| Photos (see all 22 | slideshow) | Videos |
| Ethan Hawke | ... | Jesse | |
| Julie Delpy | ... | Celine | |
| Andrea Eckert | ... | Wife on Train | |
| Hanno Pöschl | ... | Husband on Train | |
| Karl Bruckschwaiger | ... | Guy on Bridge | |
| Tex Rubinowitz | ... | Guy on Bridge | |
| Erni Mangold | ... | Palm Reader | |
| Dominik Castell | ... | Street Poet | |
| Haymon Maria Buttinger | ... | Bartender | |
| Harald Waiglein | ... | Guitarist in Club | |
| Bilge Jeschim | ... | Belly Dancer | |
| Kurti | ... | Percussionist | |
| Hans Weingartner | ... | Cafe Patron | |
| Liese Lyon | ... | Cafe Patron | |
| Peter Ily Huemer | ... | Cafe Patron | |
| Otto Reiter | ... | Cafe Patron | |
| Hubert Fabian Kulterer | ... | Cafe Patron | |
| Branko Andric | ... | Cafe Patron | |
| Constanze Schweiger | ... | Cafe Patron | |
| John Sloss | ... | Cafe Patron | |
| Alexandra Seibel | ... | Cafe Patron | |
| Georg Schöllhammer | ... | Cafe Patron | |
| Christian Ankowitsch | ... | Cafe Patron | |
| Wilbirg Reiter | ... | Cafe Patron | |
| Barbara Klebel | ... | Musician on Boat | |
| Wolfgang Staribacher | ... | Musician on Boat | |
| Wolfgang Glüxam | ... | Harpsichord Player | |
| rest of cast listed alphabetically: | |||
| Adam Goldberg | ... | Man Sleeping on Train (uncredited) | |
| Paul Poet | ... | Guy in Bar (uncredited) | |
Directed by | |||
| Richard Linklater | |||
Writing credits(WGA) | ||
| Richard Linklater | (written by) & | |
| Kim Krizan | (written by) | |
Original Music by | |||
| Fred Frith | |||
Cinematography by | |||
| Lee Daniel | (director of photography) | ||
Film Editing by | |||
| Sandra Adair | |||
Casting by | |||
| Alycia Aumuller | |||
| Judy Henderson | |||
Production Design by | |||
| Florian Reichmann | |||
Costume Design by | |||
| Florentina Welley | |||
Makeup Department | |||
| Karen Dunst | .... | hair stylist (as Karin Dunst) | |
| Karen Dunst | .... | makeup artist (as Karin Dunst) | |
Production Management | |||
| Bernhard Schmatz | .... | production manager | |
Second Unit Director or Assistant Director | |||
| John Buche | .... | second assistant director | |
| E. Otto Sperl | .... | first assistant director | |
Art Department | |||
| Maria Bluemel | .... | stand-by props (as Maria Blümel) | |
| Max Space | .... | art department assistant (as Maximilian Jezo-Parovsky) | |
| Michael Suchy | .... | property master | |
| Mark Lambert Bristol | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Wayne Bell | .... | sound effects editor | |
| Stan Ginsel | .... | assistant sound editor (as Stanley Ginsel) | |
| Douglas Greenfield | .... | stereo consultant: Dolby | |
| Tom Hammond | .... | supervising sound editor | |
| Steve Jaszkowiak | .... | foley mixer | |
| Ossama Khuluki | .... | foley artist | |
| Paul Koronkiewicz | .... | boom operator (as Paul Koronkiewiecz) | |
| Christopher Moriana | .... | foley artist (as Chris Moriana) | |
| Charles W. Ritter | .... | dialogue editor (as Chip Ritter) | |
| Larry Seyer | .... | sound re-recording mixer | |
| Russ Smith | .... | assistant sound editor | |
| Reilly Steele | .... | adr mixer | |
| Thomas Szabolcs | .... | sound mixer | |
| Todd Toon | .... | foley editor | |
| Patrick Giraudi | .... | foley editor (uncredited) | |
Camera and Electrical Department | |||
| Paul Alexander | .... | Steadicam operator | |
| Walter Bednarik | .... | dolly grip | |
| Gabriela Brandenstein | .... | still photographer | |
| Phillip Grausam | .... | electrician | |
| Matthias Grunsky | .... | clapper loader (as Mathias Grunsky) | |
| Susanne Habitzel | .... | best girl electric | |
| Roland Heinrich | .... | grip | |
| Thomas Horváth | .... | second electric (as Thomas Horvath) | |
| Gero Lasnig | .... | gaffer | |
| Francesco Lorusso | .... | grip | |
| Heinz Menschik | .... | first assistant camera | |
| Thomas Öhl | .... | electrician | |
| Bernd Pfingstmann | .... | third electric | |
| Clark Walker | .... | second assistant camera | |
Editorial Department | |||
| Barbara Albert | .... | assistant editor | |
| Peter Fahrngruber | .... | avid consultant | |
| Sheri Galloway | .... | second editor | |
| Mo Henry | .... | negative cutter | |
| Steve Johnson | .... | colorist | |
| Bob Kaiser | .... | color timer | |
| Eric A. Lewy | .... | first assistant editor | |
| Christine Radovanov | .... | assistant editor | |
Music Department | |||
| Arlene Fishbach | .... | music consultant | |
