs and for ... See full summary »
Miranda is a crew member of a nightly radio programmme. She and her husband Felix, a cop, are parents of a girl. Miranda's daily dog walking strolls are excuses to pursue sexual encounters ... See full summary »
Manuel Gómez Pereira
Benito González works construction in Melilla and dreams big - of building the tallest building in Benidorm, a great phallic symbol of power, González Towers. Over several years, we see ... See full summary »
Maria de Medeiros,
Al enamorarnos, apostamos. Y es un juego demasiado íntimo para asimilar con facilidad el fracaso. Elena sabe que el enfriamiento que atraviesa su matrimonio no es algo temporal. Alberto , ... See full summary »
Mommy's boy Juantxo is engaged. Dragged to the party by his friends Konradin and Paco, he loses his expensive wedding ring inside the body of a prostitute. Mafioso whorehouse owner ... See full summary »
Juanma Bajo Ulloa
Fernando Guillén Cuervo,
Alberto San Juan
Two young people meet in the 60's as a result of their devotion to John Lennon, and have a recurring relationship during the next thirty years at the oddest of moments, in the most diverse ... See full summary »
Jose Luis is an executive at his parents underwear factory where his girlfriend Sylvia works on the shop floor. When Sylvia falls pregnant, Jose Luis promises her that he will marry her, ... See full summary »
The director tries for an outrageous sex comedy in the manner of Almavodar, but comes up with a mild screwball amusement. Javier Bardem is neither sexy nor amusing, although he tries very hard. He's not a funny guy. One central plot line revolves around a closeted gay man whose wife is having an affair with his business partner. The character is a sad reminder of the tormented closet homosexuals from movies of the 60s (e.g., William Windom in "The Detective"). Even in a farce, the character must be remotely believable. Is it possible that in the enlightened Spain of the 1990s, such a pitiful creature could still exist? Even in a farce, the premise must be believable.
Another plot line involves Bardem trying to get a part in an American movie and become an international superstar. The satire regarding the American view of Spanish men is obvious and puerile. It's meant for hip Spanish twenty-somethings so they can knowingly smirk about the superiority of Spanish culture to that of Hollywood. But the slapstick is mere juvenilia, without much genuine humor. The American view of Spanish men as hot Latin lovers went out with the death of Valentino (yes, I know, he was Italian, but Americans don't know the difference--therein lies something to satirize).
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