Transportation Department | |||
| Michael Hopfgartner | .... | transportation captain | |
| Stegan Stein | .... | driver: trailer (as Stefan Stein) | |
Other crew | |||
| Catherine Bauer | .... | production assistant | |
| Uli Halbritter | .... | production coordinator | |
| Jeff Hill | .... | publicity: Clein+White | |
| Philipp Kaiser | .... | location assistant | |
| Alexander Kleinszig | .... | key production assistant | |
| Kurt Werner 'Mingo' Krusche | .... | location manager (as Kurt 'Mingo' Krusche) | |
| Avi Levy | .... | production accountant | |
| Karol Martesko | .... | co-production liaison | |
| Morgan Miles | .... | assistant production accountant | |
| Axl Newrkla | .... | set location manager | |
| Andrea Nunner | .... | accountant: Austria | |
| Chris Paton | .... | unit publicist: DDA London | |
| Monika Petrillo | .... | script supervisor (as Monika von Manteuffel) | |
| Hans Weingartner | .... | production assistant | |
| Reini Weissensteiner | .... | set production assistant (as Reinhard Weißensteiner) | |
| Susanne Wouk | .... | set production assistant | |
Thanks | |||
| Wolfgang Ainberger | .... | we wish to thank | |
| Karen Arikian | .... | we wish to thank (as Karin Arikian) | |
| Manfred Bartunek | .... | we wish to thank | |
| Ivan Bigley | .... | we wish to thank | |
| Arie Bohrer | .... | we wish to thank | |
| Laura Duda | .... | we wish to thank | |
| Courtney Eldridge | .... | we wish to thank | |
| Jürgen Forster | .... | we wish to thank | |
| Walter Galosch | .... | we wish to thank | |
| Leonhard Gmür | .... | we wish to thank | |
| Robyn Gray | .... | we wish to thank | |
| Stefan Grissemann | .... | we wish to thank | |
| Alexander Horwath | .... | we wish to thank | |
| John Hunt | .... | we wish to thank | |
| Heather McGrath Jacobs | .... | we wish to thank | |
| David Jewell | .... | acknowledgment: poem "Delusion Angel" written by | |
| Alan Jones | .... | we wish to thank | |
| Gudrun Kampl | .... | we wish to thank | |
| Constanze Kargl | .... | we wish to thank | |
| Lynn Keller | .... | we wish to thank | |
| Kurt Kren | .... | we wish to thank | |
| Doris Krumpl | .... | we wish to thank | |
| Shirley Linklater | .... | in memory of: my grandparents (as Shirley) | |
| Amy Lowrey | .... | we wish to thank | |
| Peter Muhr | .... | we wish to thank (as Peter) | |
| Vesna Muhr | .... | we wish to thank | |
| Jim Osborne | .... | we wish to thank | |
| Katharina Pirker | .... | we wish to thank | |
| Bernhard Praschl | .... | we wish to thank | |
| Ulla Rapp | .... | we wish to thank | |
| Christa Reeh | .... | we wish to thank | |
| Stefan Ruul | .... | we wish to thank | |
| Maria Schmidt | .... | we wish to thank | |
| Franz Schwartz | .... | we wish to thank | |
| Heinz Skala | .... | we wish to thank | |
| Philipp Teuchtler | .... | we wish to thank | |
| I.D. Lila von Schwarzenberg | .... | we wish to thank | |
| Dagmar Wagner | .... | we wish to thank | |
| Fritz Wagner | .... | we wish to thank (as Fritz) | |
| Peter Wallner | .... | we wish to thank | |
| Heinz Wendl | .... | we wish to thank | |
| Cornelia Zweigert | .... | we wish to thank | |
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'Before Sunrise' is not a film to be scrutinised, nor studied. The absolute beauty of it lies in its perfection as a simple love story - of two lives suddenly thrown together in the midst of reality, and the ensuing night of simple love that follows. Every individual at some time in life dreams of the connection that is portrayed in this film between Jesse and Celine, and few ever find it. 'Before Sunrise' simply and elegantly demonstrates how the most fundamental passions of human emotion can envelope two complete strangers. The beauty of this film is that the story is the most important element. The ending is both provocative and emotional - scenes of the night previously seen in darkness are now portrayed in lonely daylight as the sun rises and the story closes on these two characters.
I saw this film by accident one night late on television. I have never forgotten it. So well is it made that the audience never question if this could ever really happen in life, reality being so absolutely characterised in it.
'Before Sunrise' is simply the story of two strangers bound in Vienna's lonely night splendour - one night of love in all its glory, one superb piece of film making.